Books like The Woman Before Me — picked by fans

Christine has a brain injury, which causes her memories to degrade every time she sleeps. She wakes up every morning as a blank slate, and her devoted husband explains who she is and then helps her get through the day. Unbeknownst to him, she starts keeping a journal—and soon realizes that his story about how she was injured is a little different each time.

I'm never in the mood for a thriller with a big twist in the penultimate chapter. I always want one with a big twist at the end of every chapter, and this book absolutely delivers. Is the husband a good guy or a bad guy? I changed my mind a dozen times over the course of this book, expertly manipulated by the author. I read the whole thing aloud to my wife on a long drive, and the time went by in a blink.

During my schooling years, mathematics was my forte, though I hardly found it interesting. When I read the book, I felt that my pride was dwarfed by the beautiful writing on mathematics, about which I realized I had known almost nothing.

The writing endowed mathematics with a life full of various feelings, and enabled it to become ties of love, friendship, care, etc. which, in turn, changed people’s life for better. In a way, the book reshaped my view of the world.

This is a sci-fi thriller with amazing concepts and a page-turning story! Meet Hap Thompson – his job is to take on other people’s memories. He carries bad memories for a few hours and gets paid for the privilege. When he gets landed with a bad memory by someone who won’t take it back, he finds himself on the run. Then, people start disappearing… This is a fab read – refreshing different with some sci-fi elements, but still a thriller by nature. Michael Marshall Smith’s writing is both dark, humorous, and inventive. I wouldn’t say it’s a perfect novel but for the ideas about memory and forgetting, it delivers a lot.

I loved this book because it has mathematics to the nth degree! Some of it in the form of inside jokes like “easy to use partial differential equations” that made me laugh out loud. Some of it, such as “equations that had sadness as a constant,” are in a “techno-poetic” style that I strive to achieve in my own writing. But this “meta-science fiction” novel is also filled with musings on writing and creativity. The self-referential recursion of a book within a book within a book makes the paradoxes of time travel even more interesting. The “reality portions” in which the main character pursues his quest to “find his father” are as deep and well done a theme as any I have read in sci-fi.

Like Colville, Nicolson is not very important in himself (a backbench MP for most of the time) but one who matters because he knows so many greater figures and because he writes with such honesty – particularly interesting when his predictions turn out to be wrong. If you get hooked, you can read the earlier edition, which is in three volumes.

This book has stayed in my memory even though I read it many years ago. Subtle in the telling, this novel is one that drills into your soul. Set in 18th century Macau (then a Portuguese enclave), it is a story of forbidden interracial love, prejudices, and intrigue surrounding a British trader surnamed Mierop and a Chinese orphan named Marta da Silva, based on true events. The author got his inspiration for the novel when he saw a portrait of a Chinese lady, Marta Mierop, in a Macau museum. In the story as well as in real life, Marta rose from her humble and wretched childhood to become a legend and one of the most influential women in Macau.

I love this novel for the impeccable setting, the moving plot, and the larger-than-life protagonist.

This is a ‘going back in time’ novel, not original, but well-written and very engaging. A woman finds a photograph of a woman in an attic. She discovers the woman is an aunt no one talks about. Her crime: to fall in love and flee to Paris with a Nazi prisoner of war.

I am recommending this book because of the emotions it evoked in me, the tension throughout, and the beautiful love story that unraveled in a time of war. It has stuck with me.

The vast majority of books on the Revolutionary War are written by Americans, and they predictably focus on the conflict from the Patriot side. But throughout the war, the strategic initiative rested with Britain, not the United States. Through a series of brilliant biographical chapters, O’Shaughnessy traces the history of the war and the evolution of British strategy, and its ultimate failure, from the imperial side.

Based in Bradford, in the north of England, Liz’s fiction is gritty and really conveys the realities of this multi-racial, post-industrial city (I grew up a few miles away).

I’m listing Last Request because it was the first book by Liz that I read. But apart from the 6 books in the DS Nikita Parakh series, she’s also written eight novels (so far!) in the DI Gus McGuire series. There’s lots of inner-city grime in the writing, but also issues such as racial tension and mental health.

More importantly, I think, is that the writing has a compelling kind of humanity, with vulnerable, imperfect characters put into impossible situations. She’s just a natural storyteller.

A classic written on the eve of the Great Depression on the political culture of the British settlers in the great south land, with its commitment to egalitarianism, to bureaucratic process, and to protection all round, with restricted immigration and protective tariffs building ring-fences around ordinary workers’ standard of living. Hancock does not wholly approve of the result, which he sees as encouraging mediocre conformity. Written with verve and a sardonic eye.