Here are 53 books that The Planet in a Pebble fans have personally recommended if you like
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A lot of the books I write are about science or history, and Mr Darwin just happened to be about both: it was a history of science, as science was in 1859. People say the world changed after Darwin published, The Origin of Species in 1859, but Origin was a symptom not a cause. My book is a history of science that looks at how the world was changing (and shrinking) in the year 1859, as new specimens, new materials, new technologies, and new ideas came into play.
I spend a lot of my time trying to clarify the bilge poured out by the merchants of fake science: the flat-earthers, creationists, and climate deniers mainly, but also medical quacks and other fruitloops who throw out alternative science, stuff which is like normal science, with one small exception. I was already fighting these fights when Wolpert came to Sydney, and I chaired a lecture he gave. He showed us where the problem lay in combatting idiocy: the idiots depend on naïve and naked intuition.
Invariably, these unhinged pseudo-realities rely on a simple misreading of scientific lore, and Lewis explained that this is because a great deal of science is counter-intuitive. We can’t see evolution happening, the world looks flat, the sun appears to go around us, and common sense says that kinetic energy must be proportional to velocity, not it's square. Enter the simpleton who slept through a key…
How is it that nobody--except maybe scientists--sees science for what it is? In this entertaining and provocative book, Lewis Wolpert draws on the entire history of science, from Thales of Miletus to Watson and Crick, from the study of eugenics to the discovery of the double helix. The result is a scientist's view of the culture of science, authoritative and informed and at the same time mercifully accessible to those who find cohabiting with this culture a puzzling experience. Science is arguably the defining feature of our age. For anyone who hopes to understand its nature, this lively and thoughtful…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A lot of the books I write are about science or history, and Mr Darwin just happened to be about both: it was a history of science, as science was in 1859. People say the world changed after Darwin published, The Origin of Species in 1859, but Origin was a symptom not a cause. My book is a history of science that looks at how the world was changing (and shrinking) in the year 1859, as new specimens, new materials, new technologies, and new ideas came into play.
I have to deal, from time to time, with nervous would-be experts who have an abject fear of hybrid species in the sanctuary where I am a volunteer. One of the main lessons you take away from this ecological history is that hybrids drive a great deal of evolution, and trying to wipe out the hybrids is, in fact, an attempt to interfere with nature.
Looking at Europe as an evolutionary melting pot, we see that time and again, species migrated into the continent and were transformed, whether the immigrants were humans, elephants, or plane trees. Like all of Flannery’s books, Europe is food for thought, something to savour.
'Vivid, thrilling, a delight ... Tim Flannery is a palaeontologist and ecologist of global standing, and this is a compelling and authoritative narrative of the evolution of Europe's flora and fauna, from the formation of the continent to its near future ... an exciting book, full of wonder' James McConnachie, Sunday Times
A place of exceptional diversity, rapid change, and high energy, Europe has literally been at the crossroads of the world ever since the interaction of Asia, North America and Africa formed the tropical island archipelago that would become the continent of today.
I’ve spent my entire professional life dealing with how technology impacts business. I started out writing code to improve the operations of retail stores and factories. I managed teams developing products from videophones to cellphones. I’ve had a front-row seat to the evolution of the music business, from selling CDs to streaming files to billions of fans. These experiences provided the background for writing a book about tech disruption in the music business, starting with the phonograph and leading to Generative AI. The books on this list gave me the broader historical perspective I needed and the context to understand how other industries dealt with their own seismic changes.
I never knew that the telegraph started as a series of physical towers conveying coded messages by line of sight from one hill to another. It took years for the word telegraph to refer to the system we know so well, relying on electrical lines, the telegraph key, and Morse code.
I love how Standage finds the through line from this 19th-century communications network to the Internet we all take for granted today.
A new paperback edition of the book the Wall Street Journal dubbed “a Dot-Com cult classic,” by the bestselling author of A History of the World in 6 Glasses-the fascinating story of the telegraph, the world's first “Internet.”
