100 Books Like Rainbirds

Sent off to the old Derbyshire farm to convalesce, Penelope Taverner opens a door, steps into the world of the tragic stand-off between Mary Queen of Scots and Elizabeth of England, and hardly notices she's time-travelling.

She's just there, among people who dress a little strangely: accepted as exactly what she is, the daughter of an old family connection, come to stay for a while. Nothing can be done. Mary of Scots can't be saved; nor can the courageous Babingtons. It's intense and a bit voyeurish in a way, because the time-traveller is always going to walk away unharmed from tragedy, if not untouched.

I loved this story when I was a child, but what I notice most as an adult writer is Alison Uttley's method with the time travel: a real innovation. No clunky explanation, no clever rationale. It's all about hints and glimpses, haunting fragments; drifting into each… show more.

I find H.Rider Haggard's famous tales of adventure (e.g. King Solomon's Mines) pretty disgusting: bunch of white guys in southern Africa, where they can slaughter and loot at will, far from the constraints of “civilised” society.

But “She” is one of a kind. A perilous wilderness, where the people who put pots on the heads of strangers have a very sinister outlook on life (these are cooking pots, and this is a stranded population, desperate for protein). Their immortal goddess (originally Ancient Greek?) lives in a tomb, doesn't seem to eat or drink; talks like a spoilt, entitled Victorian debutante, and fascinates our hero.

I imagine the author, a humble civil servant when not dreaming of glorious gory derring-do, met young ladies of her kind socially, and was snubbed a few times. She pays... and I won't spoil the horror of it for you, but it's pretty bad! A guilty… show more.

George MacDonald was a Scottish preacher who turned to fantasy fiction, and became a sort of Victorian superstar: “Queen Victoria gave copies of Robert Falconer to her grandchildren. Everybody read his books—Lewis Carroll, John Ruskin, H.G. Wells, Charles Dickens, Edna Lyall, Mark Twain . . . as well as the queen herself.”

I don't think I can explain the attraction to modern reader, you'll get it or you won't: I first met his novel-length “romances” (Phantastes and Lilith) when I was eight, suffering after a horrible trip to the dentist, and found the stories very weird and comforting. Whereas most “fairy tales” are quite brutal, if you're paying attention.

R.Murray Gilchrist was a Derbyshire man from a good Derbyshire family, liked or loved by the local people he met and helped, but a loner, a total oddity in the wild English Peak District of a hundred years ago: who wanted to be an artist of all things.

His stories are grotesque, sad, touching, and strange; all at once. He doesn't seem to set out to frighten the reader, not at all, but there's a sense of eerie, rather dreadful, longing that will haunt you. As Ellis Reed says (read the article), this was Lovecraft before Lovecraft, but with no cute tentacled monsters to lighten things up. Don't read them all at once.

I actually found this book on a recent trip to Japan, as it has finally been translated into English. Set in 1869, at the dawn of the tumultuous Meiji Era, a series of murders plague Tokyo. Inspectors Kazuki and the real-life Toshiyoshi Kawaji are called in to investigate, leading them through the lowest and highest parts of the city.

As a historical fiction writer myself, I am extremely partial to novels in this genre, especially historical crime thrillers. This book fills a spot which is relatively unknown in the West and one I highly recommend.

I can’t resist a book that can make me laugh and has a great storyline. This murder mystery has books in bucketfuls. I love the way that humor is woven into the story.

I think that the thing that really makes this story such a great read is the different characters that fill the pages. I fell in love with the main character, Jane, and her love interest, the padre, and I, of course, completely loved her dog, Sexy Beast.

I’m going even further back with this one. Unusual pick certainly, a YA novel from 1989 that I stole off my sister’s shelf circa 1994.

I was ten and ready for something darker than The Baby-Sitters Club. This was one of those early reads that made me want to write in the first place. The first real suspense book that had me staying up late, wondering how does one create a story like this? I still have that book, tattered and sitting on my shelf as a reminder of that first spark.

Christopher Pike is able to write stories to young readers in a timeless way. The nostalgia and sheer thrill from this story about a young woman who finds herself dead after falling four stories will bring you back to nights with covers over your head. Did she jump or was something more sinister behind her death? Only her… show more.

Nora is a character I wish I’d known in the past. She runs the Miracle Bookstore and has the knack of choosing just the right book each of her hurting customers need for healing. I found that to be such an amazing talent. The problem is that she is hurting herself and feels isolated. When a death occurs in the town that involves Nora, three of her customers band with her to form a secret club to help solve the crime.

At first, I found some of the women dislikeable but when they start sharing their deepest and darkest secrets with each other, I began to warm to them, as does Nora. As they unravel their hurts, they work together to solve the crime, and forge close friendships. I liked the way the author built to a suspenseful conclusion, and I loved the literary references that begin each chapter, some… show more.

I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.

Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.

I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.

Another meticulously researched work of nonfiction, this book opened my eyes to the connection between real-life murders in Victorian England and the start of the public’s obsession with detective fiction.

As a fan of mysteries and thrillers in which not all characters survive, I was fascinated to see how the genre literally began. I’ve read a bunch of the old serialized tales, the “Penny Dreadfuls” talked about in this book, and I loved seeing them placed into their larger historical and cultural context.