Here are 100 books that The Vanishing of Audrey Wilde fans have personally recommended if you like
The Vanishing of Audrey Wilde.
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I lived vicariously through Nancy Drew when I was young. I was naturally observant and curious, and my mom was known to tail a car through our neighborhood if she thought the driver looked suspicious. So, it’s not surprising that I developed a love for all things thrilling. While working in the oil and gas industry for fifteen years, I spent some time focused on a foreign deal that served as inspiration for my first novel. I worked with people seeking power; negotiations bordered on nefarious; the workplace became toxic. If you ever ponder the moral implications behind the pursuit of power, you’ll enjoy the books on this list!
There’s nothing better than a little gossip, especially when it’s about grown, mostly rich women, who enjoy knowing everything about everyone else but will do anything to protect their own secrets.
Big Little Lies lets the reader peek into the lives of a group of women and how their beliefs and actions are interwoven. Every action has a reaction, and consequences are very real, yet there is a fierce loyalty that drives the women to protect one another.
It’s not entirely clear who is “good” and who is “bad,” which makes it fun to play along and watch alliances shift or strengthen. You’re also not entirely certain what has happened, which I like because I usually always guess the ending!
*Published as BIG LITTLE LIES in Australia and the United States*
Liane Moriarty, million copy selling author of The Husband's Secret brings us another addictive story of secrets and scandal.
Jane hasn't lived anywhere longer than six months since her son was born five years ago. She keeps moving in an attempt to escape her past. Now the idyllic seaside town of Pirriwee has pulled her to its shores and Jane finally feels like she belongs. She has friends in the feisty Madeline and the incredibly beautiful Celeste - two women with seemingly perfect lives . . . and their…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love to read and write about complex characters and particularly the “unlikeable” female character. Many readers connect with my characters because they are flawed—they don’t always think or do what we want them to, or what we think they should do, which is often (frustratingly) the case with the real-life people we love and care about. Real, complex people exist in real, complex relationships, including friendships that don’t always serve them—or that do serve them, but in unconventional or superficially unclear ways. I think that reading about contradictory, inconsistent, and confused characters in relationships helps us to be kinder and more empathetic people—and, quite possibly, better friends.
Before reaching middle school, I pretty much believed that my friends—who they were and how many I had—determined my value. But my circle could be fickle; girls were ostracized for minor infractions (you bought the same coat as me!) I lived with daily fear of being dropped.
So Cat’s Eye captivated me with its lack of sentimentality in depicting (some) girls’ friendships. Elaine, a middle-aged artist, returns alone to Toronto, the city where she grew up, for a retrospective of her work. The trip gives Elaine space to reflect on her life in that city, and Cordelia, her childhood “friend”, is central to her memories.
Cordelia tormented and humiliated Elaine, even putting her life in danger, yet Elaine remained loyal to her for years. It felt very real to me that this toxic relationship would continue to preoccupy Elaine into her functional adulthood. Girlhood friendships are often fraught, and Atwood…
Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for forty years. 'Not since Graham Greene has a novelist captured so forcefully the relationship between school bully and victim...Atwood's games are played, exquisitely, by little girls' LISTENER An exceptional novel from the winner of the 2000 Booker Prize
I’m not sure where my love of thrillers in dark settings originated. I’ve always loved mysteries – starting out with Nancy Drew as a kid and then graduating to more mature material as I got older – and a setting that feels like a character in itself is fascinating to me. My love of the dark, moody element has developed as I’ve gotten older – I spent my twenties reading a lot of chick lit and upbeat fiction, but something has shifted in the last decade or so that caused me to embrace the darkness a bit more.
The Girls Are All So Nice Here uses one of my favorite literary devices: dual timelines.
We bounce back and forth between Ambrosia (Amb) Wellington’s freshman year of college and her ten-year college reunion, where she is confronted by the secrets she has been keeping for the last decade. I’m a sucker for dark academia, and this book’s setting felt so real, it could have been my own alma mater.
'Gone Girl meets Mean Girls and The Secret History' Guardian
A darkly intoxicating novel of female friendship and obsession that will keep you turning the pages, perfect for fans of My Dark Vanessa and The Virgin Suicides
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Nice girls can do bad things...
When Ambrosia first arrives at prestigious college Wesleyan, she's desperate to fit in. But Amb struggles to navigate the rules of this strange, elite world, filled with privileged 'nice' young women - until she meets the charismatic but troubled Sully, with whom she forms an obsessive friendship.
