Here are 100 books that The Weaver's Surprise fans have personally recommended if you like
The Weaver's Surprise.
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My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This biographical picture book tells the story of quilts made by hand by the women of Gee’s Bend, Alabama. The traditional quilts, made from scraps of cloth from clothing and cornmeal sacks, are now displayed in museums around the world.
The author does a beautiful job of showing how a family tradition has developed into spectacular works of art. Readers can see how important it is to maintain traditions that may have started for practical purposes (like staying warm!) but evolved into appreciation of the works of unknown artisans. The author includes instructions on how to make a quilt square.
Since the early nineteenth century, the women of Gee's Bend in southern Alabama have created stunning, vibrant quilts. In the only photo-essay book about the quilts of Gee's Bend for children, award-winning author Susan Goldman Rubin explores the history and culture of this fascinating group of women and their unique quilting traditions. Rubin uses meticulous research to offer an exclusive look at an important facet of African American art and culture.
In the rural community of Gee's Bend, African American women have been making quilts for generations. They use scraps of old overalls, aprons, and bleached cornmeal sacks anything they…
Three friends become caught up in a monkey-worshipping cult when a stone circle suddenly appears overnight next to their home.
The cult is headed by famous racing driver Gordon Smash who disappeared in the Amazon rainforest in the 90s after a stunt went badly wrong. Alongside space tech billionaire Micky…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This story is about how a garment called a gabi is made in Ethiopia, from the planting of cotton seeds to the weaving, trimming, and wearing during festive occasions. It shows the significance of carrying on a traditional craft through lyrical text and colorful illustrations.
I love the idea that children can see how clothing and other items around the world are not necessarily made in factories. In this case, the creation of a traditional piece of clothing involves many artisans of all ages working by hand. (Illustrated vocabulary is included.)
From seed to harvest, from loom to shop, to a gift for Girma, this lyrical story of the Ethiopian Gabi is a beautiful celebration of weaving, community and culture.
Written in the cadence of The House That Jack Built, this vibrant and lushly illustrated tale pays tribute to the Gabi- a traditional Ethiopian cloth that is used to celebrate both community and culture. From the tiny seed to the fluffy white cotton, from the steady hands of the farmer to the swift fingers of the weaver, from the busy shopkeeper, to a gift for a loved one, follow the journey…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
It’s difficult to find books for children that accurately depict crafts from different cultures. This book provides instructions and detailed illustrations of crafts such as matryoshka dolls, hamsa, Wayun mochilas, and Adinkra prints.
It would be a wonderful companion to Scribble, Spin, Swirl, and Stitch as children explore crafts around the world and think about what they would like to create.
From Japanese origami and Native American dream catchers to totem poles and Russian dolls, children can discover, draw and build objects from cultures around the world
From Japanese origami and Native American dream catchers to totem poles and Russian dolls, children can discover, draw and build objects from cultures around the world. Craft projects can be made from easy-to-source materials and include illustrated step-by-step instructions, while design projects provide sketching pages and guidance to encourage kids to create their own unique and exciting ideas.
In a time of alternative facts and the loss of a shared sense of reality, A Foot is Not a Fish playfully illustrates the difference between what is true and what is not through absurd fun comparisons that every child—and parent—will instantly understand.
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This book consists of a series of stories that show how crafts from the past were designed and created. The book invites readers to appreciate the time, effort, and care that went into making objects such as toys and tools without machinery. I have included this book because it emphasizes the satisfaction of creating treasures by hand.
A beautiful, one-of-a-kind volume invites readers to marvel at the time, effort, and care that went into creating handmade toys, tools, and treasures of the past.
Whirr, buzz, hum. Before busy machines in factories turned out most of what we need and use, people crafted these items by hand. From a globe to a pie crimper, a butter churn to a rocking horse, this unique collection highlights fourteen one-of-a-kind objects — each one drafted, stitched, painted, or engraved by hand. Author Carole Lexa Schaefer draws inspiration from real historical artifacts to create thirteen short works of fiction, imagining the hands…
I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.
Yes, it’s a Victorian novel but it’s also the slenderest and sweetest one, by my lights.
Cast out from his narrow religious community by the acts of a dishonest friend, Silas Marner flees to a new village and resolves to live a life apart, money his only security. Then along comes a tiny child in need and Silas cannot help but help—even though this new challenge comes on the heels of a devastating robbery.
The man’s generosity has the effect of opening him up to the generosity of others until, little by little, he becomes a part of the community he has lived apart from for so long. There is never a bad time to read this lovely, hopeful little novella about the worst and best of human nature.
Gold! - his own gold - brought back to him as mysteriously as it had been taken away!
Falsely accused of theft, Silas Marner is cut off from his community but finds refuge in the village of Raveloe, where he is eyed with distant suspicion. Like a spider from a fairy-tale, Silas fills fifteen monotonous years with weaving and accumulating gold. The son of the wealthy local Squire, Godfrey Cass also seeks an escape from his past. One snowy winter, two events change the course of their lives: Silas's gold is stolen and, a child crawls across his threshold.