The Victorian Internet tells the colorful story of the telegraph's creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it, from the eighteenth-century French scientist Jean-Antoine Nollet to Samuel F. B. Morse and Thomas Edison. The electric telegraph nullified distance and shrank the world quicker and further than ever before or since, and its story mirrors and predicts…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
A lot of the books I write are about science or history, and Mr Darwin just happened to be about both: it was a history of science, as science was in 1859. People say the world changed after Darwin published, The Origin of Species in 1859, but Origin was a symptom not a cause. My book is a history of science that looks at how the world was changing (and shrinking) in the year 1859, as new specimens, new materials, new technologies, and new ideas came into play.
I have had my copy since about 1972, when I was a penurious post-grad, and it lacks an ISBN, but it is based on a famous phrase that may or may not have been written by Sir Isaac Newton: “If I have seen further, it is by standing on the shoulders of giants”, and it is an uproarious and undisciplined history of that phrase. Merton calls it a Shandean postscript, because there are parallels with the style of Tristram Shandy.
I am afraid (or so two of my more literate editors have assured me), Merton infected my own style to an extent, but you can just tell that he enjoyed telling a story, almost as though it came from Falstaff himself. Any would-be understander of science needs to read it, but if you cite it, don’t make the mistake of Charlesworth et al., who, in Life Among the Scientists,…
With playfulness and a large dose of wit, Robert Merton traces the origin of Newton's aphorism, "If I have seen farther, it is by standing on the shoulders of giants." Using as a model the discursive and digressive style of Sterne's Tristram Shandy, Merton presents a whimsical yet scholarly work which deals with the questions of creativity, tradition, plagiarism, the transmission of knowledge, and the concept of progress. "This book is the delightful apotheosis of donmanship: Merton parodies scholarliness while being faultlessly scholarly; he scourges pedantry while brandishing his own abstruse learning on every page. The most recondite and obscure…
After many years of studying the subject and still more writing about it, my mind is still blown away by the fact that pretty much everything around you is a chemical of some kind. Even more impressive to me is that all of the molecules that make up everything you can see, smell, touch, and taste are made from combinations of just a handful of elements. The periodic table is a one-page summary of pretty much everything, the ultimate Lego kit to build a whole universe. I love finding out about and telling the stories of these incredible chemical constructions.
Chemistry saves our lives every second of every day without us usually noticing it. Primo Levi’s personal history with chemistry perhaps saved him from the gas chambers of Auschwitz.
This extraordinary book is a series of snapshots from Levi’s life each linked to a different element. I would recommend reading anything Primo Levi has written, The Periodic Table is just the best place to start.
An extraordinary kind of autobiography in which each of the 21 chapters takes its title and its starting-point from one of the elements in the periodic table. Mingling fact and fiction, science and personal record, history and anecdote, Levi uses his training as an industrial chemist and the terrible years he spent as a prisoner in Auschwitz to illuminate the human condition. Yet this exquisitely lucid text is also humourous and even witty in a way possible only to one who has looked into the abyss.
In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Sontag’s historic novel focusses on two great romances: the one between Vice-Admiral Horatio Nelson and Lady Emma Hamilton, and the other between her husband Sir William Hamilton and the volcano Vesuvius.
Hamilton is the titular ‘volcano lover’ (he also dallied with Etna) who documented the fluctuating moods of the crater with attentive devotion.
He is a fascinating figure – an eighteenth-century diplomat, collector, and connoisseur, he worked at a time when the foundations of modern science were being laid down.
Hamilton’s observations of Vesuvius and the flaming sulphur fields around Naples were recorded in the beautiful Campi Phlegraei.
European men of his time were driven to document, catalogue, name, and impose order on the world, often in a deliberate effort to distance themselves from natural religions and animistic beliefs that prevailed in territories exploited in the colonial era.
Sontag describes Hamilton caught in the balance between the worlds of…
A historical romance, Sontag's book is based on the lives of Sir William Hamilton, his wife, Emma, and Lord Nelson in the final decades of the eighteenth century. Passionately examining the shape of Western civilization since the Age of Enlightenment, Sontag's novel is an exquisitely detailed picture of revolution, the fate of nature, art and love.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Raffles explores geology through both a historic and an autobiographical lens.
We might understand the ‘unconformities’ of the title as both unconventional geological formations and members of Raffles’s own family (though I imagine he might question my urge to distinguish between the two.)
The book is episodic, and follows Raffles on his travels to sites of geological and personal significance.
