Here are 100 books that Rainbirds fans have personally recommended if you like
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If I knew why I'm attracted to ghost stories, spooky stories; “mysteries from beyond the veil”, it wouldn't be a mystery, would it? My brother was the same. We can (or could) suddenly find the streets where we lived as mysterious as a lost world. We used to call it “The Land of Ghosts and Witches”. Did we imagine this feeling? Did we make it up? I don't know. But there is a long name for a condition, a little kink that matches my experiences. I found an article in New Scientist about it once, but I've forgotten what it was.
Sent off to the old Derbyshire farm to convalesce, Penelope Taverner opens a door, steps into the world of the tragic stand-off between Mary Queen of Scots and Elizabeth of England, and hardly notices she's time-travelling.
She's just there, among people who dress a little strangely: accepted as exactly what she is, the daughter of an old family connection, come to stay for a while. Nothing can be done. Mary of Scots can't be saved; nor can the courageous Babingtons. It's intense and a bit voyeurish in a way, because the time-traveller is always going to walk away unharmed from tragedy, if not untouched.
I loved this story when I was a child, but what I notice most as an adult writer is Alison Uttley's method with the time travel: a real innovation. No clunky explanation, no clever rationale. It's all about hints and glimpses, haunting fragments; drifting into each…
A TRAVELLER IN TIME by Alison Uttley is a much-loved time-slip novel which vividly captures life at the time of Mary, Queen of Scots. Penelope lives in the 20th Century, and it is only when she visits Thackers, a remote, ancient farmhouse, that she finds herself travelling back in time to join the lives of the Babington family, and watching helplessly as tragic events bring danger to her friends and the downfall of their heroine Mary, Queen of Scots, whom they are seeking to rescue.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
If I knew why I'm attracted to ghost stories, spooky stories; “mysteries from beyond the veil”, it wouldn't be a mystery, would it? My brother was the same. We can (or could) suddenly find the streets where we lived as mysterious as a lost world. We used to call it “The Land of Ghosts and Witches”. Did we imagine this feeling? Did we make it up? I don't know. But there is a long name for a condition, a little kink that matches my experiences. I found an article in New Scientist about it once, but I've forgotten what it was.
I find H.Rider Haggard's famous tales of adventure (e.g. King Solomon's Mines) pretty disgusting: bunch of white guys in southern Africa, where they can slaughter and loot at will, far from the constraints of “civilised” society.
But “She” is one of a kind. A perilous wilderness, where the people who put pots on the heads of strangers have a very sinister outlook on life (these are cooking pots, and this is a stranded population, desperate for protein). Their immortal goddess (originally Ancient Greek?) lives in a tomb, doesn't seem to eat or drink; talks like a spoilt, entitled Victorian debutante, and fascinates our hero.
I imagine the author, a humble civil servant when not dreaming of glorious gory derring-do, met young ladies of her kind socially, and was snubbed a few times. She pays... and I won't spoil the horror of it for you, but it's pretty bad! A guilty…
She — subtitled A History of Adventure — is a novel by H. Rider Haggard (1856–1925), first serialised in The Graphic magazine from October 1886 to January 1887. She is one of the classics of imaginative literature, and one of the best-selling books of all time, with over 100 million copies sold in 44 different languages as of 2013. She was extraordinarily popular upon its release and has never been out of print. According to literary historian Andrew M. Stauffer, "She has always been Rider Haggard's most popular and influential novel, challenged only by King Solomon's Mines in this regard".The…
If I knew why I'm attracted to ghost stories, spooky stories; “mysteries from beyond the veil”, it wouldn't be a mystery, would it? My brother was the same. We can (or could) suddenly find the streets where we lived as mysterious as a lost world. We used to call it “The Land of Ghosts and Witches”. Did we imagine this feeling? Did we make it up? I don't know. But there is a long name for a condition, a little kink that matches my experiences. I found an article in New Scientist about it once, but I've forgotten what it was.
George MacDonald was a Scottish preacher who turned to fantasy fiction, and became a sort of Victorian superstar: “Queen Victoria gave copies of Robert Falconer to her grandchildren. Everybody read his books—Lewis Carroll, John Ruskin, H.G. Wells, Charles Dickens, Edna Lyall, Mark Twain . . . as well as the queen herself.”
