Here are 100 books that Gravestone Chronicles I fans have personally recommended if you like
Gravestone Chronicles I.
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It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
This book is densely illustrated (I’d guess that about three-quarters of the 430 8”x10” pages of the main text are filled with images). This was what first led me to travel to New England to see these stones for myself, which I did six years later.
This combination of rich art and Puritan values should challenge anyone’s assumptions about early American sensibilities.
In Puritan New England, with its abiding concern for things not of this world and its distrust of forms and ceremonies, one art flourished: the symbolic art of mortuary monument stonecarvers. This carefully researched, beautifully illustrated work was the first to consider this art in depth as a meaningful aesthetic-spiritual expression. It is reissued for today's readers, with a new preface outlining changes in the field since the book appeared in 1966.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
The Tashjians’ book challenged the idea that Puritans rejected visual art. Their study is important in documenting a new aesthetic, where the skull (death’s head) gives way to the winged faces of angels (cherubs), which were more gentle and sentimental in style rather than dark and threatening. Specific stonecutters discussed in this book include John Bull, William Codner, Zerrubbabel Collins, William Young, Henry Christian Geyer, Joseph Lamson and his shop, William Mumford, John Stevens and family, and Jonathan and Moses Worster. These are names well-known to anyone versed in this art form.
I was taken by the fact that new motifs in gravestone design could spread through the stonecutter community with such personalized innovations and styles. Further, in chapter 8: "The Icons of Essex," County provided a contrast with another style of cutting faces in stone. This book significantly broadened my view of stonecutting styles in New England. It also…
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
The first volume of my book focused on Boston, Plymouth County, and Cape Cod. Benes’ study was essential for providing a larger context for my own account of the stonecutters of this locale. He relied on an analysis of over 4000 gravestones in over 100 burial grounds. He prodded the neophyte (like myself at the time) into considering the more symbolic elements of gravestones, including the perception that headstones and footstones represented the headboards and footboards of the beds in which the deceased were “sleeping.”
His book provided a much-needed reminder of the subtle religious symbolism found on all of these old monuments. Plymouth and Barnstable Counties are particularly important for understanding the stonecutters' business practices and design repertoires in this region of Massachusetts.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
Harriette Merrifield Forbes pioneered the field of American gravestone studies. Her admirable study has separate chapters on several artisans, including the 17th and 18th-century stonecutters of Boston, the Lamsons of Charlestown, the Fosters of Dorchester, the stonecutters of Groton and Harvard, and the “Thistle-Carver” of Tatnuck. It also has chapters on the gravestones of Rhode Island and Connecticut.
Forbes initiated real interest in this area of research. I found it astounding that she could have accomplished so much in the 1920s—before the introduction of modern battery-powered flash systems (which I relied on so often in highlighting shallow carvings and lettering)—and almost singlehandedly lit the fire of inquiry in so many of us who followed her model. She was also attentive to the human side of this craft, with many interesting observations on the stonecutters’ intentions and skills.
Riverside Press Limited Edition of "Seven hundred and eighty copies of this First Edtion, of which seven hundred and fifty are for sale." Frontispiece is of the 1703 gravestone of John Cleverly, Quincy. This volume deals with the history and symbolism of early gravestones and contains black & white photos throughout. Several stone artists have been researched and included in the text. An historic and fascinating volume.
I’ve loved nature and being outdoors since childhood, when I would escape our apartment complex by berry-picking in a park or sneaking onto the lush grounds of a local mental hospital. I grew up in Queens, New York, at a time of rapid development, and mourned as trees were felled for housing. I became an avid hiker, canoeist, and gardener as an adult, and serve on the board of an environmental organization in Montauk, Long Island. What we lose when we lose our connection to nature, saving our last wild places, and leaving a sustainable world to the next generation are key themes in my forthcoming novel--and personal motivation.
I found this to be one of the most compelling novels I’ve read to draw me deep into the fabric of the hardscrabble life of a New England community down on its luck with the crash of the cod fishing industry.
The sympathetic but thwarted characters are all entangled in dangerous waters of one kind or another, from drug smuggling to physical danger to marital issues. I was as fascinated to learn about the economics and lifestyle of the fishing life as I was moved by the struggles of characters caught in a complex net of change outside their control.
This is the story of empty oceans and the men who fish them. It's the story of Rosaline, a New England fishing community facing the loss of its traditional way of life, struggling against the imposition of fishing quotas, the closing of the local cannery and the encroachment of the heritage industry, which exploits with nostalgia a way of life before it has even given up its last breath. It's the story of the denizens of Rosaline: John Fitz and his best friend Chris who work on John's father's fishing boat, The Pearl; barmaid Kate, indifferent mother and neglected wife…
I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.
I love this book because it has so many layers that appeal to me: a historical period, the challenges of growing up, and a young woman who dreams of being a writer.
As an author, Jo March’s writing aspirations spoke to me, although I think I saw a bit of me in each of the four March sisters. That breadth is what welcomes me as a reader each time I return to the novel. And—no spoilers—I still sometimes scratch my head over the twist in the romance plot that didn’t go as I anticipated when I first read the book!