Intoxicated by Sully's charm and determined to impress her,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Thrillers with female leads and complex relationships are crammed into my bookshelves. As an only child whose school was an hour’s bus ride away with many friends living further away than that, I would have killed to have had a tight group of friends to hang out with. Well, maybe I wouldn’t have gone that far but it has left me fascinated by groups of friends who’ve known each other since the first day of school, ones who have each other’s backs through thick and thin. And I’m even more interested in what happens when they turn on each other.
Shiver is one of the best books I read last year. Essentially it’s a locked room mystery set in the world of professional snowboarding. Milla gets an invitation to reunite with friends from her snowboarding days, but they’ve not been together since their friend, Saskia, went missing. And then, as is the way with edge-of-your-seat thrillers, they can’t get off the mountain, the storm’s closing in and someone is watching them. The truth about Saskia will come out one way or another. Milla and Saskia had been competitors, rivals, and then friends. It’s a complicated friendship and a fascinating look at professional sport and women at the top of their game, what they will sacrifice, and what they’ll do to win.
In this propulsive locked-room thriller debut, a reunion weekend in the French Alps turns deadly when five friends discover that someone has deliberately stranded them at their remote mountaintop resort during a snowstorm.
When Milla accepts an off-season invitation to Le Rocher, a cozy ski resort in the French Alps, she's expecting an intimate weekend of catching up with four old friends. It might have been a decade since she saw them last, but she's never forgotten the bond they forged on this very mountain during a winter spent fiercely training for an elite snowboarding competition.
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.
Penguin Classics is proud to welcome William Trevor—"Ireland’s answer to Chekhov" (The Boston Globe) and "one of the best writers of our era" (The Washington Post)—to our distinguished list of literary masters. In this award-winning novel, an informer’s body is found on the estate of a wealthy Irish family shortly after the First World War, and an appalling cycle of revenge is set in motion. Led by a zealous sergeant, the Black and Tans set fire to the family home, and only young Willie and his mother escape alive. Fatherless, Willie grows into manhood while his alcoholic mother’s bitter resentment…
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
This is the first book of a fictionalized family history, starting with the omniscient narrator’s maternal grandparents and paternal aunt, who are all born in the late 1880s: the World War I generation. The story takes place near Nantes, which until 1956 was part of Brittany, but then was administratively moved to a new department, the Loire Atlantic—though most people in Nantes and Brittany continue to believe the Nantois are Breton. As with many things French, the issue is far from settled.
Rouaud creates character through vignettes—and they’re wonderful: grandpa smoking; grandpa driving; grandma complaining about grandpa smoking and driving; their car—the infamous, uncomfortable, 2CV, deux chevaux—in the rain, the wind, on hills, having to wipe the windshield by hand to see, clearing grandma’s side, not grandpa’s, whose vision is blocked by pouring rain, streaking mud, and cigarette smoke. The rain leaks through the windows, the vents, and canvas roof.…
Through a family chronicle - some three generations of a middle-class family living on the French Atlantic coast - Rouaud evokes the lingering heartache of a whole nation: the period is the interval between the two wars, but the slaughter of World War I dominates. Winner of the Prix Goncourt.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve always been sensitive to my material environment, discerning the spiritual and emotional effects of light, color, and sound in everyday life, like our clothes and homes and also in nature. However, for years, I lived in my head. I’d relegated my body and intuition to the sidelines. For two decades, I built a career in visual art, but it took the mid-life collapse of everything I’d wanted to find my way back to the authenticity of those early sensibilities, charting an artist’s way home. The creative life is not just for artists. It sustains our humanity in times of darkness and is the source of our brightest future.
I grew up in the suburbs of a big city in an Italian American family that valued the “American Dream.” The path to success was marked by academic achievement and financial gain. These were among many tacit beliefs and stories, right alongside what it means to be in a marriage and to have children, that led me on a decades-long journey straight into the mid-life collapse of all I’d worked towards.
Frangello’s account of conditions, events, and an underlying, perilous terrain of female identity and romantic ideology treads so close to my own experience of catastrophic relational collapse and betrayal. As in my own life, the crisis extends backward and forwards in time, unearthing the buried ground on which I inadvertently founded my dreams and built my life. This book is a lens that reframed my history and refocused my future.
