Here are 100 books that The Virgin Vote fans have personally recommended if you like
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We are two historians who have been writing together for about a decade now, first on project related to race relations after WWI, then on a book about debates over the enlistment age in nineteenth century America. Rebecca teaches at UCSD while Frances works at the University of Sydney in Australia, but we regularly meet online to write together and talk about our favorite new books.
When this work first came out, it was the only wide-ranging study of children’s lives during the American Civil War. Marten revealed how much there was to know about this topic, and how much there was to work with—not just material produced by adults for or about children—from picture books and board games to artwork and literature—but also a wealth of letters, diaries, and newspapers written by children to document their wartime experiences. Marten, as either author or editor, subsequently followed up with numerous books that have expanded research in this area. But this one remains a favourite for its readable prose and deadpan asides.
Children--white and black, northern and southern--endured a vast and varied range of experiences during the Civil War. Children celebrated victories and mourned defeats, tightened their belts and widened their responsibilities, took part in patriotic displays and suffered shortages and hardships, fled their homes to escape enemy invaders and snatched opportunities to run toward the promise of freedom. Offering a fascinating look at how children were affected by our nation's greatest crisis, James Marten examines their toys and games, their literature and schoolbooks, the letters they exchanged with absent fathers and brothers, and the hardships they endured. He also explores children's…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
We are two historians who have been writing together for about a decade now, first on project related to race relations after WWI, then on a book about debates over the enlistment age in nineteenth century America. Rebecca teaches at UCSD while Frances works at the University of Sydney in Australia, but we regularly meet online to write together and talk about our favorite new books.
Who gets to claim “childhood innocence” and the protections that come with this designation? Certainly not Black children in nineteenth-century America, according to Robin Bernstein. They were instead pictured as “pickaninnies”—comic figures who felt no pain, whatever mischief befell them. This book won a slew of awards for good reason: reading the racial ‘scripts’ in seemingly innocuous cultural products like children’s picture books, dolls, and knickknacks, Bernstein reveals how race-making hides in plain sight.
2013 Book Award Winner from the International Research Society in Children's Literature
2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education
2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association
2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association
2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers
Dissects how "innocence" became the exclusive province of white children, covering slavery to the Civil Rights era
Beginning in the mid nineteenth century in America, childhood became synonymous…
We are two historians who have been writing together for about a decade now, first on project related to race relations after WWI, then on a book about debates over the enlistment age in nineteenth century America. Rebecca teaches at UCSD while Frances works at the University of Sydney in Australia, but we regularly meet online to write together and talk about our favorite new books.
This inspired, award-winning study looks at how black and white households were reshaped in Virginia after the Civil War. It’s full of captivating stories: Black parents trying to wrest their children away from former enslavers; once-privileged White families having to send their boys or girls into the job market to compensate for the loss of enslaved laborers; or officials coping with masses of orphaned children. It also shows the different ways that adults used ideas of childhood for political ends, as well as how children themselves fared in the aftermath of war.
In Intimate Reconstructions, Catherine Jones considers how children shaped, and were shaped by, Virginia's Reconstruction. Jones argues that questions of how to define, treat, reform, or protect children were never far from the surface of public debate and private concern in post-Civil War Virginia. Through careful examination of governmental, institutional, and private records, the author traces the unpredictable paths black and white children traveled through this tumultuous period. Putting children at the center of the narrative reveals the unevenness of the transitions that defined Virginia in the wake of the Civil War: from slavery to freedom, from war to peace,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
We are two historians who have been writing together for about a decade now, first on project related to race relations after WWI, then on a book about debates over the enlistment age in nineteenth century America. Rebecca teaches at UCSD while Frances works at the University of Sydney in Australia, but we regularly meet online to write together and talk about our favorite new books.
Historians have charted the long, slow process of emancipation in Northern states. But no one has looked before at how children fared during this process. Webster’s ground-breaking work shows that it was virtually impossible for Black children in ostensibly free states to escape politics: as individuals living in a racist society, and as symbols of African Americans’ future, whatever they did or said was invariably surveilled, dissected, and judged. Racist thinking and racialised structures also severely curtailed freedom for the young.
Many Black Northern children were indentured or bound out, often in exploitative labor arrangements that restricted future possibilities. Others were confined to institutions like reformatories or orphanages, usually segregated based on pseudoscientific understandings of race that marked Black children as deviant, violent, or inferior. Circumventing the way Black suffering has been obscured in historical records, Webster manages to piece together archival fragments that show widespread victimization of Black children…
For all that is known about the depth and breadth of African American history, we still understand surprisingly little about the lives of African American children, particularly those affected by northern emancipation. But hidden in institutional records, school primers and penmanship books, biographical sketches, and unpublished documents is a rich archive that reveals the social and affective worlds of northern Black children. Drawing evidence from the urban centers of Boston, New York, and Philadelphia, Crystal Webster's innovative research yields a powerful new history of African American childhood before the Civil War. Webster argues that young African Americans were frequently left…
As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!
