Here are 100 books that The Very Best of Fantasy & Science Fiction, Volume 1 fans have personally recommended if you like
The Very Best of Fantasy & Science Fiction, Volume 1.
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I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Zenna Henderson's entire The People series is worth reading, including the original short stories. These were all published at a time when very few female sci-fi authors were published. There is also a film that is fairly faithful to the books. Her creativity, her understanding the experience of immigrants and those who are “different,” and her depictions of the ways humans and immigrants are likely to re/act are timeless, offering stellar insights into our modern-day experiences. Sci-fi authors would do well to read all her books to learn how to do world-building, draw parallels between non-human species and humans, and analogize modern dilemmas as speculative fiction plots.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Le Guin is a literary force, and this is her most emotionally elegant work.
The political subtlety, the blizzards, the alien humanity—it all works together in perfect cold harmony. It reshaped how I think about empathy and otherness. I reread it any time I start to lose faith in quiet stories.
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Doris Lessing is another amazing speculative fiction author with many books and stories to read! This is the third book in a series of five that I highly recommend reading in its entirety and in order. But if you can only read one book, read this one. In this series, Lessing posits an Earth that has been the subject of a millennia-long experiment by beings from the planet Shikasta that includes tipping Earth on its axis to create seasons, which she speculates are the main reason humans have ever-changing moods and are quick to be emotional. A fascinating look into what makes humans the way we are from a unique perspective, along with excellent world-building and an interesting vehicle for storytelling make this a great read.
The third in Doris Lessing's visionary novel cycle "Canopus in Argos: Archives". It is a mix of fable, futuristic fantasy and pseudo-documentary accounts of 20th-century history.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Wilhelm is credited with having the best writing that inhabits “speculative fiction” (Robert Heinlein's coined term in 1947). I agree with that wholeheartedly, even though many others have contributed. She has dozens of novels, including mystery, suspense, and speculative sci-fi, but start with this book. Each story is unique and they don't actually connect in any way except that she put them all into this book, so I can't summarize them. Please read them all: every single one is a gem and an amazing example of great sci-fi writing.
Contents: Unbirthday Party (1968) Baby, You Were Great (1967) When the Moon Was Red (1960) Sirloin and White Wine (1968) Perchance to Dream (1968) How Many Miles to Babylon? (1968) The Downstairs Room (1968) Countdown (1968) The Plausible Improbable (1968) The Feel of Desperation (1964) A Time to Keep (1962) The Most Beautiful Woman in the World (1968) The Planners (1968) Windsong (1968) The stories range from speculative fiction, to science fiction, to fantasy. “The Planners” (1968) was a Nebula winner, for example.
I write science fiction mostly. I’ve recently turned my attention to history. The shared interest is in the changing ground of human interaction. In a way, we are all aliens to each other (which is one of the chief fascinations with fiction to begin with, the psychologies involved). After 30-plus years as a writer, I am more and more drawn to work that reveals the differences and the similarities. Unique contexts throws all this into stark relief.
A quantum physicist encounters the world outside science.
A touching collection of essays by one of the best science writers today, Rovelli examines the interface of critical thinking, science, and life as lived daily by ordinary humans.
Rovelli has become one of my favorite science writers, but it is his humanity on display in these pieces.
One of our most beloved scientists, a fearless free spirit, Carlo Rovelli is also a masterful storyteller. In this collection of writings, the logbook of an intelligence always on the move, he follows his curiosity and invites us on a voyage through science, literature, philosophy and politics.
Written with his usual clarity and wit, these pieces, most of which were first published in Italian newspapers, range widely across time and space: from Newton's alchemy to Einstein's mistakes, from Nabokov's butterflies to Dante's cosmology, from travels in Africa to the consciousness of an octopus, from mind-altering psychedelic substances to the meaning…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I started as a physics major in college but added a second major in philosophy after encountering the evolutionary theories of Hegel, Bergson, Alexander, Whitehead, and Teilhard de Chardin. This interest continued in graduate school at Northwestern, where my first year coincided with the arrival of Prof. Errol E. Harris, who had a similar focus and would direct my doctoral dissertation in philosophy, whose title was From Ontology to Praxis: A Metaphilosophical Inquiry into Two Philosophical Paradigms. One of the “paradigms” was reductionist; the other was emergentist.
This is a collection of twenty-four essays by thirty-six prominent researchers, demonstrating how important this topic has become for both scientific and philosophical research. In 2016 (after I had published ESSENTIAL DIFFERENCE: Toward a Metaphysics of Emergence [2012], where I discuss Paul Humphreys’ view on pp. 231-2), he published EMERGENCE: A Philosophical Account, Oxford University Press, New York.
What I find especially significant in this more recent (and more challenging) work is that, in effect, emergence theory has developed into both a metascience and a metaphilosophy–as is evident in Humphreys’ Chapters 2, “Ontological Emergence” and 5, “Conceptual Emergence,” as well as Chapters 6, “Philosophical Topics Related to Emergence,” and 7, “Scientific Topics Related to Emergence.” This parallels very closely my own perspective on both scientific and philosophical conceptions of emergence.
Contemporary classics on the the major approaches to emergence found in contemporary philosophy and science, with chapters by such prominent scholars as John Searle, Stephen Weinberg, William Wimsatt, Thomas Schelling, Jaegwon Kim, Daniel Dennett, Herbert Simon, Stephen Wolfram, Jerry Fodor, Philip Anderson, David Chalmers, and others.
