Here are 50 books that The Sirian Experiments fans have personally recommended if you like
The Sirian Experiments.
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I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Zenna Henderson's entire The People series is worth reading, including the original short stories. These were all published at a time when very few female sci-fi authors were published. There is also a film that is fairly faithful to the books. Her creativity, her understanding the experience of immigrants and those who are “different,” and her depictions of the ways humans and immigrants are likely to re/act are timeless, offering stellar insights into our modern-day experiences. Sci-fi authors would do well to read all her books to learn how to do world-building, draw parallels between non-human species and humans, and analogize modern dilemmas as speculative fiction plots.
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Le Guin is a literary force, and this is her most emotionally elegant work.
The political subtlety, the blizzards, the alien humanity—it all works together in perfect cold harmony. It reshaped how I think about empathy and otherness. I reread it any time I start to lose faith in quiet stories.
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Wilhelm is credited with having the best writing that inhabits “speculative fiction” (Robert Heinlein's coined term in 1947). I agree with that wholeheartedly, even though many others have contributed. She has dozens of novels, including mystery, suspense, and speculative sci-fi, but start with this book. Each story is unique and they don't actually connect in any way except that she put them all into this book, so I can't summarize them. Please read them all: every single one is a gem and an amazing example of great sci-fi writing.
Contents: Unbirthday Party (1968) Baby, You Were Great (1967) When the Moon Was Red (1960) Sirloin and White Wine (1968) Perchance to Dream (1968) How Many Miles to Babylon? (1968) The Downstairs Room (1968) Countdown (1968) The Plausible Improbable (1968) The Feel of Desperation (1964) A Time to Keep (1962) The Most Beautiful Woman in the World (1968) The Planners (1968) Windsong (1968) The stories range from speculative fiction, to science fiction, to fantasy. “The Planners” (1968) was a Nebula winner, for example.
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Ray Bradbury and I share birthdays, so I wanted to include him, and he is one of the greats included in this anthology. It also features Philip K. Dick, Stephen King, Roger Zelazny, Ursula K. Le Guin, Neil Gaiman, and more amazing authors. The story, “All Summer in a Day,” is so powerful that it stayed with me my entire life (I read it in 1964, age 9!). I think it stuck with me because it depicts a group of kids my age at that time bullying another classmate into missing out on a once-in-a-lifetime opportunity out of sheer meanness and children's callousness and carelessness. Bradbury masterfully uses an almost typical classroom setting in an alternate world to show us how WE behave badly regardless of our world setting. Fabulous and sad. Read ANYTHING of his and learn a lot as well as be entertained, but please start here.
Collecting more than two dozen stories that appeared for the first time in The Magazine of Fantasy & Science Fiction—the premiere speculative fiction magazine—this extraordinary anthology celebrates sixty years of top-notch genre fiction. Many of these highly acclaimed, award-winning authors’ careers were jump-started by their appearances in Fantasy & Science Fiction.
I’m one of those odd people who always needs to know why. Why do computers work, why do societies break down? Why do humans kill? Why are cat videos so irresistible? All of those questions explore what it means to be human, but science fiction takes those questions to the extreme, pitting people against the most extreme environments and situations in order to see how they’ll react. To me, that never grows old, and the books I love the most are the ones that do it the best. In my humble opinion, of course.
Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites.
In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep.
The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.
The saga of two young friends trapped in an endless nightmare of suspicion and surveillance, of cyber-programmed servants and a ruling class with century-long lives - and the enigmatic woman who dominates them all. Narrators Jonathan Davis and Gabra Zackman skillfully split up this sweeping sci-fi epic that is "at once a psychological novel, a murder mystery, and an examination of power on a grand scale." (Locus)
When I first crossed the American West nearly 4 decades ago in my ’67 Chevy, it changed my life. I had never imagined mountains built of contorted rock shoved miles into the sky, faults slashing like fresh scars across the landscape, and starkly beautiful deserts where people seemed an afterthought. After many happy years of researching and exploring the West with my geology students, I knew I wanted to tell the story to a larger audience. The result has been three books: Hard Road West, Rough-Hewn Land, and Surf, Sand, and Stone.
Written with the clarity and zest of Bryson and McPhee, but with the added benefit that Hazen is a professional geologist. I like this book because of how Hazen takes the reader into the process of how a geologist works and thinks. Hazen’s specialty is mineralogy, and his main thesis—that living organisms and minerals evolved together with each shaping the other’s future—makes for a unique and thought-provoking take on the history of our planet.