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the feminine…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Writing is about the metaphysical as well as the rational if it’s any good. As an author, I am always more interested in the wreckage of a crisis than the crisis itself—in the aftermath. Survivors search for purpose above all else. They undertake long sojourns, seek spiritual counsel, or find solace in art or politics. As a writer who has dealt with illness for most of my adult life, I think one path that is shared by all these novels is the discovery of agency—over one’s body, one’s choices, and one’s own life and death. There lies meaning.
What does it mean to be forgotten and to be remembered? This brilliant collection of short stories is anchored by the title story about a walk through rural Maine directly after World War One by two male lovers, both musicians and one a returning soldier, recording folk songs ostensibly for his conservatory.
Each story has a companion in the compilation, which I found to be an incredibly effective device for exploring the emotional impact of memory. The writing is so dispassionate yet devastating in its exploration of how even long-ago relationships can be brought to the surface by rediscovered artifacts or found objects.
I found the descriptive world-building second to none, and what it means to survive tragedy, inspirational.
Now a major movie starring Paul Mescal and Josh O'Connor
'Triumphant' The Times
'Stellar' Daily Mail
'Exceptionally accomplished' The Scotsman
'Sublime' Observer
'Exquisite' Sunday Post
In twelve luminous stories set across three centuries, The History of Sound examines the unexpected ways the past returns to us and how love and loss are entwined and transformed over generations. In Ben Shattuck's ingenious collection, each story has a companion story, which contains a revelation about the previous, paired story. Mysteries and murders are revealed, history is refracted, and deep emotional connections are woven through characters and families.
A native of Massachusetts and married to a descendent of two of the accused, the Salem witch trials have long fascinated me. Armed with a Ph.D. in American studies from New York University – focused on American history, literature, and religion – a significant portion of my academic career has been devoted to research, publications, classes, and public lectures on the Salem witch trials, reflected in the third edition of my book, The Story of the Salem Witch Trials. The book is only one of several books and many articles I have published on various aspects of American cultural history, many of which relate in some way to what happened in Salem in 1692.
John Putnam Demos remains the “dean” of historians of the Salem witch trials.
Entertaining Satanremains his most impactful contribution to the study of the events of 1692 by providing their cultural context in early New England, upon which historians have built over the years expanding upon Demos’ findings.
Perhaps his greatest contribution is his interdisciplinary approach invoking the research tools of psychology and sociology, as well as cultural history. His concluding chapter, “Communities: Witchcraft over Time,” provides broadly, excellent insights drawn from his extensive research.
In the first edition of the Bancroft Prize-winning Entertaining Satan, John Putnam Demos presented an entirely new perspective on American witchcraft. By investigating the surviving historical documents of over a hundred actual witchcraft cases, he vividly recreated the world of New England during the witchcraft trials and brought to light fascinating information on the role of witchcraft in early American culture. Now Demos has revisited his original work and updated it to illustrate why these early Americans' strange views on witchcraft still matter to us today. He provides a new preface that puts forth a broader overview of witchcraft and…
I am a historian of early modern Europe, especially 16th- and 17th-century England, and my work pulls together threads from different historical disciplines, including political history, the history of science and technology, and environmental history. I am fascinated by the ways that human history is intimately linked with the environment, and I am most interested in how early modern European states and empires worked to understand, manage, and profit from the natural world, especially with respect to using and conserving natural resources such as water, wood, and wildlife. I have chosen books that explore these issues in innovative and exciting ways.
A superb history of a particular landscape in the midst of profound political, economic, and environmental transformation; it is a wonderful example of interdisciplinary research.
The book explores the Connecticut River valley in colonial New England, and shows how the economic needs and interactions of the Native American and European inhabitants completely reshaped the ecology of the region.
My favorite chapter is Roberts’s brilliant analysis of the lucrative trade in beaver pelts, which not only shifted the balance of power between Native Americans and European settlers, it also eradicated the beavers and their extensive network of dams, erasing the vast wetlands of the region and leaving the river itself unrecognizable.
Focusing on the Connecticut River Valley-New England's longest river and largest watershed- Strother Roberts traces the local, regional, and transatlantic markets in colonial commodities that shaped an ecological transformation in one corner of the rapidly globalizing early modern world. Reaching deep into the interior, the Connecticut provided a watery commercial highway for the furs, grain, timber, livestock, and various other commodities that the region exported. Colonial Ecology, Atlantic Economy shows how the extraction of each commodity had an impact on the New England landscape, creating a new colonial ecology inextricably tied to the broader transatlantic economy beyond its shores.
This…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
The Patient is a very quick read and easy to get sucked into, questioning everything you might know or think. I love how it was told through a series of online posts during which the narrator, a young psychiatrist, slowly reveals his story, never quite knowing if what he experienced was real or if he was going crazy.
I love how the sci-fi aspect took it out of our real world just enough to feel fantastical but not too much to be unrealistic or like a classic high-fantasy novel. The pace was fantastic, the twists and reveals were perfectly placed, and it was just the right amount of horror. I appreciate any book that is unexpected and leaves me thinking about it for days after I’m finished.
In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient.
We learn, as Parker did on his first day at the hospital, of the facility's most difficult, profoundly dangerous case - a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat…
