Here are 94 books that The Volcano Lover fans have personally recommended if you like
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In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Sure, The Planet in a Pebble is usually filed under ‘popular science’ but with a premise like that, we could also consider it a work of experimental literature.
Zalasiewicz picks up a pebble on a Welsh beach – humble, rounded grey slate intersected by a seam of white quartz – which starts him on a journey back over 4.5 billion years, looking at the minerals of early Earth.
We watch elements of our pebble progress through the rock cycle, eroding from igneous rock, slowly settling in a bacteria-rich bed of sediment within the early ocean before re-lithifying, metamorphosing under intense heat and pressure as mountains are formed by the movement of continental plates, to at last be exposed again and splintered from its mother rock by the force of wind and waves.
This is the story of a single pebble. It is just a normal pebble, as you might pick up on holiday - on a beach in Wales, say. Its history, though, carries us into abyssal depths of time, and across the farthest reaches of space.
This is a narrative of the Earth's long and dramatic history, as gleaned from a single pebble. It begins as the pebble-particles form amid unimaginable violence in distal realms of the Universe, in the Big Bang and in supernova explosions and continues amid the construction of the Solar System. Jan Zalasiewicz shows the almost incredible…
Beginning with a chance encounter in 1985, an unnamed narrator embarks on a physical and spiritual sojourn over four decades.
From a one-night stand in Paris with the troubled and enigmatic Louis, to Montreal, through a divided Europe, and into the Iranian desert with the sick yet determined Yuri, and…
After many years of studying the subject and still more writing about it, my mind is still blown away by the fact that pretty much everything around you is a chemical of some kind. Even more impressive to me is that all of the molecules that make up everything you can see, smell, touch, and taste are made from combinations of just a handful of elements. The periodic table is a one-page summary of pretty much everything, the ultimate Lego kit to build a whole universe. I love finding out about and telling the stories of these incredible chemical constructions.
Chemistry saves our lives every second of every day without us usually noticing it. Primo Levi’s personal history with chemistry perhaps saved him from the gas chambers of Auschwitz.
This extraordinary book is a series of snapshots from Levi’s life each linked to a different element. I would recommend reading anything Primo Levi has written, The Periodic Table is just the best place to start.
An extraordinary kind of autobiography in which each of the 21 chapters takes its title and its starting-point from one of the elements in the periodic table. Mingling fact and fiction, science and personal record, history and anecdote, Levi uses his training as an industrial chemist and the terrible years he spent as a prisoner in Auschwitz to illuminate the human condition. Yet this exquisitely lucid text is also humourous and even witty in a way possible only to one who has looked into the abyss.
In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Raffles explores geology through both a historic and an autobiographical lens.
We might understand the ‘unconformities’ of the title as both unconventional geological formations and members of Raffles’s own family (though I imagine he might question my urge to distinguish between the two.)
The book is episodic, and follows Raffles on his travels to sites of geological and personal significance.
Throughout he also draws out the long history of exploitation bound up in our relationship to the mineral realm, including the removal of iron-rich meteorites from indigenous communities in the arctic circle, and the forced labour of the Glimmerwerke– mica splitting workshops – at Theresienstadt ghetto during the Second World War.
In my book I describe geology as a storytelling science – Raffles is something closer to a poet.
From the author of the acclaimed Insectopedia, a powerful exploration of loss, endurance, and the absences that permeate the present
When Hugh Raffles’s two sisters died suddenly within a few weeks of each other, he reached for rocks, stones, and other seemingly solid objects as anchors in a world unmoored, as ways to make sense of these events through stories far larger than his own.
A moving, profound, and affirming meditation, The Book of Unconformities is grounded in stories of stones: Neolithic stone circles, Icelandic lava, mica from a Nazi concentration camp, petrified whale blubber in Svalbard, the…
Brings together Maggie Humm's pioneering work on feminist literary criticism, Virginia Woolf, film and visual cultures. Explores a range of critical approaches to Woolf’s writings including modernism, psychoanalysis, French feminist theory, and postmodernism.
A survey and analysis of feminist criticism from the 1970s.
In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Fortey is a literary, opinionated, and very engaging science writer.
One of the foundational books for my book was a geological walk across the Great Britain called The Hidden Landscape which was a revelation when I first read it (I can’t believe it’s now 30 years old!).