I don't think I can explain the attraction to modern reader, you'll get it or you won't: I first met his novel-length “romances” (Phantastes and Lilith) when I was eight, suffering after a horrible trip to the dentist, and found the stories very weird and comforting. Whereas most “fairy tales” are quite brutal, if you're paying attention.
One of the Original Fairy Tale Classics of Western Literature
“Alas, how easily things go wrong! / A sigh too much, a kiss too long / And there follows a mist and a weeping rain / And life is never the same again” - George MacDonald, Phantastes
Imagine turning 21 and being dragged into a fantasy world full of perils and creatures that want to kill you. Imagine overcoming these dangers, going from villain to hero and beyond, loving and being deceived, helping and being helpless. Imagine waking up and everybody saying you’re gone for 21 days, though it felt…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
If I knew why I'm attracted to ghost stories, spooky stories; “mysteries from beyond the veil”, it wouldn't be a mystery, would it? My brother was the same. We can (or could) suddenly find the streets where we lived as mysterious as a lost world. We used to call it “The Land of Ghosts and Witches”. Did we imagine this feeling? Did we make it up? I don't know. But there is a long name for a condition, a little kink that matches my experiences. I found an article in New Scientist about it once, but I've forgotten what it was.
R.Murray Gilchrist was a Derbyshire man from a good Derbyshire family, liked or loved by the local people he met and helped, but a loner, a total oddity in the wild English Peak District of a hundred years ago: who wanted to be an artist of all things.
His stories are grotesque, sad, touching, and strange; all at once. He doesn't seem to set out to frighten the reader, not at all, but there's a sense of eerie, rather dreadful, longing that will haunt you. As Ellis Reed says (read the article), this was Lovecraft before Lovecraft, but with no cute tentacled monsters to lighten things up. Don't read them all at once.
'The first thing my dazed eyes fell upon was the mirror of black glass... She held it so that I might gaze into its depths. And there, with a cry of amazement and fear, I saw the shadow of the Basilisk.'
Through odysseys across dreamlike lands, Gothic love affairs haunted by the shadow of death and uncanny episodes from the Peak country, the portrait of a unique writer of the strange tale emerges. With his florid, illustrative style and powerful imagination, R. Murray Gilchrist's impact on the weird fiction genre is unmistakable - and yet his name fell into obscurity…
As many of my novels are set in Japan, I try to read as many Japanese authors as I can. Firstly, they offer great insight into the Japanese psyche and Japanese culture, and secondly, they are extremely enjoyable reads. My main series is the Reiko Watanabe/Inspector Aizawa novels, crime thrillers set in 1930s Japan, and while only one of these books takes place during that era, I feel they all provide a great springboard into Japanese crime fiction, a genre that hopefully gains more notoriety in the West.
I actually found this book on a recent trip to Japan, as it has finally been translated into English. Set in 1869, at the dawn of the tumultuous Meiji Era, a series of murders plague Tokyo. Inspectors Kazuki and the real-life Toshiyoshi Kawaji are called in to investigate, leading them through the lowest and highest parts of the city.
As a historical fiction writer myself, I am extremely partial to novels in this genre, especially historical crime thrillers. This book fills a spot which is relatively unknown in the West and one I highly recommend.
'An audacious puzzle mystery, woven into an exquisitely crafted historical tale. One of the most original works in the history of Japanese mystery writing' Haruo Yuki, author of The Ark
__________
Tokyo, 1869. It is the dawn of the Meiji era in Japan, but the scars of the recent civil war are yet to heal. The new regime struggles to keep the peace as old scores are settled and dangerous new ideas flood into the country from the West.
A new police force promises to bring order to this land of feuding samurai warlords, and chief inspectors…
I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
Detective Renée Ballard is a woman I hate to love. She sleeps during the day in a tent on the beach–who needs a solid roof over your head when you’re working graveyard for the L.A.P.D.–and occasionally shags the lifeguard. She is a loner, super smart, super tough, touchy, relentlessly driven, bitchy. What’s not to like?
This book got pretty scary. I like to be scared, and there are three more in the series.
In this first installment of the Renée Ballard series, #1 bestselling author Michael Connelly introduces a "complicated and driven" young detective fighting to prove herself on the LAPD's toughest beat (The New York Times). Renée Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night Ballard catches two assignments she doesn't want to part…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
Another meticulously researched work of nonfiction, this book opened my eyes to the connection between real-life murders in Victorian England and the start of the public’s obsession with detective fiction.