Throughout he also draws out the long history of exploitation bound up in our relationship to the mineral realm, including the removal of iron-rich meteorites from indigenous communities in the arctic circle, and the forced labour of the Glimmerwerke– mica splitting workshops – at Theresienstadt ghetto during the Second World War.
In my book I describe geology as a storytelling science – Raffles is something closer to a poet.
From the author of the acclaimed Insectopedia, a powerful exploration of loss, endurance, and the absences that permeate the present
When Hugh Raffles’s two sisters died suddenly within a few weeks of each other, he reached for rocks, stones, and other seemingly solid objects as anchors in a world unmoored, as ways to make sense of these events through stories far larger than his own.
A moving, profound, and affirming meditation, The Book of Unconformities is grounded in stories of stones: Neolithic stone circles, Icelandic lava, mica from a Nazi concentration camp, petrified whale blubber in Svalbard, the marble prized…
In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Fortey is a literary, opinionated, and very engaging science writer.
One of the foundational books for my book was a geological walk across the Great Britain called The Hidden Landscape which was a revelation when I first read it (I can’t believe it’s now 30 years old!).
I’m a keen walker and know many of the landscapes he described in the book – learning about the rocks far beneath my feet, the forces that had formed them and the impact they had on the history of each region really transformed my relationship to the landscape.
For anyone looking for a global perspective, his more recent book Earth: An Intimate History is also an excellent and illuminating read.
'A very well written book about geology and geological history' Sir David Attenborough, The Times
'I travelled to Haverfordwest to get to the past. From Paddington Station a Great Western locomotive took me on a journey westwards from London further and further back into geological time, from the age of mammals to the age of trilobites...'
So begins this enthralling exploration of time and place in which Richard Fortey peels away the top layer of the land to reveal the hidden landscape - the rocks which contain the story of distant events, which dictate not only the personality of the…
As a geologist and gemmologist, I am particularly fascinated with how the Earth works and landscapes change; how mountains, valleys, rivers, and seas are made; where and why volcanoes and earthquakes occur; and about crystals and gemstones for jewelry. My mother reminds me that since I was a toddler, I have loved to collect small pebbles and "sparkly things." I am passionate about teaching and writing for adults and children and lecture in universities and on cruise ships worldwide. Formerly the curator of more than 5,000 gemstones at the Natural History Museum, I am an examiner for the Gem-A, internationally recognised by jewelers worldwide.
My copy (published in 1954) is a childhood gift that I have treasured for more than 50 years. Flicking through the well-thumbed and weather beaten pages brings back so many wonderful memories of holidays and collecting trips.
As an avid collector of pebbles from an early age, this was the book that fuelled my interest in geology. Amazed to find that no two pebbles were the same or had the same story, I was fascinated by their diversity and beauty, what they were made of, and how they were formed.
When the book was re-issued in 2018, I couldn’t resist buying another copy. I read it from cover to cover with as much excitement as I had as a child and was reminded that this was the book that inspired me to become a professional geologist.
The Pebbles on the Beach was first published in 1954. This newly reissued edition includes a foreword by Robert Macfarlane. There is a handy illustrated guide to identifying pebbles on the reverse of the book jacket.
Pebble-hunting is a pleasant hobby that makes little demand upon one's patience and still less upon one's physical energy. (You may even enjoy the hunt from the luxurious sloth of a deck chair). One of the true delights of the pebble-seeker is to read the stories in the stones - to determine whence and by what means they came…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
Restoree is a stand-alone novel by Anne McCaffrey of the Dragon Riders of Pern fame. The protagonist, Sara, is swept up in a mass kidnapping and carried away to a planet where she ends up in a new body. She is given the job of caring for a man who seems largely unresponsive. Sara and the reader slowly come to understand what’s happening and she makes a bold move to rescue herself, her charge, and the other restorees. Like all the best science fiction, Restoree is less about the trappings and more about the human story.
There was a sudden stench of a dead sea creature. There was the sudden horror of a huge black shape closing over her. There was nothing...
Then there were pieces of memory, isolated fragments that were so horrible her mind refused to accept them. Intense heat and shivering cold; excruciating pain; dismembered pieces of the human body. Sawn bones and searing screams.
And when she awoke she found she was in a world that was not earth, and with a face and body that were not her own. She had become a Restoree...