I’m a keen walker and know many of the landscapes he described in the book – learning about the rocks far beneath my feet, the forces that had formed them and the impact they had on the history of each region really transformed my relationship to the landscape.
For anyone looking for a global perspective, his more recent book Earth: An Intimate History is also an excellent and illuminating read.
'A very well written book about geology and geological history' Sir David Attenborough, The Times
'I travelled to Haverfordwest to get to the past. From Paddington Station a Great Western locomotive took me on a journey westwards from London further and further back into geological time, from the age of mammals to the age of trilobites...'
So begins this enthralling exploration of time and place in which Richard Fortey peels away the top layer of the land to reveal the hidden landscape - the rocks which contain the story of distant events, which dictate not only the personality of the…
Growing up on a small farm in southern Ohio, I was the first generation of my family to attend both high school and college. Literature, reading it, talking about it, studying it, was my entry into a world of larger possibilities than my family’s somewhat straitened circumstances had allowed me. Faulkner attracted me because the rural enclave in which we lived, and my neighbors, resembled locales and characters in his fiction. Shakespeare attracted me for many reasons, most notably the beauty of his language and the ability of his plays to reveal new meanings as my life experiences changed.
Is Henry James an American or a British author? Perhaps both. Born and raised in New York City, member of a well-to-do family, James spent his adult years in Great Britain. Yet his central theme, the collision of American “innocence” with European sophistication, is inherently trans-oceanic.
Nowhere is that theme more brilliantly explored than in The Portrait of a Lady. Isabel Archer, young, wealthy, unattached, free, it seems, to make of her life what she will, nonetheless marries a fortune-hunting expatriate, and her gradual discovery of the magnitude of her mistake makes the novel a great, heart-wrenching tragedy.
'One ought to choose something very deliberately, and be faithful to that.'
Isabel Archer is a young, intelligent, and spirited American girl, determined to relish her first experience of Europe. She rejects two eligible suitors in her fervent commitment to liberty and independence, declaring that she will never marry. Thanks to the generosity of her devoted cousin Ralph, she is free to make her own choice about her destiny. Yet in the intoxicating worlds of Paris, Florence, and Rome, her fond illusions of self-reliance are twisted by the machinations of her friends and apparent allies. What had seemed to be…
For me, the American story is about “mixedness”—about the ways in which people of various backgrounds and beliefs have come together, oftentimes despite themselves, to make up our modern racial stew. It has been true since the Founding and is all the more so now, even as we, as a society, continue to want to resist it. These novels achieve what I aspire to in my own writing: the white characters are as complex as the Black ones. And in their struggles to make sense of the world, they all reveal the complexity and contradictions of American identity.
Narrated by Manon Gaudet, the mistress of an 1830s plantation outside New Orleans, the novel forced me to adopt the perspective of a person who is both oppressed, as a woman in the 19th century, and oppressor, as a slave-owner, who is keenly observant and stunningly blind. Manon’s body-servant, Sarah, has given birth to a deaf wild-child who Manon cannot ignore, given his striking resemblance to her own husband. Manon, who is obsessed with Sarah too, is incapable of recognizing her as someone being victimized by her husband. She only sees a rival.
I teach Property in my classes. My students hate Manon. They also love the book!
Property is Valerie Martin's powerful, startling novel set in America's deep South in the early nineteenth century: a story of freedom, both political and personal. Manon Gaudet is unhappily married to the owner of a Louisiana sugar plantation. She misses her family and longs for the vibrant lifestyle of her native New Orleans. The tension revolves around Sarah, a slave girl given to Manon as a wedding present from her aunt, whose young son Walter is living proof of where Manon's husband's inclinations lie. This private drama is played out against a brooding atmosphere of slave unrest and bloody uprisings.
I came out as bisexual way back in 1991, and experienced a lot of discrimination, hostility, and ridicule from both the gay and straight communities. Finding stories about me and my own experience has always been vital, to help me explore and understand more about myself and how I “fit in” in a world that seems to be so locked into an either/or framework. True, I have witnessed a number of positive changes for bi+ folks in the decades since I came out, but there's still a long way to go in terms of visibility, acceptance, and understanding.
