Here are 100 books that Gravestones of Early New England and the Men Who Made Them fans have personally recommended if you like
Gravestones of Early New England and the Men Who Made Them.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
This book is densely illustrated (I’d guess that about three-quarters of the 430 8”x10” pages of the main text are filled with images). This was what first led me to travel to New England to see these stones for myself, which I did six years later.
This combination of rich art and Puritan values should challenge anyone’s assumptions about early American sensibilities.
In Puritan New England, with its abiding concern for things not of this world and its distrust of forms and ceremonies, one art flourished: the symbolic art of mortuary monument stonecarvers. This carefully researched, beautifully illustrated work was the first to consider this art in depth as a meaningful aesthetic-spiritual expression. It is reissued for today's readers, with a new preface outlining changes in the field since the book appeared in 1966.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
The Tashjians’ book challenged the idea that Puritans rejected visual art. Their study is important in documenting a new aesthetic, where the skull (death’s head) gives way to the winged faces of angels (cherubs), which were more gentle and sentimental in style rather than dark and threatening. Specific stonecutters discussed in this book include John Bull, William Codner, Zerrubbabel Collins, William Young, Henry Christian Geyer, Joseph Lamson and his shop, William Mumford, John Stevens and family, and Jonathan and Moses Worster. These are names well-known to anyone versed in this art form.
I was taken by the fact that new motifs in gravestone design could spread through the stonecutter community with such personalized innovations and styles. Further, in chapter 8: "The Icons of Essex," County provided a contrast with another style of cutting faces in stone. This book significantly broadened my view of stonecutting styles in New England. It also…
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
The first volume of my book focused on Boston, Plymouth County, and Cape Cod. Benes’ study was essential for providing a larger context for my own account of the stonecutters of this locale. He relied on an analysis of over 4000 gravestones in over 100 burial grounds. He prodded the neophyte (like myself at the time) into considering the more symbolic elements of gravestones, including the perception that headstones and footstones represented the headboards and footboards of the beds in which the deceased were “sleeping.”
His book provided a much-needed reminder of the subtle religious symbolism found on all of these old monuments. Plymouth and Barnstable Counties are particularly important for understanding the stonecutters' business practices and design repertoires in this region of Massachusetts.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
This initial volume provides detailed accounts (with photographs) of classical, early Boston carvers, as well as the Emmes family of carvers, John Gaud (1693-1750) (who worked in both Boston and Connecticut), Ebenezer Howard (1734-?), and James Wilder (1741-1794) of Lancaster. It is a perfect start for anyone wanting to explore the subject in actual field trips–focusing on its earliest masters. There is also a second volume, which includes a cumulative index for both volumes. Five of the six chapters of Volume II focus on major stonecutters in Groton, Salem, Essex County, and Boston.
I wish Chase and Gabel’s first volume had appeared before my first visit to the area so that I would have been better prepared to examine the work of the early Boston carvers, the Park family carvers, James Ford, and Levy Maxey–all of whom I discovered later. These two books together provide probably the closest thing to…
Gravestone Chronicles I includes insightful essays and new scholarship on eighteenth-century New England gravestone carvers and their art. (An every-name, every-place index to both books is included in Volume II.) The authors "There is a wealth of knowledge waiting to be discovered in New England's burying a chronicle of history, art, religious beliefs, military campaigns, family genealogy sometimes tragedy or scandal even humor."
I am an Emeritus Professor of Early Modern History at the University of East Anglia and a Fellow of the Royal Historical Society. I taught history for many years at several UK universities, and I was the Director of Studies in History at Churchill College, Cambridge. I am the author of six books, including Hellish Nell: Last of Britain’s Witches and Witchcraft: A Very Short Introduction. His latest book, The Ruin of All Witches: Life and Death in the New World, will be published in November by Penguin. I live in Cambridge, England, and I am married with three children.
A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.
Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were…
Confessing to "familiarity with the devils," Mary Johnson, a servant, was executed by Connecticut officials in 1648. A wealthy Boston widow, Ann Hibbens was hanged in 1656 for casting spells on her neighbors. The case of Ann Cole, who was "taken with very strange Fits," fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events at Salem.
More than three hundred years later, the question "Why?" still haunts us. Why were these and other women likely witches-vulnerable to accusations of witchcraft and possession? Carol F. Karlsen reveals the social construction of witchcraft in seventeenth-century New England…
I am passionate about in-depth character development because it’s something I strive for in my own writing. Humans are very complex creatures who are capable of a full range of responses on any given day, moment, or set of circumstances. Offering readers an opportunity to consider what motivates characters to behave in the ways they do makes a story worth sinking your teeth into. I think making these kinds of considerations about characters who are not real also opens up our collective ability to exercise our empathy muscles in real life. These days, we need that more than ever.
I love the strong, authentic female voice and the sheer craft of Shreve’s writing style. Honestly, I felt like I’d just eaten a piece of cake when I finished reading this book the first time, and I’ve definitely gone back for seconds and thirds. Each time I’ve reread this book, I find another beautiful facet to appreciate.
