Here are 100 books that Morkan's Quarry fans have personally recommended if you like
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By chance, I was entrusted with rare historical documents about the immigrant generations in our family, which inspired this novel and grounded it in reality. Who wouldn’t wonder why they came? Besides, I have always been fascinated by pre-modern times and how steam power changed everything and dragged us along, kicking and screaming. And, even though they arrived in America in 1836, I grew up on the farm where they lived, so I heard tales of their amazing journey. It may be 186 years on, but it’s time to tell their story, which, it turns out, is a story for us all.
The first of Moberg’s 4-volume saga of Swedish immigrants, this book is so thoroughly researched that he invented a term, calling them “documentary novels.” The family in the story are farmers from a poor, remote parish in Sweden whose lives are constricted by both the church and the state. This reflects the painful realities of Europe in 1850, where almost everyone was poor, rural, oppressed, and completely unprepared for the journey ahead of them. Whether you read Moberg’s Emigrant Novels for the intense personal drama or for more understanding of why people leave their homelands, you will find these stories deeply emotional and insightful.
Considered one of Sweden's greatest 20th-century writers, Vilhelm Moberg created the characters Karl Oskar and Kristina Nilsson to portray the joys and tragedies of daily life for early Swedish immigrants in America. His consistently faithful depiction of these humble people's lives is a major strength of the Emigrant Novels.
Moberg's extensive research in the papers of Swedish emigrants in archival collections enabled him to incorporate many details of pioneer life. First published between 1949 and 1959 in Swedish, these four books were considered a single work by Moberg, who intended that they be read as documentary novels. These reprint editions…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Since childhood, when I first witnessed Mary and Collin grow hale and hearty by breathing in fresh air from the moor while sinking their hands into the soil of The Secret Garden,I have been drawn toward stories featuring the healing power of nature. And when I discovered Karana, resilient and resourceful, fending for herself onThe Island of the Blue Dolphins,I realized nature could be as violent a mentor as she could be nurturing, less a wellspring for the thirsty than a fiery forge for the spirited. The mystifying interplay of this gentle/fierce duality and its effect on the lives of characters continues to intrigue me and influences my writing.
Sometimes it takes dust, drought, and desperation for us to realize what we’re capable of changing. Landscape has the power to alter us and for Rachel it both whittles away and fortifies. The wrath of nature is a tangible presence in her story, though we come to realize the hostile land and searing sky pale in comparison to the silent destruction wrought by the person in whom she has placed her life’s trust. Weisgarber’s ability to slow time down to the painful passing of seconds draws me in every time.
Soon to be a Major Motion Picture Starring Emmy Award Winner and Oscar Nominee Viola Davis; "An eye-opening look at the little-explored area of a black frontier woman in the American West." --Chicago Sun-Times
Praised by Alice Walker and many other bestselling writers, The Personal History of Rachel DuPree is an award-winning debut novel with incredible heart about life on the prairie as it's rarely been seen. Reminiscent of The Color Purple, as well as the frontier novels of Laura Ingalls Wilder and Willa Cather, it opens a window on the little-known history of African American homesteaders and gives voice…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
I love Lidie Newton. She is a newlywed who accompanies her abolitionist husband from Illinois to Kansas Territory, at a time when the territory is mired in partisan rage and violence. Lidie narrates the story, and her straightforward, often insightful accounts pulled me in immediately. I was right there with her as she forged her way through numerous exploits, some humorous, others heart-breaking. The story is populated with characters who are both colorful and believable, and I came away with a heightened understanding of the role played by events in Kansas and Missouri during the frightening months leading up to the Civil War.
Lidie joins the pioneering Westward migration into America's heartland. It is harsher, more violent and more disorientating then Lidie could ever have imagined. They find themselves on a faultline - forces crash against each other, soon to erupt into the he American Civil War.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.
Unlike the novels of warfare and suffering, The Moonflower Vine is an intimate portrait of family life, set in 1920s Missouri. It was a bestseller when it was first published in the early 1960s, but has since suffered neglect. But it richly rewards the reader with its heartfelt depiction of three sisters and their aging parents, whose passions, aspirations, and failures are portrayed with complex sensitivity. I don’t think historical novels have to focus on historical events – capturing the spirit of an era is just as important. And this novel took me into rural life of a hundred years ago with great generosity.
