Books like The Floating Opera and The End of the Road — picked by fans

I read this probably when I was in my early twenties. Randle McMurphy was, and still is, to some degree, an inspiring character: a rebellious soul, a flawed genius, a bit of a wrong’un at times, but also a hilariously cocky piss-taker.

There’s something deeply human in the portrayal of this character and his conflict with institutionalised authority, as represented by the frankly terrifying Nurse Ratched. It may be set in a psychiatric hospital, but I find the themes relatable to the wider world, the constant pressure to conform or be crushed. I still feel incensed by it.

Based on the boyhood memories of author Sherwood Anderson, Winesburg, Ohio is one of the best portraits of small-town American life in the 19th century.

Centered around the coming-of-age of George Willard, the 22 stories in the book provide numerous character sketches of people in the fictional town of Winesburg. Anderson writes in a plain style that suits the world he describes.

The book pioneers an approach to fictional portraiture also taken up by Wiseman in his later Our-Town cycle of films that focus on individual rural communities—Aspen, Belfast, Maine, In Jackson Heights, and Monrovia, Indiana—and adopt a seemingly similar straightforward style. Like those films, the book features a series of glimpses that together add up more than just the sum of its parts.

Another book with an episodic structure, The Confidence-Man concerns an assorted group of Mississippi steamboat passengers whose individual hypocrisies are confronted by the mysterious character of the title.

Melville’s ship of fools features a variety of types, some of whom are caricatures of American literary figures including Emerson, Hawthorne, and Poe. The book was published in 1857 on April Fool’s Day, an irony equal to the publication of Bram Stoker’s Dracula on Valentine’s Day, and a gesture that Wiseman, himself a great ironist, surely would appreciate.

Certainly, it is no surprise that Wiseman has referred to The Confidence-Man as his favorite novel. One might even find Melville’s elaborate prose style analogous to Wiseman’s careful editing and his ability to confront spectators with their own biases and preconceptions, as the eponymous confidence-man does in the book.

This is one of the few novels I’ve read twice for pleasure (rather than work). It’s a noirish novel that delves into the esoteric along the lines of Umberto Eco’s Foucault’s Pendulum (which Kubrick allegedly considered adapting at one point but which I was unable to read twice!).

The book follows a film scholar who uncovers an incredible conspiracy around a fictional B-movie director called Max Castle, and the imperceptible images he placed in the gap between each of the twenty-four frames played every second in a movie: the so-called flicker of the title. Its author, Roszak, is better known for having coined the term "the counter-culture."

Blue Flag features an intense love rectangle between four unlikely friends and explores everything from cliques, crushes, self-hatred, projecting your insecurities onto others, and figuring out how to grow as a person. The relationships in Blue Flag are very complex, and almost uncomfortably real in their strengths and shortcomings. This is a series I wish I could have read as a teen; I would have loved it to be my companion in navigating the unnavigable maze of school social life.

The Crown’s Game is a beautiful novel set in Imperial Russia, with two protagonists who possess markedly different magical abilities: Vika, whose powers are natural and arising from within herself and the land, and Nikolai, an enchanter who has learned his skills through difficult studies. It is a beautiful and enchanting read, with thoughtful prose and unforgettable characters. With a heart-wrenching love triangle and a magical contest between these two enchanters, it is a story that’s hard to put down (and fortunately, there is a sequel that is just as captivating!).

The Blue Bistro is one of Hilderbrand’s earlier books, and like almost all of her work, it is set on the island of Nantucket. I thoroughly enjoy reading all of Hilderbrand’s novels because of the incredible imagery she uses to describe the settings. I feel like I know the beaches, restaurants, hotels, and streets of Nantucket from reading her books almost better than I could from vacationing there. The Blue Bistro is especially compelling because it is set in a unique upscale restaurant and weaves distressing personal drama with mouthwatering menu descriptions. If you like good food and good gossip, you’ll love The Blue Bistro.

A slow-burn story is great, but one mixed with regret and hope? Sign me up! I couldn’t imagine living through the trials and expectations that young ladies had to bear during the Regency era, but Julie gave me a pretty good glimpse through this English countryside window.

I felt compassion for some of these characters and anger toward others. The pain and betrayal felt so tangible that my own heart hurt. I feared for the life of more than one throughout the entire book, and I successfully cost a friend a good night’s sleep after recommending this one to her. I believe that the love and hope found in these pages can be found in real life, too.

Wild Africa is romantic and daring and I loved the danger and inspiration of 1920s Africa, when British born real life woman Beryl Markham becomes one of the first female pilots. It’s a bit of Out of Africa and riveting.

Markham encounters many obstacles and has several disastrous relationships but eventually she overcomes and succeeds. She becomes the first person (not woman) to fly solo from Britain to North America. 

I remember reading this in my student bedsit and being transfixed. I was studying art but had just decided that I wanted to be a novelist. As such, I loved the opening lines: “A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.”

It is a simple yet beautiful book about love, belief, and betrayal. I’m not religious, but the testing of someone’s faith and how it may make them act stuck with me. Also, the facade of the ‘stiff upper lip,’ but underneath, the vulnerability.