Here are 100 books that The Young Team fans have personally recommended if you like
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I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care.
I loved the Glaswegian (quasi-Irish!) voice of Shuggie Bain, but what I will always remember it for is its gut-wrenching depiction of the consequences of poverty and alcoholism for the titular child character.
There were times when I was reading this novel that I literally flinched from it. It’s one of the most poignant times that I can remember having such a visceral reaction to a book.
What I found truly remarkable was the book’s sense of simultaneous inevitability and hope. At once, I felt that there was only one possible end for Agnes and Shuggie, and yet I also somehow believed that both characters would escape their miserable situation.
This idea, that hope sustains even against the most improbable odds, accesses something fundamentally human. A book that can do that is one I would recommend any day.
WINNER OF THE BOOKER PRIZE NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD
A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.
Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
The most “please don’t do it” I have felt in response to a story is as Gray’s protagonist Thaw empties his pockets and throws his life documents and identifying possessions from a moving train on his way to his moment of madness. This will transpose or transform or, I suppose we must, translate Thaw into Lanark.
Critics have noted the many madcap imaginative moments in Gray’s large (in every sense) debut novel. The sequencing of the parts alone (Part 3, Part 1, Part 2, and Part 4) is enough to signal we are in no realist story of a boy and man’s life in Glasgow – more, think surrealist – and yet the book is also just that, and Glasgow is a hell called Unthank in the imagination of an artist who lived all his life in Glasgow.
'Probably the greatest novel of the century' Observer 'Remarkable' William Boyd
Lanark, a modern vision of hell, is set in the disintegrating cities of Unthank and Glasgow, and tells the interwoven stories of Lanark and Duncan Thaw. A work of extraordinary imagination and wide range, its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love, and yet our compulsion to go on trying.
First published in 1981, Lanark immediately established Gray as one of Britain's leading writers.
My family maintained an emigrant’s romantic view of Scotland: tartan, ceilidhs, bagpipes, and shortbread in tartan tins. In 1978 I moved to Scotland after a political science degree to study bagpipes with one of the great masters of the time, and I was exposed to a very different Scotland. Living in Ferguslie Park, Paisley during Margaret Thatcher’s era, I was in the town with the worst social statistics in Europe, seeing poverty, crime, and trauma on the streets every day, and these books speak to that reality. They also describe the warmth and beauty of the people I met there, many of whom remain fast friends to this day.
Having lived in Scotland in the late 1970s, I felt as though I was reading about my own experiences at times, and I was certain I could smell the coal burning. This book helped make sense of so much of Scottish life and politics, while it was also a moving personal story. It’s a sweeping history of life and politics in 20th century Scotland that gives context to everything in the news today.
And the Land Lay Still is the sweeping Scottish epic by James Robertson
And the Land Lay Still is nothing less than the story of a nation. James Robertson's breathtaking novel is a portrait of modern Scotland as seen through the eyes of natives and immigrants, journalists and politicians, drop-outs and spooks, all trying to make their way through a country in the throes of great and rapid change. It is a moving, sweeping story of family, friendship, struggle and hope - epic in every sense.
The winner of the Saltire Society Scottish Book of the Year Award 2010, And…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
Scabby Queen opens with the death by suicide of Clio Campbell, at different times a popstar, a political activist, a lover of life.
The book stretches back five decades to tell her story, from different perspectives and jumping around between time periods. I really love that such a complicated, strong, and uncompromising woman gets to take centre stage in a story that is both political (poll tax riots, miners’ strikes, Brexit) and personal.
'Gripping and moving. A literary triumph' Nicola Sturgeon
'A humane and searching story' Ian Rankin
'Kirstin Innes is aiming high, writing for readers in the early days of a better nation' A.L. Kennedy
A NEW STATESMAN BOOK OF THE YEAR * A SCOTSMAN BOOK OF THE YEAR
Three days before her fifty-first birthday Clio Campbell - one-hit wonder, political activist, lifelong love and one-night-stand - kills herself in her friend Ruth's spare bedroom. And, as practical as she is, Ruth doesn't know what to do.
As the news spreads around Clio's collaborators and comrades, lovers and enemies, the story of…
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book is full of rule-breakers, but not in the way you’d think. Rhea and her friends try to combat gentrification in their South L.A. neighborhood in the most unconventional way imaginable by inventing a fake gang; however, they are soon blamed for a very real murder.
I lived in West Baltimore for a time and saw the effects of gentrification taking over my neighborhood even in the short two years that I was there, so this book really resonated with me on a personal level. The premise reminded me of those memes of people claiming to shoot out the windows every few months to keep the rent low. While it’s a joke, there is a very real fear behind it, and this is a complex issue that Adia tackles with such a fresh voice and nuanced approach.
Winner of the 2024 Coretta Scott King John Steptoe New Talent Award
A raised fist against the destructive forces of gentrification and a love letter to communities of color everywhere, Jade Adia's unforgettable debut tells the darkly hilarious story of three best friends willing to do whatever it takes to stay together.
The gang is fake, but the fear is real.
Rhea’s neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her.…
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
It’s about the simplest idea you can hang a story on: three people discover a house in the wilderness and explore it. But this short, black and white, silent graphic novel just sucked me deeper and deeper into the terror of a place that seems to grow impossibly larger, even as your pathway through it becomes narrower and narrower until...well, it’s pretty dark stuff. Simmons’s art is also inky black, but visualizes the concepts at play with beautiful power. There is a terrible force behind the scenes here, but you can never know what it is and you can never defeat it.