“Wit, emotion and undiminished boldness. . . . This is a book which celebrates life and warms the heart.” —Tulsa World
A timeless American classic, this beloved family saga of the heartland is “deeply felt . . . dramatic . . . constantly alive” (Harper’s Magazine)
On a farm in western Missouri during the first half of the twentieth century, Matthew and Callie Soames create a life for themselves and raise four headstrong daughters. Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate…
As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!
This book has been one of the most interesting and enjoyable ones I have read recently. Grinspan looks at how political parties tried to cement voters’ loyalty for a lifetime by courting their first (or virgin) vote. He also discusses the importance of voting and political parties in shaping the lives of young people. Young people are often overlooked in traditional historical scholarship, but Grinspan treats them seriously.
There was a time when young people were the most passionate participants in American democracy. In the second half of the nineteenth century--as voter turnout reached unprecedented peaks--young people led the way, hollering, fighting, and flirting at massive midnight rallies. Parents trained their children to be "violent little partisans," while politicians lobbied twenty-one-year-olds for their "virgin votes"-the first ballot cast upon reaching adulthood. In schoolhouses, saloons, and squares, young men and women proved that democracy is social and politics is personal, earning their adulthood by participating in public life.
Drawing on hundreds of diaries and letters of diverse young Americans--from…
I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
Here's another amazing woman—angry, determined 18-year-old Adair—who travels through Missouri’s brutal Civil War landscape looking for her father. Jailed in St. Louis under horrid conditions for suspected Confederate sympathies, she brawls with a fellow prisoner, strategically worms her way into the prison matron’s good graces, then captures the heart of a Union interrogator who helps her escape.
I am not a horse person, but Jiles’s description of Adair’s relationship with her horse Whiskey is otherworldly and totally converted me. One nightmare scene follows another as Adair makes her way back to her family home, and I love the resourceful lies she concocts to save herself and Whiskey amid guerrilla warfare and martial law.
Beautiful language; Jiles is a poet, and it shows.
"A gritty, memorable book ... it is a delight from start to finish, without a single misstep." Tracy Chevalier
Missouri, 1865. Adair Colley and her family have managed to hide from the bloody Armageddon of the American Civil War, but finally even their remote mountain farm cannot escape the plundering greed of the Union militia. Her house is burnt, her father beaten and dragged away. With fierce determination, Adair sets out after him on foot. So begins an extraordinary voyage which will see Adair herself denounced as a Confederate spy and thrown in jail. Here she falls passionately in love…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I came to Civil War studies fairly late in life but still relatively callow, by a route too roundabout to explain. But after reading James McPherson’s, Battle Cry of Freedom(there’s a bonus book!), I found I had a love of every facet of the era. The only thing I’d ever wanted to be was a writer and, as I delved deeper into the vast body of literature on the American Civil War, I finally felt as if I’d found thesubject I could pour all my passion into (that and my enduring love of dogs). My novel Wilderness, along with a few novels published in French, was the result.
Part of the enduring popularity of the Battle of Gettysburg studies, is that the battle offers a true microcosm of the American Civil War—from politics to personalities. A meeting engagement, a desperate struggle, a turning point, and human tragedy on a scale the continent had never seen before, the events of those three days in July still resonant down the years. Guelzo’s book, besides being one of the most recent, offers wonderful descriptions of every facet of the battle with finely-crafted prose and a pacing that will keep readers invested from start to finish.
Winner of the Guggenheim-Lehrman Prize in Military History
An Economist Best Book of the Year
A Kirkus Reviews Best Nonfiction Book of the Year
The Battle of Gettysburg has been written about at length and thoroughly dissected in terms of strategic importance, but never before has a book taken readers so close to the experience of the individual soldier.
Two-time Lincoln Prize winner Allen C. Guelzo shows us the face, the sights and the sounds of nineteenth-century combat: the stone walls and gunpowder clouds of Pickett’s Charge; the reason that the Army of Northern Virginia could be smelled before it…
I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.