This collection set me on the road of thinking about how politics consisted of more than just voting and holding office. Essays by Nancy Isenberg (on Aaron Burr and sexual politics), Jeff Pasley (on Thomas Jefferson and blocks of cheese), Andrew Robertson (on electioneering rituals), and Rosemarie Zagarri (on women and political parties) have been particularly influential in shaping my thinking about the interaction between traditional politics and cultural politics.
In pursuit of a more sophisticated and inclusive American history, the contributors to Beyond the Founders propose new directions for the study of the political history of the republic before 1830. In ways formal and informal, symbolic and tactile, this political world encompassed blacks, women, entrepreneurs, and Native Americans, as well as the Adamses, Jeffersons, and Jacksons, all struggling in their own ways to shape the new nation and express their ideas of American democracy. Taking inspiration from the new cultural and social histories, these political historians show that the early history of the United States was not just the…
As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!
Heale’s book is a classic look at how Early Republic presidential candidates and presidents curated their public image. Reading it made me realize how much political mythology was deliberately crafted during the early decades of the U.S. presidency, an obvious point in hindsight and a particularly important one in thinking about the contemporary relevancy. I gain new insights every time I read it.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!
Varon’s book is another classic study. She examines not only the role of women in supporting traditionally male political activities but also in broadening the definition of what constituted political activity. While Varon focuses on Virginia, evidence of her argument can be seen in other parts of the United States, as I found in my own research.
Over the past two decades, historians have successfully disputed the notion that American women remained wholly outside the realm of politics until the early twentieth century. Still, a consensus has prevailed that, unlike their Northern counterparts, women of the antebellum South were largely excluded from public life. With this book, Elizabeth Varon effectively challenges such historical assumptions. Using a wide array of sources, she demonstrates that throughout the antebellum period, white Southern women of the slaveholding class were important actors in the public drama of politics. Through their voluntary associations, legislative petitions, presence at political meetings and rallies, and published…
As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!
The connection between music and contemporary politics is obvious, but it is easy to forget that before Woody Guthrie, the protest songs of the 1960s, Green Day, and Keke Palmer, music was an integral part of national politics. Coleman unsurprisingly contends that political music in the early U.S. was collective and participatory, but he goes on to argue that elites used it to enforce conformity, an interesting twist on how we traditionally think of political music as challenging the status quo.
Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its diverse population. In this pathbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War. Based on deep archival research in sources such as music periodicals, songbooks, and manuals for musical instruction, Coleman argues that a particular ideal of musical power provided conservative elites with an attractive road map for producing the harmonious union they desired. He reassesses the logic…
History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.
The Civil War west of the Mississippi doesn’t get much attention in historical fiction, but it’s an incredibly rich period, with storylines and characters to fill a hundred books. Morkan’s Quarry is one of my favorites from that period. It’s set in Springfield, Missouri, the site of one of the war’s first major battles. Michael Morkan operates a rock quarry just outside of town, and rock quarries have one product on hand that is highly prized during wartime – gunpowder. Michael and his son Leighton soon learn how thin the veneer of civilization is once a war is underway. The Civil War in Missouri was characterized by day-to-day savagery, private violence, and disrespect for the “rules” of warfare, and Morkan’s Quarry captures that spirit all too well.
In 1861, the Civil War severs Michael Morkan from everything he loves and all that defines him--from his son, Leighton; from his love, Cora Slade; and from the quarry he owns in Springfield, Missouri. Forced to give his black powder to the Missouri State Guard, he finds himself indelibly labeled a rebel traitor and is imprisoned in St. Louis. Back in the Ozarks, Leighton joins the Federal Home Guards in hopes of paroling his father. When Leighton finally frees him, the two are pitched in a last gambit for their quarry and for the legacy of the name Morkan.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
Here's another amazing woman—angry, determined 18-year-old Adair—who travels through Missouri’s brutal Civil War landscape looking for her father. Jailed in St. Louis under horrid conditions for suspected Confederate sympathies, she brawls with a fellow prisoner, strategically worms her way into the prison matron’s good graces, then captures the heart of a Union interrogator who helps her escape.
I am not a horse person, but Jiles’s description of Adair’s relationship with her horse Whiskey is otherworldly and totally converted me. One nightmare scene follows another as Adair makes her way back to her family home, and I love the resourceful lies she concocts to save herself and Whiskey amid guerrilla warfare and martial law.
Beautiful language; Jiles is a poet, and it shows.
"A gritty, memorable book ... it is a delight from start to finish, without a single misstep." Tracy Chevalier
Missouri, 1865. Adair Colley and her family have managed to hide from the bloody Armageddon of the American Civil War, but finally even their remote mountain farm cannot escape the plundering greed of the Union militia. Her house is burnt, her father beaten and dragged away. With fierce determination, Adair sets out after him on foot. So begins an extraordinary voyage which will see Adair herself denounced as a Confederate spy and thrown in jail. Here she falls passionately in love…
