Books like The Wife Between Us — picked by fans

I started reading thrillers when I was twelve—Grisham, Patterson, anything I could get my hands on. I learned quickly that in those stories, men were the ones doing the saving. They had the adventures; women were either the obstacle or the one being rescued. That’s why I love where the genre is now. I get to read stories where women take control—sometimes saving the day, sometimes going further than they probably should. It’s changed how I read, and honestly, it’s shaped how I think about storytelling. These are the kinds of books that made me want more—and made me want to be part of that shift.

I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?

After completing a psychology degree, I became an interventions facilitator in a prison and worked with offenders who'd committed serious violent crimes. It was while I was in this role that my fascination for criminal psychology grew. Once I left the profession, I put my experiences to good use in fiction, going on to write The Serial Killer series of three psychological thrillers. With the most recent, The Serial Killer’s Sister, I incorporated my love of puzzles and games into a twisted story of a serial killer who uses a childhood game known to his sister as ‘The Hunt’ to track her down and torment her.

I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

I’ve always enjoyed the intrigue of the mystery and the constant back and forth of the twists and turns offer in a well-written novel. The tremor of my nerves at the base of my neck as I try to figure out the culprit and their intentions, has always enticed my imagination. To, me, those sensations are mind stimulating, and are only born through reading.

Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.