Books like The Summer That Melted Everything — picked by fans

This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.

What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny. 

I love haunted house stories, and this one was genuinely creepy. It is a first-person account of the growing paranoia of a couple looking to escape their own demons, with both unable to communicate the weird things happening in their house.

I love how it subverted your usual ghost story elements. Instead of leaky pipes, weird spaces appear in the walls. Instead of creepy moans, bruises appear out of nowhere. Is it psychosis? Sickness? Or is something otherworldly in the house? I don’t know. The unsettling horror is ambiguity amplified by a failure of communication, and that’s why I find it so creepy.  

I found this a captivating read. It was morbid, dark, and grim, but it was also exciting. I was quickly drawn into the world of Immanuelle Moore, whose mother was called a witch and died giving birth to her. I loved the author’s attention to detail.

The villages of Bethel and the Darkwood are so vivid that I could believe the protagonists’ lives in the puritanical, secluded world full of zealots, idolatry, sexism, and racism. The book is also beautifully atmospheric—the village, the trees, and the large cathedrals are so well described.

One of the book's main themes was self-discovery, which is why I think it’s more aimed toward YA, but I recommend it to anyone interested in witches, small towns, religion, and feminist themes. 

A 90s, queer, coming-of-age story mixed with cosmic horror, I would have read this in a single sitting if I didn’t have to get off the bus. The protagonist, Heath, is an artistic teen who recreates horror movie posters during his habitual trips to the local video store and is slowly starting to realize he is gay, something discouraged by his fellow students at his Catholic school.

I loved the lack of explanation about the supernatural elements. Was the monster all in Heath’s head? I love the ambiguity, but I also love it as a metaphor. I really enjoyed the emotional journey, which felt very autobiographical. My favorite thing is the video store itself. I’m 33, so this brought back fond memories of visiting the video store with my parents.

One thing I know: I can always trust Amanda Flower to give me a great mystery with tons of laughs. This book does not stray from this pattern.

I love how the main character, Millie, interacts with the people around her, from the young people she’s trying to set up to her good friends and even a handsome love interest from the past. Her goats make for excellent laughs, and the story moves quickly.

All in all, it was a quick, fun read.

This book transported me to 1930s Singapore, a setting so vivid and immersive that I could almost feel the humidity and smell the frangipani trees. I was completely captivated by Su Lin, a young woman who is determined to carve her own path despite the barriers in her way.

The mystery was gripping, but what really made me love this book was Su Lin’s intelligence, resilience, and charm. Her story stayed with me long after I turned the last page.

Christian Klaver is a relatively new writer on my Sherlock Holmes radar, but his book Sherlock Holmes and Count Dracula is an entertaining one.

The style of this book is fascinating, as it’s less a novel and more a collection of interconnected short stories. As I said, I’m a big fan of Holmes and Horror, so the promise of Count Dracula was too difficult to resist. And I wasn’t disappointed.

The stories are a fun imagining of a meeting between the Great Detective and the Count and there’s even a little H.P. Lovecraft thrown in for good measure.

A Japanese ghost story, set in an imaginary, contemporary, Japanese town by a Singaporean first novelist.

I picked this out at Brighton Library because I liked the cover, but Clarissa Goenawan's Rainbirds has survived the goodreads treatment, so hopefully she's a writer to watch (I mean, there will be more of these).

Readers have recalled Haruki Murakami, because it's allegedly Japanese, and a bit off-kilter, but to me this dreamlike narrative seemed fresh and floating: ungrounded, not alienated. I thought of another Japanese writer, Kazuo Ishiguro, & The Buried Giant: a misty, off-kilter take on Arthurian Britain, in which everyone seems either asleep, or else making the journey the dead make to wherever they go, while dreaming the novel's action...

No, I give up, I can't explain the charm, you'd have to try it and see, & yes, those are goldfish, not any kind of birds on the cover, and… show more.

Who is setting a trap for whom?

I was immediately fascinated by my German colleague’s debut novel. I love her descriptions of nature and that her story only takes place in a lonely house in the forest. It seems psychologically depressing to me because the main character no longer dares to leave the house.

I was excited as she hatched a perfidious plan to take revenge on her enemy. But I was just as afraid for her if her dangerous plan failed.

I love this book! A famous female pianist in Boston who kills bad people, and she has quirks. She also changes boy toys during the story; that whole dynamic is sexy and unusual. 

One of my new favorite books. I hate heavy procedural books, and this is not one. The FBI is involved, but not how you think. The railroad killer was also very creative. She does have the FBI chasing her and has friends in the FBI, which is unique, too. The beginning is good, with lots of action and intrigue, and the middle holds up with a bang for an ending.

There are a few surprises here and there, but it is just a solid story.