Hailed by The New York Times for writing "with wonderful clarity about science . . . that effortlessly teaches as it zips along," nationally bestselling author Robert M. Hazen offers a radical new approach to Earth history in this intertwined tale of the planet's living and nonliving spheres. With an astrobiologist's imagination, a historian's perspective, and a naturalist's eye, Hazen calls upon twenty-first-century discoveries that have revolutionized geology and enabled scientists to envision Earth's many iterations in vivid detail-from the mile-high lava tides of its infancy to the early organisms responsible for more than two-thirds of the mineral varieties beneath…
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
A comprehensive natural world storytelling collection comprising ten chapters, organised by themes such as Earth, Fire, Water, Plants, Animals, and Stewardship.
A page of 'Lessons' at the end of every chapter helps you explore the environmental meaning within the stories. Plus an 'Activities' section at the end of the book. The stories are from over forty countries, retold sensitively by Caduto, an ecologist and master storyteller.
Amongst my favourite stories are: Earth Words from France, about a secret language hidden in fern roots and what is lost when we become separated from nature; The First Bats from Guatemala and Mexico, a funny tale which can be adapted to any place on Earth that has bats, and The Seven Sisters an Aboriginal story which introduces the origin of the Pleiades constellation.
Is there any genre so purely escapist as a portal fantasy adventure? I grew up on stories like these, devouring any book I could find that had a portal in it, from Alice in Wonderlandto The Chronicles of Narnia to Tunnel in the Sky. Books, in a way, are portals to other places and times, and as a child I wandered through the stacks of the local library, plumbing the depths of every strange world I could get my hands on. If you want to experience the long-lost thrill of falling into a story, few do it like those that take their characters through portals to other worlds.
The doorway in this novel is a departure from the usual.
And though it is unusual, yet it ties to humankind's fascination with portals.
The first portal in storytelling history, really, is the threshold a person must pass through to get from life to death.
That threshold has been epitomized in mythology as long as human beings have been using stories to explain the strangeness of existence.
In this sci-fi story, deathis once again the portal between worlds. What would you do if, right before you died, an alien entity asks if you’d like to be saved?
Would you do it?
That’s exactly what happens to Meredith Gale. She regrets jumping off that bridge, so she says yes.
The story that follows is surprising and witty and full of heart. A friendly robot pulls the girl from the sea, along with a dozen others like her, every one of…
Welcome Children of Earth. Do not be afraid. After a devastating car crash leaves her addicted to pills and her best friend dead, Meredith Gale has finally been pushed to her breaking point. Ending her life seems like the only way out, and that choice has left her dangling by her fingertips from a bridge above the freezing water of the San Francisco Bay.
But someone, or some thing, has other plans for Meredith. As her fingers slip from the cold steel of the bridge, a disembodied voice ask her a simple question: “Candidate 13: Do you wish to be…
I’m a science journalist in Colorado, living in the foothills of the Rocky Mountains that were raised by millions of years of mountain-building. I studied geology in college and now write about the earth and space sciences, primarily for the journal Nature. On reporting trips I’ve camped on floating Arctic sea ice and visited earthquake-ravaged mountains in Sichuan, China. But my favorite journey into deep time — the planet’s unfathomably long geologic history, as preserved in rocks — will always be a raft trip with scientists along a section of the Colorado River in Arizona.
This gorgeously illustrated coffee-table volume draws on Black’s expertise in science writing and paleontology. She begins with the Big Bang that created the universe 13.8 billion years ago, then moves in short chapters through milestones of the rise of life on Earth. Prehistoric plants harden into coal in the Carboniferous Period, 359 million years ago; dinosaurs roam the Morrison Formation of the western US, 156 million years ago; and small blobs of molten glass from Laos reveal a powerful meteorite impact 790,000 years ago. You’ll never see the timeline of life the same way again.
Deep time is the timescale of the geological events that have shaped our planet. Whilst so immense as to challenge human understanding, its evidence is nonetheless visible all around us.
Through explanations of the latest research and over 200 fascinating images, Deep Time explores this evidence, from the visible layers in ancient rock to the hiss of static on the radio, and from fossilized shark's teeth to underwater forests. These relics of ancient epochs, many of which we can see and touch today, connect our present to the distant past and answer broader questions about our place in the timeline…
I became a science journalist because I’ve been fascinated by the natural world around me for as long as I can remember. I also always loved imagining another world or realm, ever since I first read The Lion, the Witch, and the Wardrobe and The Wizard of Oz series as a child. So when I was writing my blog, Gory Details, at National Geographic, I naturally started to get curious about places around the world that are linked to legends of otherworldly realms. Now, as an author, I’ve had the chance to explore these places for myself, and I hope readers will enjoy going on the journey with me!
I love the originality of this book—who ever would have thought to write about the geology of hell but a geologist? As a big-time nerd, I loved the deep dive into science, mixed with the stories and legends of people around the world.
I also enjoyed the author’s personal stories about visiting many of the places in the book, from the oilfields of Azerbaijan (and accompanying legends of the Zoroastrians) to the famed Greek river Acheron, said to carry the dead to the underworld.