This adventurous, silent graphic novel demonstrates the solid strength of this young cartoonist's storytelling ability. Whether plunging into the watery depths of a sinkhole that has obviously swallowed part of a town or entering the uncertain hidden corridors of the house, every turn is captured with intensity by Simmons' scratchy pen. Page composition and panel arrangements are masterfully coordinated to reflect the characters' increasingly claustrophobic panic as the story reaches its crescendo, and to cause a similar and palpable reaction in the reader. House is Josh Simmons' first full-length graphic novel after years of honing his craft on the humorous,…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I love the way verse novels eliminate unnecessary background and scene-setting. They cut straight to the heart of conflict and emotions. We instantly feel what the characters feel. The lyrical flow of words, figurative language, and freedom to arrange the poems in different ways on the pages taps into a different creativity for an author. Each poem stands alone, telling its own story. While writing Wishes, Dares, and How to Stand Up to a Bully, eleven-year-old Jack insisted I tell the story his way. Raw, unflinching, unfiltered. I am in love with this form and plan to write more novels in this format. The book is a 2021 NCTE notable verse novel.
Closer to Nowhereexplores family dynamics and ‘tween feelings in an honest and realistic way. Two cousins – as opposite as left and right – seem to constantly be at odds. When they take time to actually communicate with each other, they realize they have more in common than they thought. Told in alternating POVs, the reader shares Cal and Hannah’s struggles as they tell them. Told with honesty and compassion.
#1 New York Times bestselling author Ellen Hopkins's poignant middle grade novel in verse about coming to terms with indelible truths of family and belonging--now in paperback!
For the most part, Hannah's life is just how she wants it. She has two supportive parents, she's popular at school, and she's been killing it at gymnastics. But when her cousin Cal moves in with her family, everything changes. Cal tells half-truths and tall tales, pranks Hannah constantly, and seems to be the reason her parents are fighting more and more. Nothing is how it used to be. She knows that Cal…
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
Lisa Damour is one of the most well-respected names in public-facing psychology right now, and that is for a good reason.
She brings to this book (and her earlier ones, which are equally excellent) a level-headed pragmatism, an empathetic listening stance to the adolescents who are her clients and subjects, and decades of clinical expertise. You will find no click-bait pronouncements about matters that are far too complex for such treatment in her writing, and no generational sneering.
Her work is also deeply valuable for parents—she digs into actionable advice for anyone working with adolescents today to navigate the challenges in their lives. I draw on her work heavily in my own writing, but more importantly in my parenting.
An urgently needed guide to help parents understand their teenagers' intense and often fraught emotional lives - and how to support them through this critical developmental stage - from the New York Times bestselling author of Untangled and Under Pressure
In teenagers, powerful emotions come with the territory. And with so many of today's teens contending with academic pressure, social media stress, worries about the future, and concerns about their own mental health, it's easy for them - and their parents - to feel anxious and overwhelmed. But it doesn't have to be that way.…
I’ve always loved writing that explores mental health and its effect on finding love. I love characters who are their worst enemies and conflicts stemming from internal battles. Depression and anxiety have been something I’ve struggled with since childhood. My mental health issues made looking to the future with hope feel impossible sometimes. When I picked up a romance book where an anxious character found a happily ever after, it gave me hope. Seeing characters who don’t have everything figured out and aren’t always confident in themselves find their happy endings is a light at the end of a tunnel—peace in the middle of a storm.
This book follows the main characters and their journey through finding young love, dealing with loss, and becoming resilient to what life throws them. The art in this book is a wonderful blend of fantasy and science fiction.
I love how the story plops you into the world but doesn’t explain how everything works. Stories without info dumps make me feel like the author trusts their characters, and visuals can stand alone.
“Tillie Walden is the future of comics, and On a Sunbeam is her best work yet. It’s a ‘space’ story unlike any you’ve ever read, with a rich, lived-in universe of complex characters.” ―Brian K. Vaughan, Saga and Paper Girls
Two timelines. Second chances. One love.
A ragtag crew travels to the deepest reaches of space, rebuilding beautiful, broken structures to piece the past together.
Two girls meet in boarding school and fall deeply in love―only to learn the pain of loss.
With interwoven timelines and stunning art, award-winning graphic novelist Tillie Walden creates an inventive world, breathtaking romance, and…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
While I wouldn’t go so far as to call myself a fan of horror, I have recently found myself drawn to darker books—especially at this time of the year with Halloween just around the corner. As a bisexual non-binary person, I love finding books with diverse LGBT+ rep in them, so these are just a few of the spookier LGBT+ books I think would make for great autumnal reading. Plus, my own book—My Name is Magic—features all kinds of mythological werebeasties and a race to save the day before the traditional Finnish Kekri festival, an equivalent of Halloween, although it involves less candy and more fire.
This book is a lot like The Craft only queerer and so much cooler. The story features an eclectic group of teenagers who come together, despite their differences, to form a badass coven to perform even more badass magic, be that casting curses on annoying dudebros or love spells for the lesbian main character, all while trying to evade a vicious group of witch hunters determined to steal the coven’s magic. If you loved films like the aforementioned Craft or even Lost Boys, then you’ll enjoy this book that subverts the mean-girls trope while giving readers a story that is as horror-tinged as it is dark humor-filled.
Skulking near the bottom of West High's social pyramid, Sideways Pike lurks under the bleachers doing magic tricks for Coke bottles. As a witch, lesbian, and lifelong outsider, she's had a hard time making friends. But when the three most popular girls pay her $40 to cast a spell at their Halloween party, Sideways gets swept into a new clique. The unholy trinity are dangerous angels, sugar-coated rattlesnakes, and now - unbelievably - Sideways' best friends.
Together, the four bond to form a ferocious and powerful coven. They plan parties, cast curses on dudebros, try to find Sideways a girlfriend,…