Here are 49 books that The Sirian Experiments fans have personally recommended if you like
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I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Zenna Henderson's entire The People series is worth reading, including the original short stories. These were all published at a time when very few female sci-fi authors were published. There is also a film that is fairly faithful to the books. Her creativity, her understanding the experience of immigrants and those who are “different,” and her depictions of the ways humans and immigrants are likely to re/act are timeless, offering stellar insights into our modern-day experiences. Sci-fi authors would do well to read all her books to learn how to do world-building, draw parallels between non-human species and humans, and analogize modern dilemmas as speculative fiction plots.
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Le Guin is a literary force, and this is her most emotionally elegant work.
The political subtlety, the blizzards, the alien humanity—it all works together in perfect cold harmony. It reshaped how I think about empathy and otherness. I reread it any time I start to lose faith in quiet stories.
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Wilhelm is credited with having the best writing that inhabits “speculative fiction” (Robert Heinlein's coined term in 1947). I agree with that wholeheartedly, even though many others have contributed. She has dozens of novels, including mystery, suspense, and speculative sci-fi, but start with this book. Each story is unique and they don't actually connect in any way except that she put them all into this book, so I can't summarize them. Please read them all: every single one is a gem and an amazing example of great sci-fi writing.
Contents: Unbirthday Party (1968) Baby, You Were Great (1967) When the Moon Was Red (1960) Sirloin and White Wine (1968) Perchance to Dream (1968) How Many Miles to Babylon? (1968) The Downstairs Room (1968) Countdown (1968) The Plausible Improbable (1968) The Feel of Desperation (1964) A Time to Keep (1962) The Most Beautiful Woman in the World (1968) The Planners (1968) Windsong (1968) The stories range from speculative fiction, to science fiction, to fantasy. “The Planners” (1968) was a Nebula winner, for example.
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Ray Bradbury and I share birthdays, so I wanted to include him, and he is one of the greats included in this anthology. It also features Philip K. Dick, Stephen King, Roger Zelazny, Ursula K. Le Guin, Neil Gaiman, and more amazing authors. The story, “All Summer in a Day,” is so powerful that it stayed with me my entire life (I read it in 1964, age 9!). I think it stuck with me because it depicts a group of kids my age at that time bullying another classmate into missing out on a once-in-a-lifetime opportunity out of sheer meanness and children's callousness and carelessness. Bradbury masterfully uses an almost typical classroom setting in an alternate world to show us how WE behave badly regardless of our world setting. Fabulous and sad. Read ANYTHING of his and learn a lot as well as be entertained, but please start here.
Collecting more than two dozen stories that appeared for the first time in The Magazine of Fantasy & Science Fiction—the premiere speculative fiction magazine—this extraordinary anthology celebrates sixty years of top-notch genre fiction. Many of these highly acclaimed, award-winning authors’ careers were jump-started by their appearances in Fantasy & Science Fiction.
I’m one of those odd people who always needs to know why. Why do computers work, why do societies break down? Why do humans kill? Why are cat videos so irresistible? All of those questions explore what it means to be human, but science fiction takes those questions to the extreme, pitting people against the most extreme environments and situations in order to see how they’ll react. To me, that never grows old, and the books I love the most are the ones that do it the best. In my humble opinion, of course.
Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites.
In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep.
The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.
The saga of two young friends trapped in an endless nightmare of suspicion and surveillance, of cyber-programmed servants and a ruling class with century-long lives - and the enigmatic woman who dominates them all. Narrators Jonathan Davis and Gabra Zackman skillfully split up this sweeping sci-fi epic that is "at once a psychological novel, a murder mystery, and an examination of power on a grand scale." (Locus)
When I first crossed the American West nearly 4 decades ago in my ’67 Chevy, it changed my life. I had never imagined mountains built of contorted rock shoved miles into the sky, faults slashing like fresh scars across the landscape, and starkly beautiful deserts where people seemed an afterthought. After many happy years of researching and exploring the West with my geology students, I knew I wanted to tell the story to a larger audience. The result has been three books: Hard Road West, Rough-Hewn Land, and Surf, Sand, and Stone.
Written with the clarity and zest of Bryson and McPhee, but with the added benefit that Hazen is a professional geologist. I like this book because of how Hazen takes the reader into the process of how a geologist works and thinks. Hazen’s specialty is mineralogy, and his main thesis—that living organisms and minerals evolved together with each shaping the other’s future—makes for a unique and thought-provoking take on the history of our planet.
Hailed by The New York Times for writing "with wonderful clarity about science . . . that effortlessly teaches as it zips along," nationally bestselling author Robert M. Hazen offers a radical new approach to Earth history in this intertwined tale of the planet's living and nonliving spheres. With an astrobiologist's imagination, a historian's perspective, and a naturalist's eye, Hazen calls upon twenty-first-century discoveries that have revolutionized geology and enabled scientists to envision Earth's many iterations in vivid detail-from the mile-high lava tides of its infancy to the early organisms responsible for more than two-thirds of the mineral varieties beneath…
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
I have written speculative fiction, and the protagonist, Angel, a feisty, courageous, enigmatic, curious survivor is placed into such a setting. Climate change, one of my personal concerns, has wreaked havoc with the geographical, and therefore the political world, as we know it. It deals with the way elites take what they see as the necessary action to continue their privileged lifestyles.
