91 Books Like The Whitby Witches

Snow, Glass, Apples is my all-time favourite Gaiman story, which is quite staggering given how much of his work I adore, but I'd only seen it in short story form before, in Smoke and Mirrors. Then I was given a copy of just Snow Glass, Apples, illustrated by Colleen Doran. The artwork is stunning, beautifully dark with a tight palette and rich, intricate detailing. Every page is a work of art, allowing you to linger and slowly digest the tale as it unfolds. This story is a huge influence for me, in particular for my collection Once Upon A Twisted Fairytale, because it flips the story of Snow White on its head. All of the elements of the traditional tale - the huntsman, the stepmother queen, the dwarves, the glass coffin - are there, but put together from the perspective of the queen, totally changing the story. I love… show more.

The OG witches of modern fantasy literature. I’ve put down Wyrd Sisters because it’s the first of Pratchett’s Witches books to feature the trio of Granny Weatherwax, Nanny Ogg, and Magrat Garlick, but I’d list the whole series if I could. If you haven’t read them, I envy you, because you get to experience this trio and their world for the first time. Granny Weatherwax is a good witch because she has to be, but if she were to go the other way there’s no doubt she would be the greatest evil witch the Discworld has ever known. She plays cards with Death, knows the power of stories, and, most importantly, understands that being Good and Right is not the same as being Nice. Pratchett’s Witches were formative reading for me, and paved the way for many beloved reads on our shelves today.

As a teen, I'd visit my aunt, in her flat above a laundrette. The flat had a small attic room with a little window and a few old boxes of junk. My cousins and sister and I would play up there, or sit up there telling ghost stories, because it was one of those unclaimed spaces, overlooked by adults, that children colonise. A liminal space almost, where adult rules and laws don't quite apply and therefore magic can happen. One day I was snooping up there and found a beautiful copy of  Friedrich De La Motte's Undine, illustrated by Arthur Rackham. It was so stunningly beautiful, it felt like a book that had been plucked out of some fairytale land. I lost myself in the illustrations or weeks before I even read the words. And when I did my heart broke for Undine, who loved so hard, but left… show more.

The Fourth Bear is possibly too light to be included in a list of dark fairytales, but the main character is a classic, almost noir type detective, so maybe it's ok. Nursery Crime Division, to be exact. I think Jasper Fforde may be to blame for my desire to write Jack and the Beanstalk as a dark gritty courtroom drama (maybe one day!), he blends genres together so seamlessly, and I long to be able to do it as well as he does. There's a terrifying serial killer on the loose, and I was as on the edge of my seat as I am with any thriller, even though I knew that killer was The Gingerbread Man. It follows the plot of a standard police procedural/thriller, while including Punch and Judy, Goldilocks, an illegal porridge ring, and a murderous biscuit....or is The Gingerbread Man a cake? I absolutely adore the… show more.

I absolutely loved this series! The heroine is a young woman struggling to survive the harsh streets of Victorian England. Caught stealing, Mary Quinn is convicted and sentenced to hang. However, the Agency rescues her from the noose and provides her with an education. In return, she trains to work as an investigative agent among the upper-class society of London. These books expose the realistic darker side of that world, but if you could handle Oliver Twist, you can handle these. Lee captured the mystery and intrigue so brilliantly I could not put them down.

Not all princesses wait to be saved. Sara Crewe teaches us that strength, kindness, and imagination can carry us through even the darkest times.

This timeless novel is still relevant today. It proves that real royalty comes from within—something I deeply connected with while writing my memoir and the reason I opened the book with a quote from Burnett.

Here’s another sacrifice for the girl to improve the family fortunes story. Creel’s aunt sets her up to be sacrificed to a dragon but no one really thinks a dragon will show up. When one does everything changes. Creel is stuck with an old brown dragon who doesn’t want to be bothered with fighting a dragon. Creel offers a trade – she wants something from his hoard to bring her good fortune. Again, we have a heroine who is tired of her life and seeks out her fortune in another way. I love the strong female lead and I love how clueless she is about something. I also enjoy the way the author breaks away from the typical tropes about princes. 

The Long Season of Rain (the title refers to the monsoons that afflict the Korean Peninsula at the start of summer) reminds us that in Hell Chosŏn women remain subservient to men in almost every sphere of society, and learn early on to endure silently instead of speaking out. This novel exemplifies the richness of Korean-American young-adult novels, which often focus on coming of age and the quest for identity. Especially poignant is the author’s use of a naïve narrator, the daughter of a woman who learns that her husband has taken a concubine.

Most found family stories involve individuals coming together, seeing them forged in fire to become something new, something whole, and unbreakable. The Gray House is a twist on found family in that it begins with strong family bonds already in place, so the true story becomes: What happens when a found family breaks apart? The Gray House is a home and school for disabled children and teenagers, where they need to rely on each other for everything—even things as basic as getting dressed in the morning. And while the shifting perspectives and timelines do tell the story of family bonds forged among individuals, the threat of Graduation Day looms over the house’s seniors, heralding an ending, rather than a beginning. With a low fantasy setting that I can’t describe without spoiling the story, I can only assure you that this book will take you on a completely unexpected journey.

This is a children's book – the story of the three Fossil children, their peculiar upbringing, and the ups and downs of their lives at stage school – but it is a wonderful read at any age. Brilliantly infused with the texture of daily life in 1930s London, it creates a really specific and compelling atmosphere. The food they ate, the cost of clothes, transport, the make-up of their household, even the quality of the air they breathed, is all described, as part of a warm and engrossing tale. Nothing I've read quite transports you to that time in the way that this does.