Books like Last Request — picked by fans

When Peter Robinson passed away in 2022, he had written 28 novels in the Detective Chief Inspector Alan Banks series.

Robinson needs no introduction here, but I have included him on this list because he sets these novels in a fictional town in the Yorkshire Dales, close to where I grew up, and also because he was very encouraging to me personally when I wrote my first Joe Romano novel.

Whereas the books are very much mainstream crime novels, they also have a literary quality to them. He manages to achieve a fine balance between genre fiction and a more literary style. You often forget that you’re reading crime at all.

The series was also made into TV series (DCI Banks) starring Stephen Tompkinson, which ran for five series, and really captures the essence of the books.

Dead Man's Grave introduces DS Max Craigie and DC Janie Calder, along with the wonderfully irascible DI Ross Fraser.

This book combines not only an extremely good detective yarn with excellent procedure, in a beautiful location, it also does a very good job of setting up the premise for the rest of the series.

The author is a former Metropolitan Police detective, and although the location is Scotland, it is full of authentic police procedure. This book (and the series as a whole) has a well-balanced mixture of crime, police procedure, and well-developed characters with a generous splash of humour.

The first in the Matilda Darke crime thriller series.

I love the straight-up tone of Michael’s writing in this series. It’s fast, direct, and emotionally involved. He also provides plots which are absorbing and which differ markedly from one book to the next.

Matilda Darke herself is a complex character, with an equally complex life, and a varied circle of friends and colleagues. Throughout the series she is put through all kinds of hell. And there are already 11 books, so that’s plenty of hell!

Set in Sheffield, a city in the north of England, these are authentic, contemporary crime novels that you will not want to put down.

Dominic wrote two very good crime books in a short series before publishing Vine Street.

I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.

The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.

What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and… show more.

I recommend this book because it is a page-turner from the very beginning with a sick plot thanks to the warped mind of its featured killer. With no time to lose, veteran homicide detectives Sam Kovack and Nikki Liska aided by the FBI race to stop a serial killer who is brutalizing women. I love the strong relationships between partners, Kovack and Liska but also the level of tension between Kate Conlan and FBI Profiler, John Quinn. The characters are well-written and come to life before your eyes. I am personally drawn to the strength of the female crime fighters in this book. The gruesome crimes are thankfully overshadowed by the developed and relatable characters. 

This is the first in Mark Billingham’s excellent series featuring D.I Tom Thorne. He’s a compelling main character and in many ways the archetypal maverick cop who hates authority. What sets this book apart for me is not so much the antagonist, but the author’s treatment of the victim. She has been forcibly placed in a coma-like state, but fully aware of what’s going on around her. The reality of her locked-in syndrome is heartbreaking.  

This is a magnificent autobiography, a work of intricate self-portraiture that takes in everything from the author’s dental troubles, through his relationship with his father, to his reaction to his cousin’s murder. Amis’s comic energy and stylistic brio are on sizzling display throughout, but so are qualities that aren’t often associated with his fiction: gentleness, generosity, emotional vulnerability…

Written by an author from the English West Country city of Bristol, this story accurately captures the inequality of life in the 1970s. Fifteen-year-old Carol lives in a council estate on the edge of town. She goes to school with a farmer’s son who will inherit rolling acres. One day, she meets handsome Frankie, who is staying with his aunt in a manor house nearby.

Every reader will know louche Frankie is bad news. Carol, of course, falls for him and finds herself pregnant. So far, so predictable. What is far less predictable is the way Carol herself is sucked into crime, secrets, and lies. Forty years later, how far will she go to evade exposure? Emotional, clever, and exquisitely written, this book is hard to put down. 

The vast majority of books on the Revolutionary War are written by Americans, and they predictably focus on the conflict from the Patriot side. But throughout the war, the strategic initiative rested with Britain, not the United States. Through a series of brilliant biographical chapters, O’Shaughnessy traces the history of the war and the evolution of British strategy, and its ultimate failure, from the imperial side.

Since I plowed my way through this rollicking 800-page epic, I have eagerly recommended it to others. It ranks as one of a select few long books that never bogged down and left me with a twinge of sadness that it did not just keep going.

When the curtain finally fell (as I knew it would, upon Confederate collapse in 1865), I had been enthralled by dozens of expertly drawn characters and episodes. Some of the ministers, soldiers, and publicists appear once or twice; others provide a narrative spine that charts developments across the entire struggle.

Collectively, this dramatis personae restores the drama to what less gifted story-tellers than Foreman have termed “Anglo-American relations” in the battle for and against the Confederate rebellion.