The author managed to make me empathize with almost all the characters on some level, regardless how selfish, wicked, good, generous, or courageous they may be. I encountered elderly heroes and heroines, resourceful individuals and communities, victims, self-serving demagogues, cruel leaders, uncaring servants, unquestioning followers, and a group of talented and determined resistance fighters bent on turning a terrifying world into a just and equable future.
Linda Nicklin's eco-thriller Storm Girl charts a dystopian near future. Planet earth has largely drowned under rising seas, disease is rife, society has broken down. Everything is now owned by the super-rich and exploited for their own personal gratification, including the people still struggling to live on what land remains... Angel, the Storm Girl of the title, has been harvested by a gang of Reapers and is frantic to escape what she knows to be a death sentence. Her only way out is through the treacherous waters of a drowned city. From depths of despair, she begins to find glimmers…
Is there any genre so purely escapist as a portal fantasy adventure? I grew up on stories like these, devouring any book I could find that had a portal in it, from Alice in Wonderlandto The Chronicles of Narnia to Tunnel in the Sky. Books, in a way, are portals to other places and times, and as a child I wandered through the stacks of the local library, plumbing the depths of every strange world I could get my hands on. If you want to experience the long-lost thrill of falling into a story, few do it like those that take their characters through portals to other worlds.
The doorway in this novel is a departure from the usual.
And though it is unusual, yet it ties to humankind's fascination with portals.
The first portal in storytelling history, really, is the threshold a person must pass through to get from life to death.
That threshold has been epitomized in mythology as long as human beings have been using stories to explain the strangeness of existence.
In this sci-fi story, deathis once again the portal between worlds. What would you do if, right before you died, an alien entity asks if you’d like to be saved?
Would you do it?
That’s exactly what happens to Meredith Gale. She regrets jumping off that bridge, so she says yes.
The story that follows is surprising and witty and full of heart. A friendly robot pulls the girl from the sea, along with a dozen others like her, every one…
Welcome Children of Earth. Do not be afraid. After a devastating car crash leaves her addicted to pills and her best friend dead, Meredith Gale has finally been pushed to her breaking point. Ending her life seems like the only way out, and that choice has left her dangling by her fingertips from a bridge above the freezing water of the San Francisco Bay.
But someone, or some thing, has other plans for Meredith. As her fingers slip from the cold steel of the bridge, a disembodied voice ask her a simple question: “Candidate 13: Do you wish to be…
I have been engaged as a teacher of religion and ecology since the first Earth Day 50 years ago. That has entailed writing some prize-winning books,Earth Community, Earth Ethics(1996) and Earth-honoring Faith: Religious Ethics in a New Key(2013). Now I want to pass along distilled learnings to my grandchildren as they face a planet in tumult. The form—love letters—and the audience—future generations as represented by my grandkids—moves me to focus on effective communication of a highly personal sort to young people on matters vital to their lives. It’s a nice bookend near the end of my own life.
My own work, even in retirement, entails teaching and writing on changes in planetary systems that impact us dramatically (e.g., climate change). To engage students it is most helpful to have a highly engaging account of Earth’s own dramatic history over its 4.6. billion years. This book provides that in non-technical, jargon-free language that anyone of high school and college age, as well as older, easily understands.
"[A]n exuberant romp through evolution, like a modern-day Willy Wonka of genetic space. Gee’s grand tour enthusiastically details the narrative underlying life’s erratic and often whimsical exploration of biological form and function.” —Adrian Woolfson,The Washington Post
In the tradition of Richard Dawkins, Bill Bryson, and Simon Winchester—An entertaining and uniquely informed narration of Life's life story.
In the beginning, Earth was an inhospitably alien place—in constant chemical flux, covered with churning seas, crafting its landscape through incessant volcanic eruptions. Amid all this tumult and disaster, life began. The earliest living things were…
I grew up a fan of all things sci-fi, Star Wars, Star Trek, Battlestar Galactica, and so on. But the older I got, the pickier I got, wanting more depth in character, creative stories and fun, but believable action. I read classic sci-fi like iRobot, Starship Troopers, and Enders Game, to name a few. I did find some contemporary authors I liked like Marco Kloos, Detmare Wehr, and Rebecca Branch, but they were needles in a haystack. So, instead of complaining that there were not enough good books out there, I started writing my own. A decade later I have 8 published titles and more on the way.
This book is a little more Space Opera than Sci-fi as it focuses more on the adventure than the impossibility of the technology. It takes place thousands of years in the future when man kinds had spread out across the galaxy and forgotten about Earth, for the most part. The characters are not deep, and the story relies more on action than complexity, but it’s fun. It moves from one event to another, the main character is a bit of a rogue that you can’t help but like and his female counterpart is smarter, faster, and deadlier than he will every be, so it's good she is on his side. One of the reasons I like these books (10 book series with some spin-offs) is because it is very different from my style. If my books were Angus Steaks, these would be an Ice-cream Sunday.
They say the Earth is just a myth. Something to tell your children when you put them to sleep, the lost homeworld of humanity. Everyone knows it isn't real, though. It can't be.
But when Captain Jace Hughes encounters a nun with a mysterious piece of cargo and a bold secret, he soon discovers that everything he thought he knew about Earth is wrong. So very, very wrong.
Climb aboard The Renegade Star and assemble a crew, follow the clues, uncover the truth, and most importantly, try to stay alive.
Experience the beginning of a sprawling galactic tale in this…