100 Books Like The Width of the Sea

I love this book because it changes the way I see the world every single time.

Powers writes with a patience that feels almost radical. I found myself slowing my breathing as I read, realizing how little I notice in the rush of daily life. I love how he blurs the line between human and nature, reminding me that we’re never outside the system—we are the system.

The Overstory humbles me, and because humility, to me, is where clarity begins.

I found this novel, a kind of elegy for Antarctica, completely transporting. I was swept up in the immensity of the glaciers, the cold and danger, the intensity of life lived so apart from the rest of the world.

The story is about several kinds of love – a romance between a female field researcher and another worker, love for the emperor and Adélie penguins she studies, and most of all, love for this imperiled continent in which most of the action takes place. I was completely captivated by the love story and the penguins, and my heart was in my mouth when the novel builds toward a disaster at sea amid dangerous calving icebergs.

The scenes in this stunning landscape are truly breathtaking. This is a truly unforgettable book, one that makes the strongest case for saving our planet than any I’ve read. I enjoyed learning about Antarctica, scientific… show more.

I love camping out in the wild, so for me reading this novel was a vicarious extended vacation.

The novel centers on a woman who escapes to Alaska with her two children and makes her way across the state in a beat-up rented recreational vehicle they call the Chateau. The fantastically flawed and appealing Josie and her two children are all wonderfully drawn. Anyone who has ever gone camping will get a kick out of all the details of life in this wreck on wheels.

The novel is not just laugh-out-loud funny; it’s also profound and deeply felt. I also wouldn’t have expected a novel that makes a compelling argument that we need to address climate change to be set in Alaska, where there’s so much untrammeled wilderness. But this novel taught me that in fact, the effects of climate change are actually more harsh closer to the poles.

Heroes… show more.

This marvelous novel allowed me to travel to the remote southwest coast of Ireland, on the Beara peninsula.

The landscape is so evocatively and vividly described that I felt as if I were hiking along with the appealing protagonist, Annie Crowe. Like me, Annie turns to walking and nature when she is depressed or needs thinking time, and boy does Annie have demons to battle! She’s a great character - both tough and fragile, a recovering alcoholic. 

On a job assignment as a public relations expert in support of a copper mine, she finds herself thrust into controversy with the local community. It opposes the mine because it would despoil this wild landscape and also endanger the nesting Red-billed Chough. I loved every detail of the walks and the cliffs and the ocean that Johnson describes.

And running throughout is a spicy thread of ancient mythology and Gaelic mysticism, which… show more.

No one does family dysfunction in beautiful places like Maggie Shipstead.

In this novel, she sweeps us to a fictional island in New England (I imagined Martha’s Vineyard), and into the Van Meter family who, for all their wealth, have the communication skills of elementary school kids at recess.

Part comedy of manners, part dramatic exploration of our very human obsessions and anxieties, you’ll want to read this book with a lobster roll and a gin and tonic nearby.  

When the Robertsons bought their 18th-century home in Hampton, Ct., they inherited an unparalleled lode of documents assembled over 100 years of the previous owners’ history. Starting in the 1790s, the Traintors saved, it seems, every bit of paper that came through their hands: from private letters and business accounts, to pamphlets, social invitations, school records, and, of course books. The Robertsons spent years digesting this remarkable trove. In this book, they “open out” the evidence – as Laurel Ulrich did for Martha Ballard’s diary – in a way that transforms it into a moving and deeply intimate story of family life and community change in a small New England town. I found their tale – told often in the Taintors’ own words – to be vivid, immediate, a surprisingly frank, personal, and moving story.

The Patient is a very quick read and easy to get sucked into, questioning everything you might know or think. I love how it was told through a series of online posts during which the narrator, a young psychiatrist, slowly reveals his story, never quite knowing if what he experienced was real or if he was going crazy.

I love how the sci-fi aspect took it out of our real world just enough to feel fantastical but not too much to be unrealistic or like a classic high-fantasy novel. The pace was fantastic, the twists and reveals were perfectly placed, and it was just the right amount of horror. I appreciate any book that is unexpected and leaves me thinking about it for days after I’m finished.

Our Beloved Kin is a unique account of King Philip’s War that centers on the history of Native resistance and their experience of the conflict. Drawing on early documents and information often overlooked in previous studies, the author, a member of the Missisquoi Band of Abenaki, presents an in-depth chronicle of the war and the events leading up to it. I wish this book had been in print when I was researching my book. While it wouldn’t have changed the basic arc of the novel, it would have given me a more complete understanding of James Printer’s perspective.

Joseph Wood creatively uses landscape, settlement patterns, and the built environment to challenge a fabled view of the Currier and Ives New England village. The compact village center, with a steepled church, tidy white homes, and quaint shops surrounding the village green has too long colored our historical imaginings about an idealized New England past. But these forms, Wood convincingly argues, do not describe our colonial past. They are a 19th c invention that both romanticizes and obscures the actual colonial landscape of scattered farmsteads, meadows, and pastures. Early New England was shaped by a land-hungry people who sought competency & security in an expansive countryside. Richly illustrated with maps and images, this book is a model of how to use unusual evidence to recover the past. 

A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.

Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were… show more.