Here are 100 books that The Grip of It fans have personally recommended if you like
The Grip of It.
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
I adore reading atmospheric adventures of mystery, supernatural, and ghostly powers; this book has these values in abundance. Noemi’s alluring character is smart, savvy, and admirably vulnerable. Loved her. At High House in the Mexican countryside, Noemi discovers ghostly entities repeatedly forming blisters across the walls. How mysterious and threatening; I was fascinated.
The best part of the novel for me was the emotional intelligence of the characters because their behavior is both suspiciously rational and heart-stopping clever. Gripping as all heck. This family was obsessed with a relentless desire to rule and control their destiny at all costs via Otherworld powers. Absolutely compelling. I was breathless along with Noemi at every step as she was drawn into the dangers and treacherous family secrets that threatened to kill her.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a human being who struggles with feeling human. When I was 17, I got my brain pretty shaken up after a traumatic event, causing a swathe of memory loss and mental health problems. How do you regain a sense of yourself when chunks of your childhood memories, your skills, and your sense of self have disappeared? Here are some books that grapple with that question, and others.
I believe this book is one of the classic staples of surreal fiction. Its disjointed, spiraling narrative and sprawling non-linear plot lines challenge the definition of what a ‘book’ is. It uses everything from footnotes to text alignment to color schemes to make the act of reading itself increasingly difficult, which matches the house’s influence on the narrators’ memories and interests.
Reading it for me was like learning Latin or watching Casablanca–it gave context to decades of experimental media inspired by it, from TV shows to DOOM game mods. Love it or hate it, it’s a solid tool for any inhuman’s toolkit.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
As the title suggests, this book lingers like a disquieting dream. A mother to a toddler myself, I think of what the protagonist Amanda calls the “rescue distance” often – the ground between herself and her child, should something perilous occur.
This book distills maternal protectiveness and anxiety into something as potent as poison or as powerful as a curse. It makes me want to look over my shoulder, lock the doors, draw the blinds. It carries an air of contagion. I can think of few other reads that evoke such a visceral reaction with such subtle strokes.
SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2017
'The book I wish I had written' Lisa Taddeo, author of Three Women and Animal
A young woman named Amanda lies dying in a remote Argentinian hospital. A boy named David sits beside her.
She's not his mother. He's not her child.
At David's ever more insistent prompting, Amanda recounts a series of events from the apparently recent past, a conversation that opens a chest of horrors. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family.
A chilling tale of maternal anxiety and ecological…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.
What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny.
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his…
In middle school, I wrote my first novel calledChildren of the House. It pulled inspiration from the likes of Shirley Jackson, Stephen King, William Shakespeare, and Leo Tolstoy. I was attempting to explore family dynamics while also describing bloody stains on the hallway carpet that would never quite go away. When I read, I would travel from literary fiction to horror with ease until I began to realize the distinction was unimportant. Horror reflects the struggles of the every day in a heightened fashion. Books of this genre often have more freedom to explore the deepest issues that plague us and to do so in a way that will reach a wider audience.
Ghost Eaters is a deep dive into the horrors of addiction. While the focus is largely on substance abuse, the book also explores love addiction and grief in fresh ways. Erin, the protagonist, loses her graduate school friend and love to an overdose. As she tries to explore the details of Silas’ final days, she finds herself mixed up in a new drug—one that allows the user to communicate with the dead. Discovering what happened to Silas, leads Erin to learn far more about herself and her own addictive personality than it does about Silas or his final days.
A Gothic-punk graveyard tale about what haunts history and what haunts the human soul. An addicting read that draws you into its descent from the first page. Chuck Wendig, New York Times best-selling author of The Book of Accidents. From the acclaimed author of The Remaking and Whisper Down the Lane, this terrifying supernatural page-turner will make you think twice about opening doors to the unknown. Erin hasn t been able to set a single boundary with her charismatic but reckless college ex-boyfriend, Silas. When he asks her to bail him out of rehab again she knows she needs to…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
In middle school, I wrote my first novel calledChildren of the House. It pulled inspiration from the likes of Shirley Jackson, Stephen King, William Shakespeare, and Leo Tolstoy. I was attempting to explore family dynamics while also describing bloody stains on the hallway carpet that would never quite go away. When I read, I would travel from literary fiction to horror with ease until I began to realize the distinction was unimportant. Horror reflects the struggles of the every day in a heightened fashion. Books of this genre often have more freedom to explore the deepest issues that plague us and to do so in a way that will reach a wider audience.
