Here are 100 books that The Gabi That Girma Wore fans have personally recommended if you like
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My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This biographical picture book tells the story of quilts made by hand by the women of Gee’s Bend, Alabama. The traditional quilts, made from scraps of cloth from clothing and cornmeal sacks, are now displayed in museums around the world.
The author does a beautiful job of showing how a family tradition has developed into spectacular works of art. Readers can see how important it is to maintain traditions that may have started for practical purposes (like staying warm!) but evolved into appreciation of the works of unknown artisans. The author includes instructions on how to make a quilt square.
Since the early nineteenth century, the women of Gee's Bend in southern Alabama have created stunning, vibrant quilts. In the only photo-essay book about the quilts of Gee's Bend for children, award-winning author Susan Goldman Rubin explores the history and culture of this fascinating group of women and their unique quilting traditions. Rubin uses meticulous research to offer an exclusive look at an important facet of African American art and culture.
In the rural community of Gee's Bend, African American women have been making quilts for generations. They use scraps of old overalls, aprons, and bleached cornmeal sacks anything they…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
It’s difficult to find books for children that accurately depict crafts from different cultures. This book provides instructions and detailed illustrations of crafts such as matryoshka dolls, hamsa, Wayun mochilas, and Adinkra prints.
It would be a wonderful companion to Scribble, Spin, Swirl, and Stitch as children explore crafts around the world and think about what they would like to create.
From Japanese origami and Native American dream catchers to totem poles and Russian dolls, children can discover, draw and build objects from cultures around the world
From Japanese origami and Native American dream catchers to totem poles and Russian dolls, children can discover, draw and build objects from cultures around the world. Craft projects can be made from easy-to-source materials and include illustrated step-by-step instructions, while design projects provide sketching pages and guidance to encourage kids to create their own unique and exciting ideas.
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This book consists of a series of stories that show how crafts from the past were designed and created. The book invites readers to appreciate the time, effort, and care that went into making objects such as toys and tools without machinery. I have included this book because it emphasizes the satisfaction of creating treasures by hand.
A beautiful, one-of-a-kind volume invites readers to marvel at the time, effort, and care that went into creating handmade toys, tools, and treasures of the past.
Whirr, buzz, hum. Before busy machines in factories turned out most of what we need and use, people crafted these items by hand. From a globe to a pie crimper, a butter churn to a rocking horse, this unique collection highlights fourteen one-of-a-kind objects — each one drafted, stitched, painted, or engraved by hand. Author Carole Lexa Schaefer draws inspiration from real historical artifacts to create thirteen short works of fiction, imagining the hands…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
It was such a delight to find a picture book that teaches about a craft while telling a sweet story. As a man weaves a rug in his cottage, a family of mischievous mice gnaw away at the threads, creating a hole in the rug.
When they discover what they have done, they figure out a way to repair the hole and surprise the weaver. The tools of the trade are illustrated at the conclusion of this charming book.
What happens when a family of mice moves into a weaver's cottage for the winter? Will they tuck into his woven cloth for a long winter's nap? Will the weaver discover their presence, and if he does, what will he do?
This enchanting tale is spun by master weaver Tom Knisely, author of several instructional weaving books including Weaving Rag Rugs, Handwoven Table Linens, Handwoven Baby Blankets, and his latest, Huck Lace Weaving Patterns with Color and Weave Effects. Told in compassionate detail, the story makes you wonder, has Tom had personal experience with tiny curious visitors?
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impacted—the adoptees themselves. As an adoptee—one who undertook a search for and was reunited with my first family, reassuming the name I was given at birth—I am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be “split” between two families, to lose our roots and culture, and—perhaps most devastating—not to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from one’s culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adoptees’ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, and…
I had visited many Eastern Orthodox churches across Eastern Europe and the Middle East for a research project, and finally came to Ethiopia. Here I encountered a large and thriving Christian community which reached back to the earliest days of the church. Its location between the Middle East and East Asia and Africa as well as Europe has given it a distinctive way of living and worshipping which is unique in the Christian world – and overlooked by other churches. I’ve spent the last twenty years exploring this tradition which gives the rest of us a radically different understanding of faith.
The author is an Ethiopian/Canadian journalist living in London. The book is a vivid biography of her grandmother, Yetemegnu, based on many conversations and interviews. It begins in a traditional household in northern Ethiopia where the grandmother was married at the age of 10 to an ambitious priest twenty years older than her, and it takes us through a century of history as the family lives through and adapts to turbulent times, ending up in modern Addis Ababa where her son became a successful doctor and emigrated to Canada. It’s a beautiful and affectionate account that introduces us to a changing society.
WINNER OF THE RSL ONDAATJE PRIZE 2019
AN ECONOMIST BOOK OF THE YEAR
A CBC BOOK OF THE YEAR
The extraordinary story of an indomitable 95-year-old woman - and of the most extraordinary century in Ethiopia's history. A new Wild Swans
A hundred years ago, a girl was born in the northern Ethiopian city of Gondar. Before she was ten years old, Yetemegnu was married to a man two decades her senior, an ambitious poet-priest. Over the next century her world changed beyond recognition. She witnessed Fascist invasion and occupation, Allied bombardment and exile from her city, the ascent and…
I had visited many Eastern Orthodox churches across Eastern Europe and the Middle East for a research project, and finally came to Ethiopia. Here I encountered a large and thriving Christian community which reached back to the earliest days of the church. Its location between the Middle East and East Asia and Africa as well as Europe has given it a distinctive way of living and worshipping which is unique in the Christian world – and overlooked by other churches. I’ve spent the last twenty years exploring this tradition which gives the rest of us a radically different understanding of faith.