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
For years everyone thought the only two options for writing were to pants or plot, i.e., wing it or outline. Turns out there is another method and Lisa Cron lays that out in her book.
I found this to be a truly valuable resource based on science and creative process. Cron’s book takes you from idea to actual writing using an innovative and original take on the conventional writing process.
Following on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story.
It’s every novelist’s greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page one rewrite.
The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot). Story coach Lisa Cron…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
This book is horror for adrenaline fiends, but it has emotional depths and a rich cast of well-developed characters to balance out its fast-paced thrills.
My favorite character in this book, and one of my favorites in the whole horror canon, is Nell Talbot, one half of the brother-sister duo of protagonists. Nell is a 100-proof disaster bisexual, surfing a wave of her own bad choices all the way to shore.
You know how a story is supposed to have an inciting incident? Nell Talbot is the inciting incident.
One of Tor Nightfire's "Horror Books We're Excited About in 2022"!
"Lyons
burnishes his reputation as a rising horror star . . . [and] keeps the pages
flying with fast-paced chills." -Publishers Weekly (starred review)
From the author of The Night Will Find Us comes a white-knuckled horror-thriller set across the American Southwest.
Road trips can be hell.
Siblings Jonah and Nell Talbot used to be inseparable, but ever since Jonah suddenly blew town twelve years ago, they couldn't be more distant. Now, in the wake of Jonah's divorce, they embark on a cross-country road trip back to their hometown…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
Brandt cuts through the mystique that “writing can’t be taught” and encourages writers to discover the creative and rational aspects of their consciousness—an approach that excites me as a writer and a teacher.
Brandt’s approach is useful for beginning writers and also for writers going through a dry period. I recommend it to all my students.
A reissue of a classic work published in 1934 on writing and the creative process, Becoming a Writer recaptures the excitement of Dorothea Brande's creative writing classroom of the 1920s. Decades before brain research "discovered" the role of the right and left brain in all human endeavor, Dorothea Brande was teaching students how to see again, how to hold their minds still, and how to call forth the inner writer.
As a professional counselor by trade, I’m fascinated by the machinations of the human mind, what drives us, and how our primeval urges can overcome our learned and acceptable behaviors. Accordingly, I enjoy both reading and writing books that expose and explore the dark side of our psyche and the dichotomy of human nature. I particularly appreciate stories that balance evil with redemption, rescue, or retribution.
I love a tense, character-driven thriller, and this one was set in a remote town I’ve visited.
I love that the book is set in 1963, a decade that had particular significance for Australian women, their roles, and the expectations placed upon them.
It’s not fast-moving, but the setting is an almost palpable character in its own right. I found it dark, rife with corruption, violence, oppressive heat, and both the best and the worst of what Australia has to offer.
'From screen to page, Matt Nable's ability to breathe life into vivid characters shines against the grittiness of the harsh Australian landscape.' - Jane Harper, author of The Dry
'a thrilling, heart-stopping novel that fans of The Dry are going to love' - Weekender
'Nable renders the past both tangible and real and it's riveting' - Sue Turnbull, The Age
'must read' - Who Weekly
Darwin, Summer, 1963.
The humidity sat heavy and thick over the town as Senior Constable Ned Potter looked down at a body that had been dragged from the shallow marshland.…
4.5 billion years ago, Earth was forming - but nothing could have survived there…
From Cells to Ourselves is the incredible story of how life on earth started and how it gradually evolved from the first simple cells to the abundance of life around us today. Walk with dinosaurs, analyse…
I grew up in the era of sweeping historical epics, traveling with the turn of a page from Gaius Marius’s Rome to Victoria’s England and everything in between. I’ve always loved books that immerse you in places and time periods you know nothing about—and when I couldn’t find enough of them, I started writing my own. While my long-ago history PhD work is in Tudor-Stuart England (my specialty was the English Civil War), what I love most is being a historical dilettante and getting to hop around the historical record—which may be why my books can take you anywhere from Napoleon’s court to 1920s Kenya to Cuba with Teddy Roosevelt!
I don’t know about you, but when I learned history in elementary school, we skipped straight from Ancient Greece and Rome to the Norman Conquest with the briefest of nods at Byzantium to acknowledge there was something in between. It was all very simple and straightforward—and completely left out the crumbling kingdoms left behind in the wake of the fall of Alexander the Great’s Empire.
I can still remember opening Gillian Bradshaw’s Horses of Heaven for the first time and thinking, “What’s Ferghana? Or Bactra?” Gillian Bradshaw wrote a number of books set in the wake of Alexander’s empire, but this one is the one that really stuck with me, told through the eyes of a girl picked to go as attendant to a Greek aristocrat from Bactra being married to King Mauakes of Ferghana (now Afghanistan).
Heliokleia, a young princess of Bactria, is allied in a mismatched marriage to the ruler of Ferghana, but she realizes too late that the king's son, Itaz, is her true soulmate