Former Confederate Admiral Raphael Semmes, commander of infamous Rebel commerce raidersSumter and Alabama, presents a picturesque portrait of nineteenth-century war at sea and foreign lands with salty terminology well calibrated for landlubbers.He composes not only as a preeminent seaman, but as an accomplished international lawyer and superb narrator. He also is an unapologetic, unreconstructed Rebel. Semmes interprets his ships and men as personifying the conflict—its causes, progression, and outcome—discoursing over seamanship, meteorology, oceanography, geography, naval technology, strategy, diplomacy, international law, and constitutional theory. I found Memoirs of Service Afloatto be an erudite, compelling portrait of the Confederate mind well worth studying for its own sake as well as a great sea story. It ranks among the best Civil War memoirs.
A number of publications have appeared, first and last, concerning the author and his career, as was naturally to have been expected. The Alabama was the first steamship in the history of the world—the defective little Sumterexcepted—that was let loose against the commerce of a great commercial people. The destruction which she caused was enormous. She not only alarmed the enemy, but she alarmed all the other nations of the earth which had commerce afloat, as they could not be sure that a similar scourge, at some future time, might not be let loose against themselves. The Alabama, in consequence,…
The writer part should be obvious. I write books under my own name and as a ghostwriter. But also, like any good writer, I am a reader. The earliest books I recall reading, after Dick and Jane, were books on American history, in particular the American Civil War. When I looked to write on my own, this was the first area I looked into. Write what you know. Write what you like to read.
This is a reprint of the original edition from 1915. Chamberlain, the Maine general and hero of Little Round Top, was also a brigade commander in the last campaigns of the war in the east. Chamberlain tells the story of the end of the American Civil War, through the ceremonial surrender at Appomattox, which Chamberlain supervised and the parade in Washington DC.
On the last page of his book, Chamberlain quotes the June 28, 1865 general orders of the Army of the Potomac, “ . . . this army, as an organization, ceases to exist.” A one-time aspiring minister, Chamberlain is writing religiously when he adds “Ceases to exist! Are you sure about that?” A century and a half later there is still a clear picture of the Army of the Potomac and the whole period remains a clear part of our historical memory. This book is well worth reading.
Joshua Chamberlain's "The Passing of the Armies" is one of the classic books of Civil War history. When it was posthumously published in 1915, it received acclaim for its Victorian prose and accuracy in bringing to life the final twelve days of the war in Virginia. Although highly critical of Sheridan and defensive of the operations of his Fifth Corps, Chamberlain's work is an important contribution to the true story of this intense fighting. It is an important contribution by a contemporary who, as a distinguished Union officer, witnessed the events he wrote about. "The Passing of the Armies" is…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have been reading, researching, writing, and teaching Civil War military history for nearly thirty years. I first became interested in soldiers and their experiences as a teen, and went on to earn a PhD in American History at the University of Georgia. I’ve always been fascinated by the anti-hero, and the ways in which everyday people coped (or failed to cope) with this violent conflict. I am currently writing a book about regiments accused of cowardice and how those searing allegations cast a shadow over their military record. From 2010-2015, I served as editor of the scholarly journal Civil War History, and I was recently elected President of the Society for Civil War Historians (2022-2024).
There are many published letters and diaries of Civil War soldiers, but far fewer from black men. This collection, penned by James Henry Gooding, a member of the famed 54th Massachusetts regiment, highlights the military service of a black man, born into slavery but later freed, educated, and keenly observant of the world around him. He enlisted in February 1863, recording his experiences in letters first published in the New Bedford Mercury. Here, they are assembled with insightful editing, illustrations, and an appendix featuring Gooding’s efforts to obtain equal pay for black troops. In September 1863, Gooding wrote President Lincoln, asking pointedly: “Are we Soldiers, or are We Labourers?” Gooding was later captured in battle and sent to Andersonville Prison where he died. His story and his words are invaluable windows into this tumultuous time.
The letters featured in this book were sent by Corporal James Henry Gooding, a member of Company C., of the 54th Massachusetts regiment. They were sent to the New Bedford (Massachusetts) ""Mercury"" and published. He was described as a ""truthful and intelligent correspondent, and a good soldier"".