Here are 100 books that The Young Team fans have personally recommended if you like
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I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
I loved the Glaswegian (quasi-Irish!) voice of Shuggie Bain, but what I will always remember it for is its gut-wrenching depiction of the consequences of poverty and alcoholism for the titular child character.
There were times when I was reading this novel that I literally flinched from it. It’s one of the most poignant times that I can remember having such a visceral reaction to a book.
What I found truly remarkable was the book’s sense of simultaneous inevitability and hope. At once, I felt that there was only one possible end for Agnes and Shuggie, and yet I also somehow believed that both characters would escape their miserable situation.
This idea, that hope sustains even against the most improbable odds, accesses something fundamentally human. A book that can do that is one I would recommend any day.
WINNER OF THE BOOKER PRIZE NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD
A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.
Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
The most “please don’t do it” I have felt in response to a story is as Gray’s protagonist Thaw empties his pockets and throws his life documents and identifying possessions from a moving train on his way to his moment of madness. This will transpose or transform or, I suppose we must, translate Thaw into Lanark.
Critics have noted the many madcap imaginative moments in Gray’s large (in every sense) debut novel. The sequencing of the parts alone (Part 3, Part 1, Part 2, and Part 4) is enough to signal we are in no realist story of a boy and man’s life in Glasgow – more, think surrealist – and yet the book is also just that, and Glasgow is a hell called Unthank in the imagination of an artist who lived all his life in Glasgow.
'Probably the greatest novel of the century' Observer 'Remarkable' William Boyd
Lanark, a modern vision of hell, is set in the disintegrating cities of Unthank and Glasgow, and tells the interwoven stories of Lanark and Duncan Thaw. A work of extraordinary imagination and wide range, its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love, and yet our compulsion to go on trying.
First published in 1981, Lanark immediately established Gray as one of Britain's leading writers.
My family maintained an emigrant’s romantic view of Scotland: tartan, ceilidhs, bagpipes, and shortbread in tartan tins. In 1978 I moved to Scotland after a political science degree to study bagpipes with one of the great masters of the time, and I was exposed to a very different Scotland. Living in Ferguslie Park, Paisley during Margaret Thatcher’s era, I was in the town with the worst social statistics in Europe, seeing poverty, crime, and trauma on the streets every day, and these books speak to that reality. They also describe the warmth and beauty of the people I met there, many of whom remain fast friends to this day.
Having lived in Scotland in the late 1970s, I felt as though I was reading about my own experiences at times, and I was certain I could smell the coal burning. This book helped make sense of so much of Scottish life and politics, while it was also a moving personal story. It’s a sweeping history of life and politics in 20th century Scotland that gives context to everything in the news today.
And the Land Lay Still is the sweeping Scottish epic by James Robertson
And the Land Lay Still is nothing less than the story of a nation. James Robertson's breathtaking novel is a portrait of modern Scotland as seen through the eyes of natives and immigrants, journalists and politicians, drop-outs and spooks, all trying to make their way through a country in the throes of great and rapid change. It is a moving, sweeping story of family, friendship, struggle and hope - epic in every sense.
The winner of the Saltire Society Scottish Book of the Year Award 2010, And…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
Scabby Queen opens with the death by suicide of Clio Campbell, at different times a popstar, a political activist, a lover of life.
The book stretches back five decades to tell her story, from different perspectives and jumping around between time periods. I really love that such a complicated, strong, and uncompromising woman gets to take centre stage in a story that is both political (poll tax riots, miners’ strikes, Brexit) and personal.
'Gripping and moving. A literary triumph' Nicola Sturgeon
'A humane and searching story' Ian Rankin
'Kirstin Innes is aiming high, writing for readers in the early days of a better nation' A.L. Kennedy
A NEW STATESMAN BOOK OF THE YEAR * A SCOTSMAN BOOK OF THE YEAR
Three days before her fifty-first birthday Clio Campbell - one-hit wonder, political activist, lifelong love and one-night-stand - kills herself in her friend Ruth's spare bedroom. And, as practical as she is, Ruth doesn't know what to do.
As the news spreads around Clio's collaborators and comrades, lovers…
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book is full of rule-breakers, but not in the way you’d think. Rhea and her friends try to combat gentrification in their South L.A. neighborhood in the most unconventional way imaginable by inventing a fake gang; however, they are soon blamed for a very real murder.
I lived in West Baltimore for a time and saw the effects of gentrification taking over my neighborhood even in the short two years that I was there, so this book really resonated with me on a personal level. The premise reminded me of those memes of people claiming to shoot out the windows every few months to keep the rent low. While it’s a joke, there is a very real fear behind it, and this is a complex issue that Adia tackles with such a fresh voice and nuanced approach.
Winner of the 2024 Coretta Scott King John Steptoe New Talent Award
A raised fist against the destructive forces of gentrification and a love letter to communities of color everywhere, Jade Adia's unforgettable debut tells the darkly hilarious story of three best friends willing to do whatever it takes to stay together.
The gang is fake, but the fear is real.
Rhea’s neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her.…
As a writer I like to explore many genres, and one of my favorites is young adult supernatural. I think I was destined to write in this world because the first book I took out of the library was Where the Wild Things Are. My favorite books as a teenager all dealt with supernatural themes – Summer of Fear, Carrie, and Audrey Rose. Writing about changelings allows me to explore the tenuous connection between what lies inside of us – our psyche, our minds, our souls – and what might exist on the other side of our known world. It’s the search for that missing link that keeps me writing.
