Here are 100 books that The People fans have personally recommended if you like
The People.
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I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Le Guin is a literary force, and this is her most emotionally elegant work.
The political subtlety, the blizzards, the alien humanity—it all works together in perfect cold harmony. It reshaped how I think about empathy and otherness. I reread it any time I start to lose faith in quiet stories.
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Doris Lessing is another amazing speculative fiction author with many books and stories to read! This is the third book in a series of five that I highly recommend reading in its entirety and in order. But if you can only read one book, read this one. In this series, Lessing posits an Earth that has been the subject of a millennia-long experiment by beings from the planet Shikasta that includes tipping Earth on its axis to create seasons, which she speculates are the main reason humans have ever-changing moods and are quick to be emotional. A fascinating look into what makes humans the way we are from a unique perspective, along with excellent world-building and an interesting vehicle for storytelling make this a great read.
The third in Doris Lessing's visionary novel cycle "Canopus in Argos: Archives". It is a mix of fable, futuristic fantasy and pseudo-documentary accounts of 20th-century history.
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Wilhelm is credited with having the best writing that inhabits “speculative fiction” (Robert Heinlein's coined term in 1947). I agree with that wholeheartedly, even though many others have contributed. She has dozens of novels, including mystery, suspense, and speculative sci-fi, but start with this book. Each story is unique and they don't actually connect in any way except that she put them all into this book, so I can't summarize them. Please read them all: every single one is a gem and an amazing example of great sci-fi writing.
Contents: Unbirthday Party (1968) Baby, You Were Great (1967) When the Moon Was Red (1960) Sirloin and White Wine (1968) Perchance to Dream (1968) How Many Miles to Babylon? (1968) The Downstairs Room (1968) Countdown (1968) The Plausible Improbable (1968) The Feel of Desperation (1964) A Time to Keep (1962) The Most Beautiful Woman in the World (1968) The Planners (1968) Windsong (1968) The stories range from speculative fiction, to science fiction, to fantasy. “The Planners” (1968) was a Nebula winner, for example.
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Ray Bradbury and I share birthdays, so I wanted to include him, and he is one of the greats included in this anthology. It also features Philip K. Dick, Stephen King, Roger Zelazny, Ursula K. Le Guin, Neil Gaiman, and more amazing authors. The story, “All Summer in a Day,” is so powerful that it stayed with me my entire life (I read it in 1964, age 9!). I think it stuck with me because it depicts a group of kids my age at that time bullying another classmate into missing out on a once-in-a-lifetime opportunity out of sheer meanness and children's callousness and carelessness. Bradbury masterfully uses an almost typical classroom setting in an alternate world to show us how WE behave badly regardless of our world setting. Fabulous and sad. Read ANYTHING of his and learn a lot as well as be entertained, but please start here.
Collecting more than two dozen stories that appeared for the first time in The Magazine of Fantasy & Science Fiction—the premiere speculative fiction magazine—this extraordinary anthology celebrates sixty years of top-notch genre fiction. Many of these highly acclaimed, award-winning authors’ careers were jump-started by their appearances in Fantasy & Science Fiction.
I’ve been fascinated by celebrities and heroes ever since I was a child. That compulsion became something I wanted to understand. I got my chance as the head editor of People magazine. Over the years, I met more than my share of celebrities – Ronald Reagan, Tom Hanks, Malcolm X, and Princess Diana, to name only a few. I began to take notes about my brushes with fame and think about celebrities in history and why they have recently become so dominant in our culture. Celebrity Nation is the result. Enjoy it!
When I decided to write about celebrity, I knew from the beginning that I would depend on Richard Schickel’s His Picture in the Papers. Schickel was the former movie reviewer for both LIFE and TIME magazines,and I used simply enjoy his perceptive insights when I also worked at TIME. Schickel uses the case study of the charismatic Douglas Fairbanks, Sr. to show how his celebrity was generated by his image reproduced in movies, magazines, and newspapers.
Schickel later wrote Intimate Strangers: The Culture of Celebrity in America, which further discussed how celebrity images have replaced the value of ideas in American culture.
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
When my wife and I met in 1975, one of the things we had in common was that we both owned a copy of Growing Up Female. And the bindings on both copies were pretty worn out. This is a deeply personal journal of compelling photographs and eloquent text about women—from a feminist’s point of view. What I love about this book is how deeply moving it is and how well it demonstrates a narrative approach to taking, editing, and sequencing first-person photographs. Not to mention that this book sold 25,000 copies (unheard of for books of photography) and had a significant impact on the view of a woman’s place in our culture.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
Smiley classifies and defines the novel and provides a primer of supportive instructions to the struggling writer. She explores the reasons why some novels succeed and some don’t. She provides the reader with a list of 100 books she has read, from thousand-year-old texts to recent bestsellers, offering her own insights and assessments of each work. Smiley provides a glimpse into the creative process and gives writers and readers new ways to be aware of what goes on between the lines. This book contains important and joyful advice for aspiring writers and is a gift to lovers of literature.
