Books like The Last Child

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

I’ve been a fan of horror and dark fantasy for as long as I can remember. There’s something irresistible about slipping into stories that could happen, however unlikely. The closer a tale inches toward reality, the more thrilling it becomes. As a writer in this genre, my appreciation has only deepened. I’ve learned how delicate the balance is walking that fine line between realism and fantasy, all while keeping the darkness close enough to unsettle, but not so overwhelming that it drives the reader away. These books walk that line better than any I’ve read.

Racial violence has been on my mind for decades, ever since I encountered the Freedmen’s Bureau Record of Murders and Outrages as a grad student. I didn’t know what prompted the government to gather such data. Later, as a professor directing a Civil War-era research center at Penn State, I sponsored a teacher-training initiative, “Breaking the Silence,” a UNESCO project on the Atlantic Slave Trade. I became starkly aware that most white Americans, myself included, had a poor sense of the brutality enmeshed in our history. This is not meant as a condemnation: without a fuller recognition of this racial past, we will have problems reconciling such issues in our own polarized times.

I grew up in a mostly white town in Ohio, where, as a White woman, I didn’t have to think much at all about race. During college in North Carolina, I first began to consider racism. As a journalist, I’ve learned (sometimes the hard way) that you can’t write in a meaningful way about social justice issues without connecting them to history. The books I’ve recommended provide that connection. Once you make it, you’ll never be able to see the world the same way. 

I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.

I have been a colonial-era history buff since I was growing up. Exploring the neighboring forests with my bow and arrow fueled my imagination as a child. I would often visit the North Carolina mountains (which later became my home) with my family, and I learned about the Trail of Tears and Cherokee history. My parents gifted me my first boat in 1973 at age 12, and I have been paddling ever since, with over 400 bodies of water documented in my personal database. We raised our children in canoes, and there is nothing I enjoy more than being out on the water in a wilderness setting and time-traveling back into the spirit of yesteryear.

Jennifer Bean Bower is an award-winning writer and native Tar Heel. A passionate student of North Carolina history, Bower seeks to document the lesser-known people, places, and events of her state's past. She is the author of four books: North Carolina Aviatrix Viola Gentry: The Flying Cashier; Animal Adventures in North Carolina; Winston & Salem: Tales of Murder, Mystery, and Mayhem; and Moravians in North Carolina.