The author walks from Lalibela to Axum, the two main pilgrimage destinations of Christian Ethiopia. It’s a journey of 250 miles through the heartland of Christian Ethiopia. It’s a spectacular mountain landscape, along an old road which passes by many churches and monasteries. As he walks, he describes the people he meets, explains the history of the region, tells the stories and legends, and shares his adventures. For the visitor, Ethiopia is a strange and unfamiliar place and so encountering Ethiopia is always a journey of exploration. We need a guide and Philip is an engaging and well-informed travel companion.
Philip Marsden returns to the remote, fiercely beautiful landscape that has exercised a powerful mythic appeal over him since his first encounter with it over twenty years ago.
'Ethiopia bred in me the conviction that if there is a wider purpose to our life, it is to understand the world, to seek out its diversity, to celebrate its heroes and its wonders - in short, to witness it.'
When Philip Marsden first went to Ethiopia in 1982, it changed the direction of his life. What he saw of its stunning antiquity, its raw Christianity, its extremes of brutality and grace…
I lived in Ethiopia for 7 years and arrived expecting to find a country beaten down by war and famine, I could not have been more wrong. Ethiopia covers a vast territory and is as deep in history and culture, while its myriad peoples speak over 80 different languages. It remains one of the most mysterious, misunderstood, and least visited countries on the planet, and a paradise for both physical and armchair travelers alike to explore one of the last great largely undiscovered places on earth. I continue to write articles for both national and international newspapers and magazines about Ethiopia and its many wonders.
Ethiopia is a treasure trove of traditional folktales and learning. Elizabeth Laird has travelled the length and breadth of the country digging them out by talking to tribal elders, community leaders, and traditional storytellers. What emerged for me was a fascinating record of an ancient culture and its wisdom that can trace its roots back to the days of the Old Testament but whose lessons still ring true to this today. I loved accompanying Elizabeth on her travels as she went in search of the stories; enjoyed meeting alongside her the storytellers she managed to track down; and most of all was charmed by the stories themselves, which are a match in wit and human insight for anything that was ever penned by Aesop or Hans Christian Andersen.
In 1967, at the age of 23, Elizabeth Laird set off for Addis Ababa to take up her first teaching post. She was introduced to Haile Selassie, made a pilgrimage across the mountains on foot to the ancient city of Lalibela, hitched a ride on an oil tanker across the Danakil Desert, and was arrested for a murder she had not committed. Back in Britain, Laird established herself as a major author of fiction for children and young adults, but she always wanted to return to Ethiopia. Her chance came in the late 1990s, when the British Council in Addis…
I lived in Ethiopia for 7 years and arrived expecting to find a country beaten down by war and famine, I could not have been more wrong. Ethiopia covers a vast territory and is as deep in history and culture, while its myriad peoples speak over 80 different languages. It remains one of the most mysterious, misunderstood, and least visited countries on the planet, and a paradise for both physical and armchair travelers alike to explore one of the last great largely undiscovered places on earth. I continue to write articles for both national and international newspapers and magazines about Ethiopia and its many wonders.
How do you describe and encapsulate a country that can trace its history back to the days of the Queen of Sheba, whose ethnic peoples speak over 80 separate languages and whose many traditions and culture remain untouched by time? The genius of Ethiopia: Through Writers’ Eyes is that it solves this conundrum brilliantly by compiling the writings of explorers, travel writers, and journalists dating from the ancient Greeks right up to the modern day. The result is a fascinating kaleidoscope of images and experiences that turn constantly in this reader’s mind long after putting the book down. It’s a book I return to time after time and it always transports me back to one of the most mysterious and beguiling countries on earth.
There are only a handful of destinations left in the world that have retained their ability to shock the traveller with their unique perspective. These places still awaken a sense of deep wonder as they offer the rare opportunity to observe the world from a different angle. Ethiopia is one of those rare countries. This book is the perfect companion to any exploration of Ethiopia, be it in the precarious saddle of an Abyssinian pony, or from the folds of an armchair. A compendium of all things Ethiopian, the book throws wide open precious windows of understanding, allowing you to…
I lived in Ethiopia for 7 years and arrived expecting to find a country beaten down by war and famine, I could not have been more wrong. Ethiopia covers a vast territory and is as deep in history and culture, while its myriad peoples speak over 80 different languages. It remains one of the most mysterious, misunderstood, and least visited countries on the planet, and a paradise for both physical and armchair travelers alike to explore one of the last great largely undiscovered places on earth. I continue to write articles for both national and international newspapers and magazines about Ethiopia and its many wonders.
Leader? Hero? Saint? It’s difficult to find the words to define Haregewoin Teferra, the subject of this book, but somehow I feel these still fall short. A woman living in relative comfort in Addis Ababa, Ethiopia, her life is turned upside down when she is given two young children to care for whose parents died due to HIV/AIDS. In time Haregewoin becomes a mother to many more just like them. In opening her doors, Haregewoin opened her heart to hundreds of orphaned children and gave them the chance of new and happy lives. This is a book that moved me to tears. Tears of rage at the injustices in the world and tears of relief that people like Haregewoin still exist.
In a tin-walled compound outside Addis Ababa, Ethiopia, a middle-class woman named Haregewoin Teferra suffers terrible personal losses. In grief, she turns to the church, and is presented with two orphans and asked to house them. Haregewoin agrees. Once she opens her gate, she never manages to close it again. Here is a woman who does not run away from HIV-positive and AIDS-orphaned children, brought to her on foot, by bus or by donkey cart. There are over a million AIDS orphans in Ethiopia; "There Is No Me Without You" tells a few of their remarkable stories through the eyes…
