Here are 100 books that The Thought Gang fans have personally recommended if you like
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I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.
It doesn’t patronise the reader as it weaves a history of Western philosophy into the narrative. The story is a semi-autobiographical motorcycle road trip undertaken by the writer as he recovers from a nervous breakdown caused by his obsession with philosophical questions.
I really enjoyed this book even though I didn’t agree with all the author’s ideas. And the first time I read it, the moment his alter ego first appears was one of the creepiest things I had ever read in a novel. It freaked me out.
Acclaimed as one of the most exciting books in the history of American letters, this modern epic became an instant bestseller upon publication in 1974, transforming a generation and continuing to inspire millions. A narration of a summer motorcycle trip undertaken by a father and his son, the book becomes a personal and philosophical odyssey into fundamental questions of how to live. Resonant with the confusions of existence, Zen and the Art of Motorcycle Maintenance is a touching and transcendent book of life.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Scotland has a proud tradition of philosophical enquiry and I studied closely the work of most of these authors and benefited from almost all of them for my own Ph.D. work. Pirsig uses the old Scots word “gumption” for know-how and initiative and, in his honour, I use his related term “gumptionology” as my handle on social media. I also write my own mystery books series set in Scotland (the Bruno Benedetti mysteries) and they are often inspired by musing on philosophical and metaphysical matters but even my books on ethics contain some philosophical fiction. Our shared stories are fundamental to our humanity—and to our philosophy!
Martha Nussbaum’s book isn’t written asroman à thèse(thesis told as story) but it focuses on the dialogues of Plato and her work helped me understand a possible intention behind his philosophical fiction—when I was writing my own thesis on a more modern philosopher—especially how it tries to avoid the conflicts and suffering that compose Greek tragedy. Spanning millennia of muse-inspired myth about people under pressure, from Antigone in Ancient Crete (who just wanted to bury her traitorous brother) to Sophie in Nazi Germany (who had to choose between her children’s lives) this movingly-written and erudite book has the disturbing but very human insight that the howling Furies don’t let us off the hook just because we had no choice. And neither does our conscience.
This book is a study of ancient views about 'moral luck'. It examines the fundamental ethical problem that many of the valued constituents of a well-lived life are vulnerable to factors outside a person's control, and asks how this affects our appraisal of persons and their lives. The Greeks made a profound contribution to these questions, yet neither the problems nor the Greek views of them have received the attention they deserve. This book thus recovers a central dimension of Greek thought and addresses major issues in contemporary ethical theory. One of its most original aspects is its interrelated treatment…
Scotland has a proud tradition of philosophical enquiry and I studied closely the work of most of these authors and benefited from almost all of them for my own Ph.D. work. Pirsig uses the old Scots word “gumption” for know-how and initiative and, in his honour, I use his related term “gumptionology” as my handle on social media. I also write my own mystery books series set in Scotland (the Bruno Benedetti mysteries) and they are often inspired by musing on philosophical and metaphysical matters but even my books on ethics contain some philosophical fiction. Our shared stories are fundamental to our humanity—and to our philosophy!
I recommend the sequel to Pirsig’s more famous bestseller because I’ve never owned a motorcycle (and I find bicycle maintenance hard enough), but now I own a sailboat—where his second story is set—so when he describes hearing people walking on the cabin roof, or checking the knots on the mooring ropes, I know exactly what he means because I’ve experienced this. Some of his fans felt this sequel was a betrayal of the magical mysticism of undefined Quality he described in the first book. For me, although problematic, it was a necessary clarification and one I not only used for my academic work on a range of controversies from abortion to transgender but also in my life-coaching practice: to inspire holistic transformation on all levels of wellbeing.
Phaedrus - a character familiar to readers of 'Zen and the Art of Motorcycle Maintenance' - is sailing down the Hudson River when he meets Lila Blewitt, an unapologetically sexual, psychologically unstable woman whom a mutual friend warns him against. But Phaedrus is drawn to her physically, and interested in her intellectually, finding her a culture of one in whom he discerns an unexpected Quality. Sailing with him to Manhattan, where her mental state deteriorates further, Lila promps Phaedrus to explore conflicts of values, such as those between Native Americans and Europeans, or between the insane and the normal.
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Scotland has a proud tradition of philosophical enquiry and I studied closely the work of most of these authors and benefited from almost all of them for my own Ph.D. work. Pirsig uses the old Scots word “gumption” for know-how and initiative and, in his honour, I use his related term “gumptionology” as my handle on social media. I also write my own mystery books series set in Scotland (the Bruno Benedetti mysteries) and they are often inspired by musing on philosophical and metaphysical matters but even my books on ethics contain some philosophical fiction. Our shared stories are fundamental to our humanity—and to our philosophy!
