100 Books Like The Wendy Project

Walden is one of my favorite pure artists—one of those people whose drawings I look at and say to myself: “I could never draw like that even if I practiced for the rest of my life.”

She combines her jaw-dropping artwork with sensitive, nuanced writing. While her work is consistently brilliant, this book—a memoir of her time coming-of-age as a queer person while being a competitive figure skater—was one of my foremost inspirations for my book, which started as a similar queer sports memoir before morphing into semi-autobiographical fiction.

I adored this book from the moment I read the first page of the first graphic novel! I fell in love with Nick and Charlie and related so hard to the struggles that they were going through, even though I’m older than they are. It brought me back to how I felt in high school.

Charlie’s eating disorder, especially, really struck a nerve, and I thought it was handled with such beautiful rawness. Note: I read it before watching the TV show, which I also love. 

Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.

The last one brought tears to my eyes, a feat that doesn’t happen often, superseded only by the end of the novel. I cannot recommend it enough.    

I won’t lie, this is a difficult one for me to get through having survived a mass shooting myself. As an anthology, it serves as a powerful testimony to the survivors of the 2017 Las Vegas shooting which took the lives of 60. What I think is unique about this anthology is that several artists and authors collaborated on pieces that share social perceptions on a myriad of issues surrounding mass shootings in the U.S. Where We Live serves as a near time capsule dedicated to the effects of the deadliest single incident mass shooting.  

Jennifer Haigh's novel is a family saga that reads like a post-mortem. With alternating narration, each of the five family members gives their perspective on what led to the family's demise and current state. The novel's title, The Condition, seems to refer specifically to one child in the family who has been diagnosed with a rare medical condition called Turner's Syndrome. But throughout the book, it becomes clear that each family member has developed their own "condition" or way of existing that is just as much a part of their identity.

Dooling's nonfiction account of the searches for a girl and two women who disappeared in New England in the 1940s and 1950s is another good example of weaving together true crime and historic context. Only one of the victims' remains have been found, but all of the victims may have met up with the still-unknown killer. In addition to covering the missing person searches as they were conducted in their times, Dooling provides new hope by looking back on these cases with twenty-first-century eyes.  

This book has all my favorite detective fiction elements: a beautiful cover, an independent heroine, Abigail Rook, crime-solving alongside an elusive detective, R.F. Jackaby, and a solid plot that kept me guessing until the end. Set in late nineteenth-century New England, Rook teams up with Jackaby in a parallel to a Watson-Holmes relationship except this detective novel features the supernatural. Rook learns quickly that Jackaby stands out among detectives as he can see supernatural creatures. I love so much about this book, particularly the chemistry between Rook and Jackaby as co-investigators. This is a must-read not only for detective fiction fans, but for Dr. Who and Buffy the Vampire Slayer fans as well.  

A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.

Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were… show more.

Pitkin writes in a very accessible style. What drew me into this book, in particular, is that he starts the book off with a personal experience. He writes of the incident that turned him from a skeptic into a believer in the paranormal. Intriguing stuff, to be sure ... but this revelation also changed his attitude towards teaching, making him more tolerant of other cultures, and more open to sharing different worldviews with his students. Whereas prior to this experience, he had been dismissive of what he saw as "primitive" beliefs (regarding African belief in witchcraft and the afterlife), he was now more willing to explore alternative belief systems with his students.

Harriette Merrifield Forbes pioneered the field of American gravestone studies. Her admirable study has separate chapters on several artisans, including the 17th and 18th-century stonecutters of Boston, the Lamsons of Charlestown, the Fosters of Dorchester, the stonecutters of Groton and Harvard, and the “Thistle-Carver” of Tatnuck. It also has chapters on the gravestones of Rhode Island and Connecticut. 

Forbes initiated real interest in this area of research. I found it astounding that she could have accomplished so much in the 1920s—before the introduction of modern battery-powered flash systems (which I relied on so often in highlighting shallow carvings and lettering)—and almost singlehandedly lit the fire of inquiry in so many of us who followed her model. She was also attentive to the human side of this craft, with many interesting observations on the stonecutters’ intentions and skills.