Emergence, largely ignored just thirty years ago, has become one of the liveliest areas of research in both philosophy and science. Fueled by advances in complexity theory, artificial life, physics, psychology, sociology, and biology and by the parallel development of new conceptual tools in philosophy, the idea of emergence offers a way to understand…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
This is a hero’s journey, right out of Joseph Campbell: a young man goes to sea, circumnavigates the globe, and experiences marvel after marvel of nature. What he learns on his journey matures into a kind of wisdom that transforms the world.
Darwin’s adventures keep me on the edge of my seat; his descriptions seduce me; his ideas inspire me. I want to be there with him as he recoils from the horrors of slavery in Brazil or observes the aftermath of a Chilean earthquake. And I feel I truly am with him, collecting birds and lizards on the islands of the Galapagos, as he begins to divine the answer to one of the greatest mysteries of the world.
Charles Darwin's travels around the world as an independent naturalist on HMS Beagle between 1831 and 1836 impressed upon him a sense of the natural world's beauty and sublimity which language could barely capture. Words, he said, were inadequate to convey to those who have not visited the inter-tropical regions, the sensation of delight which the mind experiences'.
Yet in a travel journal which takes the reader from the coasts and interiors of South America to South Sea Islands, Darwin's descriptive powers are constantly challenged, but never once overcome. In addition, The…
Apart from my professional expertise as a philosopher, I have directly observed science by working as a professional researcher in Physics and Astronomy. In any field, either arts, science, humanities, literature,... I observe the same thing: decline, ugliness, lack of spirit, lack of great intellectual achievements, and stupidity. Of course, we have technology, medicine, engineering, the Internet, and material things… and they are better than ever, but our culture and spirit are dying. Science is part of this culture, which is also in decadence, and working as a scientist and reading Spengler is a good combination to realize it.
In my opinion, Horgan’s book is of great value, and I find it an important reference in considering the subject of “the end of science.”
This book is brave and lucid, with plenty of good ideas on topics related to the limits of knowledge in science. The intuition that the scientific age is declining is prophetic, I guess, but not so the causes Horgan gives. It is possible the limits of knowledge is one of the causes, but there is much more behind the twilight of science, and I think it is more related to being sated with knowledge rather than to the limits of knowledge.
It is more a sociological/anthropological question than a pure debate about whether there remain scientific problems to be solved.
In The End of Science, John Horgan makes the case that the era of truly profound scientific revelations about the universe and our place in it is over. Interviewing scientific luminaries such as Stephen Hawking, Francis Crick, and Richard Dawkins, he demonstrates that all the big questions that can be answered have been answered, as science bumps up against fundamental limits. The world cannot give us a "theory of everything," and modern endeavors such as string theory are "ironic" and "theological" in nature, not scientific, because they are impossible to confirm. Horgan's argument was controversial in 1996, and it remains…
There’s something truly magical about our ability to perceive the world through our senses. Our abilities to see, hear, smell, taste, and touch are like superpowers that we take for granted. Because of many amazing sensory experiences—like viewing the world from the top of a tower, feeling the pull of ocean waves at my feet, comparing flavors within chocolate, hearing wood thrushes in the forest—I find myself drawn to the beauty that our senses add to life. So, I’ve written two middle-grade novels (The Splintered Light and The Other Side of Luck)with an eye (and an ear) on sensory perception. I hope you enjoy these books!
When I was a young mother, I read this collection of essays about physics, cosmology, astronomy, etc., by the science writer K.C. Cole. As I was reading, I kept writing down quotes from it in a notebook, something that I don’t normally do. In my daily neighborhood walks with my infant son, my thoughts about this book and the cosmos collided with what was I was experiencing, and I was completely taken with the elegance of our world. This sparked the original idea for my own book. Though this collection was written for an adult audience, there are concepts, ideas, and thinking that are packaged up in glorious words: beautiful descriptions of the world we live in that are pretty mind-blowing.
The universe comes down to earth in K. C. Cole's Mind Over Matter, a fresh and witty exploration of physics, cosmology, mathematics, astronomy, and more. Like no other science writer, Cole demystifies scientific concepts and humanizes the people who study them. Beginning with a discussion of how "the mind creates reality as well as muddles it," she then peeks into the stories behind science's great minds and into their playful side, and concludes by illuminating the relationship between science and society. Cole's remarkable work brings science to the reader's doorstep, revealing the universe to be elegant, intriguing, and relevant to…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
In Denmark, I teach at the Center for Videnskabsstudier.“Videnskabsstudier” is often translated as Science Studies.It thus connotes a rather broad field, which includes philosophical, historical, and sociological studies of science.And the notion of “videnskab”, which is frequently translated as science is interpreted rather broadly, to include, in addition to the natural science, the social sciences, and the humanities, indeed, basically any field one might study at a university. In fact, my own research intersects with and is influenced by research in all these fields.
Shapin makes the audacious claim that there never really was a scientific revolution in Early Modern Europe, despite the fact that “the scientific revolution” has been a central organizing idea in the history of science and the history of Western culture more generally.
His provocative book provides a useful and engaging assessment of the utility of the concept of “the scientific revolution” for making sense of developments in the history of science. He challenges us to think about the place of radical changes in the history of science, and whether the claims scientists make about such changes are merely rhetorical constructions.
Despite Shapin’s arguments, I am inclined to think something very significant happened in the sciences in the 16th and 17th Centuries, something that deserves to be called “revolutionary”. But Shapin’s book will certainly make readers reflect on what they mean by scientific revolution.
"There was no such thing as the Scientific Revolution, and this is a book about it." With this provocative and apparently paradoxical claim, Steven Shapin begins his bold vibrant exploration of early modern science. In this classic of science history, Shapin takes into account the culture - the variety of beliefs, practices, and influences - that in the 1600s shaped the origins of the modern scientific worldview.