Books like House — picked by fans

This book was written in the mid-70s and “set in a dystopian America in the near future.” Fortunately, our present isn’t quite like this. Five 16-year-old orphans awaken to find themselves in a building with no ceiling, walls, or floor—only endless flights of stairs in every direction. It’s a story about human nature and the human condition, as well as a cautionary tale about government control. Supposedly written for young readers (what we’d consider “middle grade” today), I believe it’s better suited for teens and adults.

Agent Scylla was dead, but they brought him back because someone is holding a contest, a contest to see who can create the deadliest weapon. As Scylla navigates a world he’s been out of touch with for too long, he finds that there’s something on its outskirts, pulling all the wrong strings. A thrilling espionage adventure drenched in paranoia, this was the most fun I ever had being terrified to learn the truth. The only book I ever read that I literally could not put down. Its momentum – the need to find out what the contest was about and where the search would lead Scylla – was so powerful, I could not stop my fingers from turning the pages.  

Philip K Dick is the king of dual reality, and although Time Out of Joint may not be as well-known as some of his other stories, it is one of his early masterpieces that paints the picture of ordinariness until reality begins to tip towards a far darker truth, which, as Jack Nicholson once famously said, "You can’t handle the truth!"

What I love about this book, and probably almost all his others, is that Dick is warning anyone who is prepared to listen that there are people out there who can destroy the world, and then pretend it didn’t happen. A sobering thought, bigger than simulation theory, because there are people out there extinguishing the world and pretending it isn’t them that’s doing it! Now who could that be?

It’s the post-modern apotheosis of all conspiracy theories: convince enough people something is true, it becomes true. Doesn’t matter how far-fetched – the Earth is flat, the world is overcome with Bigfoots, shape-changing lizardmen are secretly controlling everything – convince enough people, and it happens.  Except, who’s trying to convince people? And who’s trying to stop them? And are either of them on our side? It’s really a bottomless hole in the most enjoyable way (if paranoid fables are your thing): no matter how bad you realize it is, it’s actually worse. But wait, it’s even worse than that. And even worse than that. This is an ongoing comic series (even the art makes reality seem haunted and insubstantial), so while there are already several collected editions, there’s no end in sight.

Chocolates for Breakfast was frequently compared to Bonjour Tristesse and Moore was called “the American Sagan.” Like Sagan, Moore was only eighteen when she wrote the bestselling novel. Written in the third person, it tells the story of a young woman’s sexual exploration and her feelings of depression. Courtney, a child of divorce, moves from her posh Connecticut boarding school to Beverly Hills when her depression keeps her from performing at school. She grapples with her mother, a down-on-her-heels alcoholic actress; explores her sexuality with both a gay male actor and an older straight manager in Hollywood; then relocates to New York where she drifts through cocktail parties, having affairs, until her best friend Janet commits suicide. Like Bonjour Tristesse, the novel flirts with existentialism but ultimately adopts a more hopeful tone as Courtney matures and aims to create meaning in her life.

This Field Party series starter is my go-to when I need a good dose of Friday Night Lights, a splash of steam, and a heavy dose of drama. I mean, football meets love in bloom—can you get any more Southern that that? Main characters West and Maggie are both suffering through a recent/impending significant loss in their families, and this pain unites them on a deeper level than either has known before against the backdrop of a small Alabama town. 

Closer to Nowhere explores family dynamics and ‘tween feelings in an honest and realistic way. Two cousins – as opposite as left and right – seem to constantly be at odds. When they take time to actually communicate with each other, they realize they have more in common than they thought. Told in alternating POVs, the reader shares Cal and Hannah’s struggles as they tell them. Told with honesty and compassion.

Mariza Kuznetsova (Something Unbelievable), Irina Reyn (Mother Country), and I all left the Soviet Union as children, before Putin and before all the changes he brought. Kristina Gorcheva-Newberry came of age in the new Russia. The Orchard is a tale of what our own lives might have been if our families had stayed. This loose retelling of Chekov zeroes in on how a childhood begun in the USSR and a young adulthood lived in Russia affected everyone who went through it, how it shaped worldviews, and how it continues to resonate even after decades of immigrant life in America.

This author is the queen of modern family storytelling. When a scandalous photo is snapped of an underage girl at a party Nina’s son attended and then shared publicly, it sets off a powder keg in her affluent community. It was interesting seeing the way money could corrupt a family and a mother who fought against that instinct to do what was right. Nina is divided between loyalty to her husband and son and standing up for a girl who was assaulted. When the truth comes out, it is a life-changing moment that changes everything. 

This one has messy right in the title! Freddy keeps getting dumped by Laura Dean over and over. She gets so blinded by her “love” for Laura Dean that she takes her friends for granted. It’s a classic story with an LGBT+ twist. Part of what makes it stand out is the beautiful visual storytelling. I actually learned a lot from this one, as it’s quite different from the superhero comics I grew up with. There are moments in here where two hands will say a thousand words.