The pacing of the storytelling is exceptional, and Shreve doesn’t flinch from describing visceral scenes that are essential to the story. I love how much you need all five of your senses to read this story. This book was my first introduction to this writer, and I’ve read everything of hers that I can get my hands on.
Set 100 years ago in Boston, Fortune's Rocks is a classic of literary and romantic storytelling. Fourteen-year-old Olympic Biddeford is spending the summer with her parents at their seasonal house at Fortune's Rocks. Her father handles her education himself and is in fact a publisher of mildly liberal literature. One author he admires, who also practises as a physician, comes to visit the house. 40 years old, married with four children, he still embarks on an affair with the adolescent girl. They have a swift, passionate summer, torn apart when they are discovered together during Olympic's fifteenth birthday party. She…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I’m a multi-award-winning picture book author of many types of books, from The Pumpkin Runner to Badger’s Perfect Garden. I’ve always been a reader more than an athlete, but throughout my life, I’ve enjoyed running - running down a dusty Kansas backroad, running to the pasture to call in the cows, running to the stream to climb a cottonwood. When I reached my sixties, I finally decided it was time to run a half-marathon. Partway through the race, I broke my foot! But I persevered. When I crossed the finish line, I felt a little like Joshua Summerhayes in The Pumpkin Runner.
Running was magic to Kathrine Switzer. But she grew up in a time when most people thought women were too fragile to run a race, especially a 26.2-mile marathon. The illustrations are vibrant and the text well-written, with a “Pat, Pat, Pat” refrain which expands as Kathrine runs faster and faster. The story revolves around how Kathrine entered the Boston Marathon in 1967 when it was a race for men only. She was almost stopped during the race by an angry Race Director, who also believed women should not run a marathon. Kathrine persevered and finished! Since 2008, more than 10,000 women have officially entered to run the Boston Marathon.
Kathrine Switzer changed the world of running. This narrative biography follows Kathrine from running laps as a girl in her backyard to becoming the first woman to run the Boston Marathon with official race numbers in 1967. Her inspirational true story is for anyone willing to challenge the rules.
The compelling collage art adds to the kinetic action of the story. With tension and heart, this biography has the influential power to get readers into running. An excellent choice for sports fans, New Englanders, young dreamers, and competitive girls and boys alike.
Years ago, I stumbled upon the gravestone of an unidentified murder victim from 1954. Then I entered into a partnership with my local sheriff and with forensic experts to successfully determine the young woman's identity. At the time, I was (and still am) a historical researcher, newspaper columnist, and author. The Jane Doe case, however, gave me the opportunity and insight to investigate and research the young woman's murder, allowing me to dig into the context of the times. Now, as a researcher and writer of historical true crime, I've found a niche, allowing me to combine my investigative skills and interests with a deep passion for the past.
Dooling's nonfiction account of the searches for a girl and two women who disappeared in New England in the 1940s and 1950s is another good example of weaving together true crime and historic context. Only one of the victims' remains have been found, but all of the victims may have met up with the still-unknown killer.In addition to covering the missing person searches as they were conducted in their times, Dooling provides new hope by looking back on these cases with twenty-first-century eyes.
Three young women, all seen hitchhiking, all disappeared. Two of these unsolved disappearances are the oldest cold cases in their respective states. Paula Welden, a resident of Stamford, Connecticut and student at Bennington College in Vermont disappeared in 1946 after hitching a ride to walk a portion of the Long Trail. Her disappearance sparked the largest search in Vermont's history. She was never found. Two states away, Connie Smith of Wyoming left a Lakeville, Connecticut summer camp in 1952 and was seen trying to catch a ride to the village center...and then she was gone. A nationwide search resulted in…
I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
Pitkin writes in a very accessible style. What drew me into this book, in particular, is that he starts the book off with a personal experience. He writes of the incident that turned him from a skeptic into a believer in the paranormal. Intriguing stuff, to be sure ... but this revelation also changed his attitude towards teaching, making him more tolerant of other cultures, and more open to sharing different worldviews with his students. Whereas prior to this experience, he had been dismissive of what he saw as "primitive" beliefs (regarding African belief in witchcraft and the afterlife), he was now more willing to explore alternative belief systems with his students.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
We highly recommend this capacious “counter-archive” of Native writing because it definitively lays to rest the myth of the “vanishing Indian.” Covering more than four centuries, it includes work from ten tribal nations from Maine to Connecticut in the form of early political petitions and land deeds to contemporary poetry and blogs. We love that its editor, a non-Native scholar, drew on the expertise of eleven Native editors from tribal communities for its diverse content, sourced from oral narratives, manuscripts stored in garages, and passed-around bootlegged copies. We also love that the book inspired a website for the extra material and for new work being produced now. In this sense, the website is a living document that illuminates the long history and vibrant presence of Indigenous writing.
Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England's Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi'kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers…