A New York Times Book Review Editors' Choice • A Good Morning America Recommended Book • A LitReactor Best Book of the Year • A BuzzFeed Most Anticipated Book of the Year • A Lit Hub Most Anticipated Book of the Year • A Rumpus Most Anticipated Book of the Year • A Bustle Most Anticipated Book of the Month
"A pathbreaking feminist manifesto, impossible to put down or dismiss. Gina Frangello tells the morally complex story of her adulterous relationship with a lover and her shortcomings as a mother, and in doing so, highlights the forces that shaped, silenced,…
I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul and throughout the country, even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.
Orga’s memoir begins with scenes from his idyllic childhood as the son of a great beauty, adored by his autocratic grandmother and indulged by all. His was a prosperous family, their future secure under the Ottoman sultans until the First World War broke out and everything changed. They went from enjoying elaborate dinner parties, going to the hamam and sleeping on soft sheets, to living in poverty, waking in dank rooms, and never knowing if there’d be enough to eat. Orga writes without sentiment of the impact of the war on his upper-class family, and the complete reconstruction of society under the leadership of Mustafa Kemal Atatürk, founder of the modern Turkish republic. Orga lived and observed the tensions and struggles around sacred and secular life, the divide between rich and poor, and the importance of family to all. Despite the passing of the years, many of the events and…
Irfan Orga was born into a prosperous family in the twilight of the Ottoman Empire. His mother was a beauty, married at thirteen, who lived in the seclusion of a harem, as befitted a Turkish woman of her class. His grandmother was an eccentric autocrat, determined at all costs to maintain her traditional habits.
But the First World War changed everything. Death and financial disaster reigned, the Sultan was overthrown and Turkey became a republic. The family was forced to adapt to an unimaginably impoverished life. In 1941 Irfan Orga arrived in London, and seven years later he wrote this…
I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.
I’m Canadian and, like all theatre people of my era, I first fell in love with MacDonald’s writing when I saw her ingenious breakout play, Good Night, Desdemona, Good Morning, Juliet. Then she published this, a captivating Maritime gothic full of ghosts and other hauntings, as well as visual doublings, such as mistaken identities, breathtaking in their wit.
Loosely inspired by the author’s own family history on Cape Breton Island, including both Lebanese and Gaelic-Canadian strands, this novel is a stunning example of historical fiction that is deadly accurate in its evocations of societal, cultural, and geographic strictures while also being hugely inventive. Lush and compelling.
Following the curves of the twentieth century, FALL ON YOUR KNEES takes us from haunted Cape Breton island in Nova Scotia through the battlefields of World War I into the emerging jazz scene in New York City, and immerses us in the lives of four unforgettable sisters. The children of a driven and ambitious father, the sisters -Kathleen, the oldest, a beautiful talent intent on a career as an opera diva; Frances, the drunken rogue and child prostitute; Lily, the pseudo-saint cripple; and Mercedes, the fervent Catholic and protector of the flock - are swept along by the tumult of…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
There is nothing more gratifying when you are reading your own books to a group of children to see that they are eager to know what is going to happen next. My top priority is to create a story that is a page-turner. My second wish is to include social topics that provoke ideas and questions. After I read to a group of schoolchildren, I like to encourage them to discuss the themes in the story; the children are always keen to give their views. Nonetheless, adding social topics to my children’s books needs to evolve naturally; ultimately, for me, the story is king!
The Railway Children is a rich family saga set in 1905 told from the perspective of the children, Bobbie, Phyllis, and Peter. They live a happy, comfortable life until their father is suddenly taken away by two police officers. The family is forced to move away and adapt to living in the countryside on a much-reduced income. The separation from their father is keenly felt by the children, whilst their mother hides her own distress to protect them.
We eventually realise that an injustice has occurred, but how can the children hope to reunite with their father? The Railway might provide an answer. Edith Nesbit has created a warm and engaging novel where acts of kindness, sometimes misguided, are integral to the storytelling.
One of the most popular classics of all time, with a wonderful introduction by multi-million bestselling author Jacqueline Wilson.
When Father is taken away unexpectedly, Roberta, Peter, Phyllis and their mother have to leave their comfortable life in London to go and live in a small cottage in the country. The children seek solace in the nearby railway station, and make friends with Perks the Porter and the Station Master himself. Each day, Roberta, Peter and Phyllis run down the field to the railway track and wave at the passing London train, sending their love to Father. Little do they…