From the Pulitzer Prize-winning author of A Thousand Acres comes an essential guide for writers and readers alike: an exhilarating tour through one hundred novels that "inspires wicked delight.” —Los Angeles Times Book Review
From classics such as the thousand-year-old Tale of Genji to fiction by Zadie Smith and Alice Munro, Jane Smiley explores the power of the form, looking at its history and variety, its cultural impact, and just how it works its magic. She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft, and offering priceless advice to aspiring…
Inspired by the brilliant Silicon Valley technologists that I worked with in the early 90s and the pioneering design work of my husband’s grandfather, Leroy Grumman, I believe that design thinking is one of the most important reasons to believe that teams can achieve extraordinary results. It increases the likelihood of implementation of ideas by enhancing any companies’ abilities to align, learn, and change together. I have made it my mission to build creative capacity in individuals, organizations, and cities using the language of design thinking so that everyone can make positive change within their sphere of influence.
It is hard to pick just one Jon Kolko book to recommend because all of his books are brilliant. My copy of Creative Clarity is dog-eared and heavily underlined which is an indicator of just how much I rely on it over and over again. I like it because Kolko articulates the specific conditions necessary to achieve creative cultures and most importantly details how to do it. Mastering design thinking is much more than learning new tools and building the mindsets and behaviors to deepen your experience, it is about solving more problems and ultimately creating more impact. This book will help you do that.
This book is built on a simple premise: Most companies don't know what creativity really is, so they can't benefit from it. They lack creative clarity. Creative clarity requires you to do four things: 1. Choreograph a creative strategy, describing a clear future even among the blurry business landscape. 2. Grow teams that include those creative, unpredictable outcasts; give them the space to produce amazing work; and build a unique form of trust in your company culture. 3. Institutionalize an iterative process of critique, conflict, and ideation. 4. Embrace chaos but manage creative spin and stagnation. This book is primarily…
I came to writing after twenty years of working with dreams, so I already had lots of techniques for coming and going easily between the everyday world and the inner worlds of imagination, and I’m sure that’s why I’ve never suffered from any creative blocks or anxieties. In a career spanning 30 years, I have written about 150 books, both fiction and non-fiction, for children and adults, and scores of articles including a monthly column in Writing Magazine. I have taught creative workshops for major writing organisations such as The Society of Authors, The Arvon Foundation, and The Scattered Authors’ Society, and I offer a varied programme of courses independently throughout the year.
This ground-breaking book, written in the 1970’s, is still essential reading for anyone wishing to explore dreams as a creative resource rather than interpret them in the traditional Western psychological way. I started recalling and recording dreams in therapy nearly fifty years ago and had reached the conclusion that trying to interpret them was confusing and potentially misleading. Then I chanced on this collection of studies of different dream traditions from other parts of the world. It changed everything. If you think of dreams in a purely psychological way, this book could give you whole new perspectives.
From Simon & Schuster, Creative Dreaming: Plan And Control Your Dreams to Develop Creativity, Overcome Fears, Solve Problems, and Create a Better Self is Patricia Garfield's definitive guide to dreaming.
Patricia Garfield presents techniques and information, drawn from many dreamers and widely varied cultures and times, that will enable you to plan your dreams ahead of time, influence them while they are occurring, and recall them and their lessons forever afterward.
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I used to be a reporter at The Wall Street Journal, where I covered markets and economics. I had a front-row seat for the dot-com boom, the financial crisis, the rise of bitcoin and cryptocurrencies, and the 2020 crash. I was immersed in money and the culture of money, and how it drives and distorts society. I regularly talked to brokers, analysts, executives, investors, politicians, and entrepreneurs. I had billionaires’ phone numbers. And being around all that made me wonder, what is money, and why do we value it so? Why is the pursuit of wealth seen as a virtue? So I started studying our culture of money.
The first “how to” business book, and what surprised me about it was how, for Cotrugli, being a good merchant was as much about being morally upright as about being profitable.
He spends as much time telling merchants how to pray as he does how to handle their ledgers (the book is historically famous for being the first European work to explain double-entry bookkeeping).
What I found fascinating about this book is how modern Cotrguli sounds; maybe it’s the work of the translators, but he comes across as somebody you could talk to today. And he is impassioned with his main preoccupation: how to both pursue material wealth and still be a good person. He’s trying to walk a line between greed and God, and that still matters today.
This is the first English translation of Benedetto Cotrugli's The Book of the Art of Trade, a lively account of the life of a Mediterranean merchant in the Early Renaissance, written in 1458. The book is an impassioned defense of the legitimacy of mercantile practices, and includes the first scholarly mention of double-entry bookkeeping. Its four parts focus respectively on trading techniques, from accounting to insurance, the religion of the merchant, his public life, and family matters.
Originally handwritten, the book was printed in 1573 in Venice in an abridged and revised version. This new translation makes reference to the…