The Bus on Thursday introduces the reader to Eleanor Mellett who, after recovering from breast cancer, travels to a remote town in Australia to teach primary school. The horrors that ensue are both hilarious and terrifying. From a new lover who fights kangaroos in the middle of the night to body parts in the local lake, it is a wild ride. One that reveals the horrors of an isolated small town just as much as it does the potential horrors of the kind of isolation that a cancer diagnosis or experience can cause. Bartlett’s voice is one of the strongest I’ve read in quite some time—she writes with energy and venom, creating a fairly unlikable main character that the reader can’t help but entangle themselves with.
'Intoxicating' Jeff VanderMeer, author of Annihilation
'Barrett's brilliant second novel plummets headlong into a darkly funny tale' Mail on Sunday
Bridget Jones meets Twin Peaks in this black comedy about a woman's retreat to a remote Australian town and the horrors awaiting her.
It wasn't just the bad breakup that turned Eleanor Mellett's life upside down. It was the cancer. And all the demons that came with it.
One day she felt a bit of a bump when she was scratching her armpit at work. The next thing she knew, her breast was being removed by an inappropriately attractive doctor,…
In my 25 years of writing short stories, novels, and plays, I have explored my Mexican and Chicano roots in a variety of genres, from literary fiction to horror to magical realism to science fiction and everything in between. In the end, I do not discriminate when it comes to genre because a well-told story is key for me, regardless of the mode chosen by the author. My most recent novel, Chicano Frankenstein, is a case in point. In it, I blend genres: horror, science fiction, political satire, and a bit of romance. So, too, I love reading fiction that bravely challenges conventional storytelling.
Gabino Iglesias has become a phenomenon in horror through a lot of hustle and plain hard work. His 2022 novel cemented his reputation as the king of border horror.
This novel follows the fate of Mario, a man broken by debt due to his family’s crushing medical bills. With a failing marriage, he reluctantly takes a job as a hitman, agreeing to do one last job hijacking a cartel’s cash shipment before it can reach Mexico.
Mario reluctantly works with his meth-addicted friend and a cartel insider. To make this dangerous endeavor worse, enter supernatural horrors that shocked me—and I am not easily shocked.
Is there blood? Of course! Gore? Plenty! Monsters and demons? Yes! You are guaranteed to lose sleep after reading this novel.
From an award-winning author comes a genre-defying thriller about a father desperate to salvage what's left of his family—even if it means a descent into violence.
Buried in debt due to his young daughter’s illness, his marriage at the brink, Mario reluctantly takes a job as a hitman, surprising himself with his proclivity for violence. After tragedy destroys the life he knew, Mario agrees to one final job: hijack a cartel’s cash shipment before it reaches Mexico. Along with an old friend and a cartel-insider named Juanca, Mario sets off on the near-suicidal mission, which will leave him with either…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
I found this a captivating read. It was morbid, dark, and grim, but it was also exciting. I was quickly drawn into the world of Immanuelle Moore, whose mother was called a witch and died giving birth to her. I loved the author’s attention to detail.
The villages of Bethel and the Darkwood are so vivid that I could believe the protagonists’ lives in the puritanical, secluded world full of zealots, idolatry, sexism, and racism. The book is also beautifully atmospheric—the village, the trees, and the large cathedrals are so well described.
One of the book's main themes was self-discovery, which is why I think it’s more aimed toward YA, but I recommend it to anyone interested in witches, small towns, religion, and feminist themes.
A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut.
In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.
But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
I absolutely devoured this book. I found it profoundly upsetting and uncomfortable. It tackled a lot of powerful issues and fear of the ‘other,’ such as homophobia, racism, religion, and AIDS.
Set in the small town of Breathed, the story is about the deeply flawed Bliss family, narrated by an older version of the main protagonist, Fielding Bliss. I loved learning about all their idiosyncrasies, personal troubles, and the impending doom that lingered over them and the entire town. This book stayed with me well after reading it. It’s so shocking, so raw, and so unexpectedly heartbreaking.
Fielding Bliss has never forgotten the summer of 1984: the year a heatwave scorched the small town of Breathed, Ohio. The year he became friends with the devil.
When local prosecutor Autopsy Bliss publishes an invitation to the devil to come to the country town of Breathed, Ohio, nobody quite expects that he will turn up. They especially don't expect him to turn up as a tattered and bruised thirteen-year-old boy.
Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the…