I really enjoy C.B. Lee’s books. She writes stories with diverse characters, LGBTQ themes, and possesses a really fun voice. In this book, which is part of the Sidekick Squad series, Bells Broussard is having a hard time because he’s now a wanted villain. Lee flips the whole hero/villain archetypes and makes us question what’s good and what’s bad. Her books are for the middle grade set, but if you like superheroes and a comic book mythology like me, you’ll enjoy them.
Bells Broussard thought he had it made when his superpowers manifested early. Being a shapeshifter is awesome. He can change his hair whenever he wants and, if putting on a binder for the day is too much, hes got it covered. But that was before he became the countrys most wanted villain.After discovering a massive cover-up by the Heroes League of Heroes, Bells and his friends Jess, Emma, and Abby set off on a secret mission to find the Resistance. Meanwhile, power-hungry former hero Captain Orion is on the loose with a dangerous serum that renders meta-humans powerless, and a…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Hi! I'm Joanne Starer, and I write comics based my own messy relationships, like in Total Suplex of the Heart. And sometimes, I write about messy and complicated friendships, like Fire & Ice: Welcome to Smallville. Sometimes, I make comics with my actual boyfriend, Khary Randolph, like Sirens of the City. So you could say relationships are kind of my thing.
This one has messy right in the title! Freddy keeps getting dumped by Laura Dean over and over. She gets so blinded by her “love” for Laura Dean that she takes her friends for granted. It’s a classic story with an LGBT+ twist. Part of what makes it stand out is the beautiful visual storytelling. I actually learned a lot from this one, as it’s quite different from the superhero comics I grew up with. There are moments in here where two hands will say a thousand words.
Laura Dean, the most popular girl in high school, was Frederica Riley's dream girl: charming, confident, and SO cute. There's just one problem: Laura Dean is maybe not the greatest girlfriend.
Reeling from her latest break up, Freddy's best friend, Doodle, introduces her to the Seek-Her, a mysterious medium who leaves Freddy some cryptic parting words: Break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it's really Laura Dean that's the problem. Maybe it's Freddy, who is rapidly losing her friends, including Doodle, who…
I’ve dealt with depression from a young age. Books like these make me feel better because they give me the time to focus on someone else dealing with similar (or worse) feelings without minimizing my own circumstances. Or perhaps, is it schadenfreude? I have no idea! Huge warning, though. This list mixes some really dark stuff. Please proceed with caution. But I did throw some sweet ones in there, too, as a treat!
Ever loved a book series so much that you got it permanently etched on your skin? (That’s me) Punpun, the titular character seen to readers as a line drawing of a bird, has one of the most broken families I’ve ever read about. Still, I found solace in his life. Ending the series (even though I couldn’t sleep that night) I wanted to go back and start again just to see how much he has developed.
Most of the characters are pretty unlikeable which makes them realistic. Even with the way Asano draws them, you’d think he’s pretty pessimistic about the overall human spirit too. I will say that this book has nearly every trigger warning I can think of, so be careful.
A dark coming-of-age tale where slice-of-life slices back.
This is Punpun Onodera's coming-of-age story. His parents' marriage is falling apart. His dad goes to jail, and his mom goes to the hospital. He has to live with his loser uncle. He has a crush on a girl who lives in a weird cult. Punpun tries talking with God about his problems, but God is a jerk. Punpun keeps hoping things will get better, but they really, really don't.
Meet Punpun Punyama. He's an average kid in an average town.
My family moved around a lot when I was younger, which may explain why I’m fascinated by the experience of being an outsider. To me, it’s not a bad thing; being on the outside can sometimes help a person to see things more clearly, to think more critically and creatively. The year I spent living in a country where English wasn’t the main language was one of the most stimulating periods of my life, because I was so attuned to all the tiny details that other people took for granted. Plus, as teenagers, everyone feels like they’re on the outside looking in – which is probably why all of my books have contained some coming-of-age element.
Full disclosure: Mariko’s cousin, Gillian, attended my old high school, and part of the appeal of this book for me initially was the fact that I recognised so many details from that world. Kimberley “Skim” Cameron is a would-be Wiccan goth attending an all-girls private school that’s gone into high-gear mourning over the death of the boyfriend of one of its students. It’s poignant and perceptive and darkly funny, if somewhat angst-heavy. This was one of my earliest introductions to graphic novels and what the form can uniquely offer.
"Skim" is Kimberly Keiko Cameron, a not-slim, would-be Wiccan goth who goes to a private girls' school in the early '90s. When her classmate Katie Matthews is dumped by her boyfriend, who then kills himself possibly because he's (maybe) gay the entire school goes into mourning overdrive. It's a weird time to fall in love, but that's what happens to Skim when she starts meeting secretly with her neo-hippie English teacher, Ms. Archer. But then Ms. Archer abruptly leaves the school, and Skim has to cope with her confusion and isolation while her best friend, Lisa, tries to pull her…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
It’s about the simplest idea you can hang a story on: three people discover a house in the wilderness and explore it. But this short, black and white, silent graphic novel just sucked me deeper and deeper into the terror of a place that seems to grow impossibly larger, even as your pathway through it becomes narrower and narrower until...well, it’s pretty dark stuff. Simmons’s art is also inky black, but visualizes the concepts at play with beautiful power. There is a terrible force behind the scenes here, but you can never know what it is and you can never defeat it.
This adventurous, silent graphic novel demonstrates the solid strength of this young cartoonist's storytelling ability. Whether plunging into the watery depths of a sinkhole that has obviously swallowed part of a town or entering the uncertain hidden corridors of the house, every turn is captured with intensity by Simmons' scratchy pen. Page composition and panel arrangements are masterfully coordinated to reflect the characters' increasingly claustrophobic panic as the story reaches its crescendo, and to cause a similar and palpable reaction in the reader. House is Josh Simmons' first full-length graphic novel after years of honing his craft on the humorous,…