This was a book I bought and loved and lost (my fault for leaving it in the University of Glasgow library) but not just because I loved the TV series. Ok, mostly. But also because it gave me a whole new insight into the forceful philosophy of Nietzsche as embodied by Buddy’s friend, rival and nemesis, Faith, and this was really useful for me trying to put generational conflict into words for my Ph.D. The 25 authors obviously love the series and, as this is one that I know well and have rewatched with audio/subtitles in various languages as an easy way to learn, their insights have added interest by providing another layer of meaning in this already multi-dimensional enthralling—and hilarious—narrative. I want this book back!
Designed by writer Joss Whedon as a multilevel story with most of its meanings deeply buried in heaps of heavy irony, "Buffy the Vampire Slayer" has replaced the "X-Files" as the show that explains to Americans the nature of the powerful forces of evil continually threatening to surge into a world of everyday decency. This collection features 23 essays by young professional philosophers that examine crucial ethical and metaphysical aspects of the "Buffyverse" (the world of Buffy). In the tradition of the classic horror films, "Buffy the Vampire Slayer" addresses ethical issues that have long fascinated audiences. This book finds…
As a historian of race and gender in European women’s history, “misbehaving” women confound me! I am rendered speechless when women negate their own humanity in the drive toward the same power structures that subjugate them. Vulnerable women who were often in the clutches of those same women–and yet are unrelenting in their determination to survive within systems to which others have relegated them–inspire me. These books and their stories take women’s lives–their oft-horrible choices, their scandalous mistakes, and their demands for autonomy–seriously. I hope you find their stories as compelling as I do!
Once I settled in to read the life story of the scandalous 19th-century French femme fatale Marguerite (Meg) Steinheil, I didn’t get back up until I finished. What a ride! Then, I immediately went back to the beginning and read it again.
Meg became notorious in 1899 for literally being in the bed (and the clutches) of the French president when he suddenly died. But wait, there’s more! That’s not even the most incredible moment in her life story. At one point, I started yelling at the book: "Meg, what, no!"
This book has everything you want in a story: murder, sex, scandal, and an unlikely heroine’s pluck and poignancy. History that reads like a novel. What more could you want?
Sex, corruption, and power: the rise and fall of the Red Widow of Paris
Paris, 1889:Margeurite Steinheil is a woman with ambition. But having been born into a middle-class family and trapped in a marriage to a failed artist twenty years her senior, she knows her options are limited.
Determined to fashion herself into a new woman, Meg orchestrates a scandalous plan with her most powerful resource: her body. Amid the dazzling glamor, art, and romance of bourgeois Paris, she takes elite men as her lovers, charming her way into the good graces of the rich and powerful. Her ambitions,…
A Canadian academic, Michael J. Prince is an award-winning author in the field of modern politics, government, and public policy. The Lansdowne Professor of Social Policy at the University of Victoria, he has written widely on issues of disability activism and social change, including on veterans and their families. He is co-author, with Pamela Moss, ofWeary Warriors: Power, Knowledge, and the Invisible Wounds of Soldiers, New York and Oxford: Berghahn Books, 2014.
This consummate French philosopher explores the lineage of psychiatry as an intertwined field of knowledge and form of power. For Foucault, moving beyond asylums, in the nineteenth and twentieth century armies called on psychiatry to assert the reality of military power and the functioning of military purposes. A similar relationship has taken place with the family in relation to nation-states and military establishments. The author provides many useful concepts to appreciate the psychiatrization of soldiers as shocked, exhausted, hysterical, neurotic, and traumatized, among other diagnostic categories. From this work, a significant value I gained is a historical understanding of how modern psychiatry developed in relation to armed forces and warfare.
In this addition to the College de France Lecture Series Michel Foucault explores the birth of psychiatry, examining Western society's division of 'mad' and 'sane' and how medicine and law influenced these attitudes. This seminal new work by a leading thinker of the modern age opens new vistas within historical and philosophical study.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Since first stepping off a train at Nice I've felt an affinity with southern France, but it was a chance encounter with the local shepherd who, speaking a version of the Provençal language, alerted me to the proud past of this region and its individual identity. (I've written about this time in my book Wild Asparagus, Wild Strawberries.) A serendipitous opportunity to study ancien Provençal led me down a meandering path to a PhD that eventually became The Original Mediterranean Cuisine, and on to a career researching and teaching culinary history. My next book looks at the roots of Provençal cuisine in the eighteenth century.
