100 Books Like Family Money

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought. 

I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.

Writing this biography was an extraordinary experience for me. I have been writing about the arts for more than forty years. Over the decades I was Associate Editor of Ballet Review and dance critic for The New York Sun. Talking to Alla Osipenko provided singular insight into the culture and politics of the Soviet Union, as well as the individual artistry and psychology of this great ballerina. I left every interview with her feeling elated. By the time my biography was published in 2015, I also knew/met/had interviewed many of the people she described and could write from some degree of first-hand knowledge.  

I am an author of history books as well as children’s fiction. My books for Pen and Sword Publishing tell the stories of the places associated with Henry VIII, and with the Princes in the Tower, the boys who mysteriously disappeared from the Tower of London during the reign of King Richard III. So it was obvious that I should use my passion for late medieval and Tudor history when it came to deciding on a setting for my first children’s book; The Secret in the Tower is set during Henry Tudor’s invasion and his assumption of the English throne. I hope readers enjoy reading it as much as I enjoyed researching and writing it!

I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.

I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.

I am always enthralled by stories about people who are faking it. I want to read any story where someone either inflates their importance to get their foot in the door, scrambles to keep their secrets from being revealed, or flat-out lies and scams people out of millions. Lying is incredibly human, and witnessing how long one will keep a lie going is fascinating to me because it’s always a house of cards that will eventually tumble. Most crime stories and mysteries revolve around someone desperately trying to keep something in their life secret, and often that comes from a space of gaining access to affluence or making sure you keep your affluence.