Books like The Vampire Book

Michelle Belanger is a psychic vampire and an intellectual leader of the real vampire community. This book draws on her experiences of coming to self-identify as a psychic vampire and she actually began writing it in notebooks while in college. The Psychic Vampire Codex provided vocabulary for people in this community to talk about their experiences and a metaphysical theory of what exactly psychic vampires are and why they are different from other people.

I have had the opportunity to meet Belanger and she is a really fascinating person. She founded a metaphysical community called House Kheperu and offers workshops on magick and psychic energy. She is also a fiction author, musician, activist, and many other things.

Whereas Barber expounds upon the anthropological origins of the vampire myth, McClelland focuses on the practices, principles, and logistics of killing the dead. The most familiar form comes in the unearthing and mutilation of bodies. McClelland explains the whys and wherefores of that practice, but he also gives their killers more than their due, explaining the role of vampire slayers as shamans, village elders, and quasi-religious figures during Europe’s transition from its pagan roots to modern Christianity. He demonstrates that vampires fell into an uneasy space between a fading system of peasant folklore and the organized religious rituals and beliefs that ultimately took their place. There are no vampires in the Bible, so where was the church during the vampire hysteria of the 1800s and how did they regard these mythical creatures? McClelland answers that and more. He also includes an overview of our modern conception of vampire slayers from… show more.

The figure of the vampire has become very familiar through portrayals in literature, stage, and cinema, but where does the myth itself originate?

Many have speculated on the roots of the vampire legend, ascribing it to various diseases, like porphyria or rabies. But Barber stripped away the cultural additions imposed on the legend by its fictional interpretation and looked for origins consistent with the bare, original legend.

A nice piece of folkloric detective work, and one that influenced my own book.

Montague Summers was a really unusual fellow for the early twentieth century. He was a closeted gay man (closeted because homosexuality was brutally repressed at the time) who was obsessed with the occult and liked to present himself as a religious witch hunter/demonologist. Reportedly he was often seen leaving libraries with a big black file that read “Vampires” across the front where everyone could see it.

Despite being a colorful character, Summers is one of the best early scholars of vampire lore. His work is even more interesting because it reflects the occult revival underway at the end of the nineteenth century. Occult groups such as the Theosophical Society and the Order of the Golden Dawn were reimagining what vampires could be. They hypothesized that vampires could be real but are perhaps more akin to invisible ghosts that feed on human life force. Summers also discusses things like… show more.

I have loved this book since it first scared me as a young reader.

And I think this is still the best of all bloodsucker books ever published. While this classic novel didn’t create the myth of vampires, it sure made them iconic. With his fangs and flowing bat-wing cape, Dracula sets the standard for things that go bump in the night. His single purpose is to scare us, and he is good at his job. He has no redeeming values.

This vampire is no charismatic bad boy hoping to win the girl’s heart—he just wants to drink her blood! The original Dracula is a fiend—horrible, frightening, and dangerous. Which is why the book still works after more than a century.

I admit. I stalked Quinn at Dragon Con. It took me all day to finally summon the courage to approach her and fangirl out. It was after a panel, and no one else was waiting to talk to her.

A most prolific, brilliant, and underrated author, her Saint-Germain series is astounding and profoundly impacted and inspired me. Her main character is faced against impossible odds, which he resolutely and astutely conquers each time while protecting those he holds dear.

The books’ settings move through the sands of time and across continents, all uniquely accurate. Her PhD in history sings through these historical fiction books (hundreds of them) that don’t quite fit into any one genre. She created her own—a literary goddess.

This Icelandic Dracula remained hidden from the world-at-large as merely a translation of the original for more than a century before Hans Corneel de Roos translated the Icelandic back into English. What he discovered is that Asmundsson took the liberty of making Dracula his own book. A Nordic spin on the vampire is reason enough to discover this interesting take on Stoker’s Dracula. Two-thirds of the book takes place at the Count’s castle in Transylvania where the notorious vampire is given much more depth and voice. Nordic lore spices this story up as well as a very seductive vampiress. The book is also much shorter than Stoker’s, which makes it an easy read.

Leslie Klinger’s annotated version of Dracula is one of the most recent editions, and it surely is the most entertaining one, suitable for readers who are no Dracula experts (yet). Some of his comments build on the (purely fictional) assumption that the Count himself had his hand in editing Stoker’s text. In a single instance, when it comes to the historical Dracula family, Klinger drops the ball, but he makes a unique contribution to Dracula Studies by comparing Dracula’s final text with that of Stoker’s typescript, found in a barn in Pennsylvania in the 1980s. His attention to geographical details greatly inspired my own research into this matter. The book comes with a number of illustrations and helpful appendixes.

This novel, published in 1879, is set in Romania at the time of the 1877-8 Russo-Turkish War. It is significant for its setting because it predates Dracula (1897) in being set in Romania (home of Transylvania). Nizet was a twenty-year-old Belgian woman who encountered Romanians in Paris who told her about how Russians had treated them during the war. Nizet created the character of Captain Vampire to represent how Russia acted like a vampire toward the Romanians, even though they were Russia’s allies. Captain Vampire’s behavior is shocking yet fascinating. As a critique of war, the novel is extremely relevant today given Russia’s recent invasion of Ukraine. Personally, I am amazed by how a woman who never saw a battlefield could capture war’s essence so vividly.

Before Anne Rice's vampire gave an interview, Saberhagen’s Dracula told his own side of Stoker’s story, gently poking at plot holes and purple prose.

From the moment I first learned this book existed, I knew I had to read it. When I finally tracked down a copy, it gave me new insights into the count’s character, and it made me laugh. I enjoyed The Dracula Tape’s lighter take on the classic material.