In December 1970, a group of acclaimed American culinary experts met in Provence, where Julia Child had a holiday house, planning to celebrate Christmas together. Joining them were food writer Richard Olney and novelists Sybille Bedford and Eda Lord, all living relatively close. Barr, Fisher's grandnephew relies on her journal and letters to recreate their sumptuous tables in delectable detail. Alas, hopes for a joyous gathering of friends soured as egos clashed and petty rivalries intervened; MFK left abruptly and spent Christmas alone in Avignon. What interests me is how these authorities on French cuisine engaged with the French, the relationship between the 'French' cooking they portrayed and the food of the French, and their response to the changes creeping into France post-1968.
Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later…
I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown.
Know your audience? I’m kidding—never condescend; there’s nothing to be gained. Leave the smug cleverness to the Gladwells and Pinkers; we’re seeking higher ground here. What is culture? Don’t act like you don’t want to talk about it – or the stakes. This is THE TALK we actually need to have.
We have an affinity for our own habits, and Bourdieu walks us through them using the socially innocent language of likes and dislikes. His is a very straightforward discussion of experiences and social conditions that you didn’t know you needed. How do tastes vary, and why? Hmmmm.
No judgment of taste is innocent. In a word, we are all snobs. Pierre Bourdieu brilliantly illuminates this situation of the middle class in the modern world. France's leading sociologist focuses here on the French bourgeoisie, its tastes and preferences. Distinction is at once a vast ethnography of contemporary France and a dissection of the bourgeois mind.
In the course of everyday life people constantly choose between what they find aesthetically pleasing and what they consider tacky, merely trendy, or ugly. Bourdieu bases his study on surveys that took into account the multitude of social factors that play a part…
I am an artist-filmmaker, writer, and Professor of Experimental Film at the University for the Creative Arts in Canterbury, Kent, UK. I have worked at the London Filmmakers’ Co-op and BBC TV. I have been making films since 1974 and teaching since 1988. I have published extensively on Artists’ Film / Experimental Cinema. I have edited and contributed chapters to numerous other books and journals, including Millennium Film Journal, MIRAJ, Film Quarterly, Sequence, and others. I have completed over 70 single screen works in 16mm and video, gallery film and video installations, and multi-projector film performances. These have been screened worldwide.
David Curtis’ copiously illustrated book is a wide-ranging yet detailed introduction to the world of artists’ film, with over 400 filmmakers discussed. The survey is rooted in the historical avant-garde of the 1920s and ‘30s but covers work up to the present day. While major figures such as Steve McQueen and Bill Viola are mentioned, equal space is devoted to little-known filmmakers from France, Poland, and elsewhere.
This detailed survey presents for the first time an alternative history of the moving image, chronicling artists' ever-evolving fascination with filmmaking from the early twentieth century to now.
From early pioneers to key artists of the present, leading authority and film expert David Curtis offers a vivid account of the numerous individuals who have been inspired by the cinematic medium and felt compelled to interpret and respond to it in their own way. In doing so, he discusses artists' widely differing achievements, aspirations, theories and approaches.
Featuring over 400 international moving-image makers and drawing on examples from across…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I’m a political theorist recently retired from the University of Toronto. Around fall 2014, I became aware that a hyper-energetic, well-educated intelligentsia was trying to move heaven and earth to make fascism intellectually respectable again. I resolved to educate myself about these scary characters. I was truly alarmed, and wrote my book to convey my alarm to fellow citizens who hadn’t yet woken up to the threat. Sure enough, within a couple of years, Richard Spencer rose to media stardom; and one of the first things that Trump did after being elected in November of 2016 was to decide that a crypto-fascist Steve Bannon was worthy of a senior position in the White House.
Faye’s book has been extremely controversial, exposing him to sometimes quite nasty attacks by Heidegger apologists. But with respect to the core of what his book is about—the pro-Hitlerite seminars given by Heidegger during the years when he was most closely aligned with the Nazis—it’s an absolutely devastating account. The book is a must-read. Should be read in conjunction with Charles Bambach’s 2003 book, Heidegger’s Roots.
In the most comprehensive examination to date of Heidegger's Nazism, Emmanuel Faye draws on previously unavailable materials to paint a damning picture of Nazism's influence on the philosopher's thought and politics. In this provocative book, Faye uses excerpts from unpublished seminars to show that Heidegger's philosophical writings are fatally compromised by an adherence to National Socialist ideas. In other documents, Faye finds expressions of racism and exterminatory anti-Semitism. Faye disputes the view of Heidegger as a naive, temporarily disoriented academician and instead shows him to have been a self-appointed 'spiritual guide' for Nazism whose intentionality was clear. Contrary to what…