I read this book in a feverishly short period of time, largely because Fishman´s writing never stopped surprising me. Her erotic story about Eve and her affairs with both men and women is complicated, messy, and real. I love how this book puts me into close identification with Eve, the contradictions in what she wants and what repels her, the tension between what she truly desires versus what she believes she “should” want.
I can't think of many novels that articulate the experience of bisexuals so accurately and with so much compassion, balancing social pressures and personal needs. It's a great book.
A “bold and unflinchingly sexy” (Vogue) debut novel about a young woman who follows her desires into a world of pleasure, decadence, and privilege, unraveling everything she thought she knew about sex . . . and herself.
“One of the most entertaining books about sex I’ve ever read . . . The perfect read for fans of Raven Leilani and Ottessa Moshfegh, this is a book that will have people talking.”—BuzzFeed
“A sex masterpiece.”—The Guardian
A Kaia Gerber Book Club Pick • Named One of the Best Books of the Year by The New Yorker and The Hollywood Reporter
I’ve long been fascinated by tales of the paranormal. Legends of ghosts, ogres, and demons stretch back to prehistory, and as H.P. Lovecraft wrote, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” Advances in science and technology are often seen as a remedy against fearing things that go bump in the night. But in the realm of speculative fiction, what if such technology becomes the opposite: a means for the supernatural to make its presence known? This fearful juxtaposition is skillfully depicted in the five books I describe below. I hope you enjoy them.
Supernatural horror meets the industrial-age love affair with the automobile—a combination I found irresistible. The novel’s protagonist, a social outcast, finds purpose and connection in his purchase of a piece of modern technology—a 1958 Plymouth Fury—which then proves to be his undoing via supernatural agency: the car is cursed, a receptacle for evil influences.
This also lends the novel an element of pathos without being saccharine or emotionally manipulative. I found this book to be a darkly captivating read.
Stephen King’s ultimate evil vehicle of terror, Christine: the frightening story of a nerdy teenager who falls in love with his vintage Plymouth Fury. It’s love at first sight, but this car is no lady.
Evil is alive in Libertyville. It inhabits a custom-painted red and white 1958 Plymouth Fury named Christine and young Arnold Cunningham, who buys it.
Along with Arnold’s girlfriend, Leigh Cabot, Dennis Guilder attempts to find out the real truth behind Christine and finds more than he bargained for: from murder to suicide, there’s a peculiar feeling that surrounds Christine—she gets revenge on anyone standing…
I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a children’s author, myself, it’s my hope and passion to serve fellow young-readers-who-don’t-consider-themselves-readers with fun accessible stories. I hope you enjoy!
Christian was clueless when he started spying on the royal family through his telescope. He lives in a cave with a troll for a dad, after all. If his dad had only warned him about all that mind-boggling love stuff, maybe things wouldn't be such a mess. Although then, maybe, Princess Marigold would be dead. But Christian wasn't warned. And now that he's fallen for the princess, it's up to him to untwist an odd love triangle - er, rectangle - and foil a scheming queen who wants to take over the kingdom, even if it means bumping off her…
I have always been fascinated with morally grey or complex characters. For me, the sign of a great novel is one where you find yourself talking about the characters as if they were real people you know. I want to experience something when I read, and characters that are flawed, imperfect, or morally grey have always intrigued me because they can take me to places I haven’t (or wouldn’t!) go myself. And, of course, they provide ample grounds for fun discussions with my friends! Sci-fi apocalyptic fiction is fertile ground for such characters, so I’ve tried to pick books you may not have heard of. I hope you like them!
This was a book club choice, and as soon as I finished it, I bought the other two books in the trilogy. I literally couldn’t put them down! Another post-apocalypse for this list, this time, the story is told through the memories of Jimmy/Snowman. But make no mistake, the novel is about Crake, a brilliant, lonely, and terrifying young man.
As Jimmy tries to recover his past, shadowed by the gentle, green-skinned ‘children of Crake,’ he recalls the events leading up to the end of humanity. This is very much a mystery, so I must be careful what I reveal, but if you are all about misguided genius and hubris, you will adore this novel. Needless to say, with an author like Atwood, the writing is superb.
By the author of THE HANDMAID'S TALE and ALIAS GRACE
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Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility.
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Praise for Oryx and Crake:
'In Jimmy, Atwood has created a great character: a tragic-comic artist of the future, part buffoon, part Orpheus. An adman who's a sad man; a jealous…