As a fan of mysteries and thrillers in which not all characters survive, I was fascinated to see how the genre literally began. I’ve read a bunch of the old serialized tales, the “Penny Dreadfuls” talked about in this book, and I loved seeing them placed into their larger historical and cultural context.
'We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.' Punch
Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous - transformed into novels, into broadsides and ballads, into theatre and melodrama and opera - even into puppet shows and performing dog-acts.
In this meticulously researched and compelling book, Judith Flanders - author of 'The Victorian House' - retells the gruesome stories of many different types of murder -…
I love exploring old homes. Whether I’m on a historic house tour, an estate sale, or a real estate open house, I love seeing the glimpses of the people who once occupied the home. When my mom passed away, I hired an estate sale organizer to help me clear out her house and became fascinated with the estate sale business. What a great way to peek into other people’s houses and lives and perhaps discover their darkest secrets! That’s how I started writing my Palmyrton Estate Sale Mystery Series.
In an old mansion that has become a school for wayward girls, a series of troublesome deaths occur. The school is reminiscent of the horrible Lowood School in Jane Eyre, one of my all-time favorite books. The story unfolds across multiple timelines—I enjoyed the 1950s story the most. The crimes are solved in the present day by a determined heroine, and the supernatural element is well integrated into the plot.
'Clever and wonderfully chilling. It held me hostage' - Fiona Barton, Sunday Times-bestselling author of The Widow and The Child
'A brilliant page-turner' Jenny Quintana, author of The Missing Girl
1950 - At the crumbling Idlewild Hall school for unwanted girls, four room-mates begin to bond over dark secrets and whispered fears - until one of them mysteriously disappears . . .
2014 - Journalist Fiona Sheridan can't get over the murder of her sister twenty years ago, near the ruins of Idlewild. And when another body is found during renovations of the school,…
While I love many novels about individuals, there’s something about weird groups of people—for example, cults—that I’ve always been drawn to. The Book of Fred plays with this dynamic by showing the intersection between a doomsday cult, the Fredians, and the quirky liberal community that foster child Mary Fred Anderson finds herself in. What I find fascinating about cults is how appealing they are, how being part of a group has a seductive quality that can so easily go horribly wrong. I love novels and memoirs that show that seductive side while zeroing in on the complications groups pose to individual identity.
I love all of Tana French’s taut, riveting detective novels, but this book is my favorite.
When Cassie Maddox goes undercover to investigate a murder, she finds herself enmeshed with the dead girl’s quirky group of housemates. As she’s drawn into their lives, she is increasingly emotionally involved with them in ways that charge the atmosphere with exquisite tension and regret.
I loved the way this novel drew me into the exuberant household so that, like Cassie, I fell in love with everyone, wishing fervently for things to turn out okay and knowing there was no way they could.
Still traumatised by her brush with a psychopath, Detective Cassie Maddox transfers out of the Murder squad and starts a relationship with fellow detective Sam O'Neill. When he calls her to the scene of his new case, she is shocked to find that the murdered girl is her double. What's more, her ID shows she is Lexie Madison - the identity Cassie used, years ago, as an undercover detective. With no leads, no suspects and no clues to Lexie's real identity, Cassie's old boss spots the opportunity of a lifetime: send Cassie undercover in her place, to tempt the killer…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
For too long, single life has been characterized as a lesser life. As a 70-year-old who has been happily single my whole life, I want that to end. As I said in my book, “In the enlightened world that I envision, every child will understand, as a matter of course, that living single is a life path that can be just as joyful and fulfilling as any other—and for some people, the best path of all. Every adult will forsake forever the temptation to pity or patronize single people and will instead appreciate the profound rewards of single life."
In Tana French’s brilliant crime novel, a single woman and a single man are detectives who are passionate about the work they do together investigating murders. Their banter is adorned with astute and irreverent commentaries on the ways in which couples flaunt their coupledom and expect single people to stay in their place.
The detectives’ relationship is complex, real, and deep. It is a friendship, and in a true tribute to friendship, it does not morph into romance.
The bestselling novel by Tana French, author of the forthcoming novel The Searcher, is "required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting" (The New York Times). She "inspires cultic devotion in readers" (The New Yorker) and is "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
"Atmospheric and unputdownable." -People
In bestselling author Tana French's newest "tour de force" (The New York Times), being on the Murder Squad is nothing like Detective Antoinette Conway dreamed it would be. Her partner, Stephen Moran, is the only person who seems glad…
