100 Books Like The Kill Artist

I had to include Alan Furst, the absolute master of historical fiction of the pre-WWII era. The first book of Furst’s Night Soldiers Series, this book introduced me to a new sort of spy thriller: instead of secret agents, these are ordinary people swept up in history.

I do love a makeover, but this is a life-and-death self-reinvention. When Khristo is targeted by the local fascist gang in 1934 Bulgaria, it’s time to run. When his first reinvention becomes dangerous, he reinvents himself again. And again. And finds love on the way. I was inspired at every turn by Khristo’s transformations without ever losing his core decency. The historical detail is so vivid I felt like I was right there with Khristo, whether he was in Moscow, Spain, or Paris. 

Connelly is the GOAT of the legal thriller genre. He is the creator of Mickey Haller and Hieronymus Bosch.

The Lincoln Lawyer introduces Mickey Haller, the LA lawyer whose office is his Lincoln Town Car. A criminal defense lawyer, Haller agrees to defend a prominent real estate agent who claims he is being framed for assault and attempted murder.

In Connelly’s novels, things are never what they seem. Connelly understands the challenges facing attorneys in investigating and trying difficult cases for difficult clients.

I always enjoy Bill Bryson’s stories, wherever he travels. He’s like my favorite funny uncle, and I never tire of hearing from him.

After a couple of decades as a Yank in the UK, he was going to move back home. First, he takes us on one last meandering trip all around the nation, to pay homage, to enjoy good memories, and to get amusingly grumpy about inconveniences. His sense of humor is self-effacing, silly, bungling, and very entertaining.  

I love his keen nose for the absurd differences between the two cultures, his collections of comedy place names, and the British slang phrases he never understood. I grew up in the USA but spent all my adult life in the UK, and this had me laughing out loud, frequently. 

Not exactly literary fiction, I know. And it breaks none of the rules governing the novelist’s craft. And we all read it back when it came out, didn't we? Or saw the movie, there've been a couple of versions...

So why is it on my list, you ask?

The Day of the Jackal is quite simply the greatest thriller ever written, and should be read by anyone who writes fiction, literary or otherwise—and by the rest of us as well.

Think for a moment: We follow The Jackal’s relentless quest to corner and kill French President Charles DeGaulle for 380 pages, waiting with breath bated to see whether he will succeed even though we know before we ever open the cover of the book (if we know even the slightest bit of history) that DeGaulle was never assassinated—ever!—not by The Jackal and not by anyone in… show more.

This spot very nearly went to the great John le Carre, perhaps his brilliant The Little Drummer Girl.

Grady’s debut is not as complex or as dense as le Carre, but it holds a special place in my heart, partly because of its back story.

Grady was a young congressional staffer in my adopted hometown of Washington, DC when he dreamed up a covert CIA unit whose role is to monitor foreign intelligence operations by scouring books and magazines from around the world.

When the novel was adapted into the movie Three Days of the Condor, it was seen by KGB generals who—assuming it was based on truth—set up a similar unit of their own. Amazing but true.

This book takes a comic yet piercing look at espionage. 

Jim Wormold, a vacuum-cleaner salesman in pre-revolutionary Cuba, is recruited by MI6 out of desperation and fabricates his spy reports. He invents agents, sketches of weaponized vacuum parts, and absurd clandestine plots—all to keep the money coming and satisfy his daughter’s extravagances.

What makes the novel shine is its satire of the spy apparatus—how credulity, vanity, and bureaucratic inertia turn fiction into danger. Greene balances light humor with real human stakes: financial strain, moral compromise, a man pretending to be something he is not. Even decades after its writing, Our Man in Havana remains sharp, funny, and deeply relevant in its critique of power, truth, and illusion.

This is both your main course and palate cleanser. Absolutely riveting!

Read as a teenager, this book hooked me into mystery thrillers. It has everything from murder to political intrigue to a spy ring.

The book is a chase thriller with twists, turns, and surprises. Written in 1930, the work had the feel of a ‘boy's own’ adventure story with a man on the run hunting German spies and clues leading to the 39 steps and victory.

Great story!

Ken Follett’s breakthrough novel is a taut and thrilling wartime espionage tale set during World War II. But there is sufficient naval action to include it in this list. I felt it was a wonderfully atmospheric novel.

It centres on Henry Faber, a ruthless German spy nicknamed “The Needle” for his deadly stiletto. Faber uncovers the Allies’ deception surrounding the D-Day invasion and races to deliver the intelligence to Nazi command. His journey leads him to Storm Island, where he encounters Lucy Rose, a lonely Englishwoman whose emotional entanglement with Faber becomes pivotal. As MI5 closes in, the novel builds to an exciting naval warfare climax.

Follett masterfully blends suspense, romance, and historical intrigue in this compelling tale of loyalty and betrayal.

This is a beast of a thriller at 700 pages, but I thoroughly enjoyed the deep dive nevertheless. American ex-spy Pilgrim is pitched against a Saudi mujahideen fighter known as the Saracen, who is bent on avenging himself against the United States with a chillingly devastating plan.

Both protagonist and antagonist are well fleshed out with detailed backstories that make the character development top-notch in this murder mystery-turned-spy terrorism thriller. There's an interesting switch between first and third person, which I've rarely encountered.

I found it quite engrossing, and many scenes linger long after I put the book down. It's a solid thriller that I could really get my teeth into.

I felt my net worth increase 25% just from reading this book, for Ian Fleming lavishes his world of French casinos and international crime in such opulence that you can feel the velvet smoking jacket slip over your shoulders with each turn of the page.

The debut of super-spy extraordinaire James Bond is so far removed from the celluloid pandemonium we all know and love that one would be forgiven for thinking MI6 veteran and fellow writer John le Carré was the real man behind the typewriter.

Fleming’s Bond is a cold, calculating career agent but also a human being, one with genuine weaknesses and failings that spoil the otherwise glamorous countenance of his operation but which also make the victories that much sweeter. Nobody does it better!