Here are 47 books that The Summer Skies fans have personally recommended if you like
The Summer Skies.
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I am the Agatha-winning author of the Rare Books Cozy Mystery series. My first in the series, below, won the Agatha Award for Best First Mystery Novel. I’ve worked for more than twenty years in museums and symphonies and have the great fortune of being married to a librarian. When not writing, I’m drawing and painting. I live in Maryland with her family. Although I’m not much of a baker, I won’t ever turn down a sweet lokshen kugel.
Gigi Pandian has gone on to write several series I adore, including the Secret Staircase and Accidental Alchemist mysteries, but her first series about history professor Jaya Jones remains my favorite.
A bejeweled and mysterious artifact sends her globe-trotting, and I, for one, enjoyed the ride every step of the way. Jaya is smart and confident, and I would want to hang out with her and her friends any day of the week—especially that roguish possible art thief she encounters.
A Scottish legend that hides a secret. A treasure from India that vanished long ago. An unexpected package that ignites an adventure.
History professor Jaya Jones is reeling from the news of a former flame's untimely death when she receives a mysterious parcel he’d sent from abroad. Inside is a cryptic plea for help, along with a jewel-encrusted artifact hinting at a treasure from India shrouded in a Scottish legend. As she starts to unravel the mystery, the unsettling discovery of her ransacked apartment makes it clear she's not the only one on the trail.
She sells books, eats well, and has a very large brain. Criminals fear her.
Meet Beatrice Valentine, a larger-than-life bookshop owner with a penchant for three things in abundance—delicious Italian food, vino, and murder. For decades, she has sold used and rare books from her stylish-but-cluttered domain on New York…
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
A Place Called Freedom attracted me instantly because of its multiple settings (Scotland, London, and Virginia) and the theme of ordinary people struggling against adversity.
The novel provides vivid insight into governmental repression of religion and the denial of basic human rights. As a historian, I enjoy reading historical fiction. Follett is a master of his craft, blending human interest stories with accurate history. Through his characters, he shows how people lived and reacted to historical events.
A Place Called Freedom transports the reader into the years prior to the American Revolution, and his vivid geographical descriptions made me feel like “I was there!”
Set in an era of turbulent social changes on both sides of the Atlantic, A Place Called Freedom is a magnificent historical fiction novel from the undisputed master of suspense and drama, Ken Follett.
A Life of Poverty Scotland, 1767. Mack McAsh is a slave by birth, destined for a cruel and harsh life as a miner. But as a man of principles and courage, he has the strength to stand up for what he believes in, only to be labelled as a rebel and enemy of the state.
A Life of Wealth Life feels just as constrained for rebellious…
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
One night, a gaunt woman stumbles into the road in front of Lauren and her father. They take her home, but the next day she is gone, and only Lauren can remember she was ever there.
The best supernatural horror works because it reflects the terrors of real life. Francine Toon’s Pine is the story of Lauren, a young girl growing up in rural Scotland with an alcoholic father and only the memory of a mother who disappeared when she was a child.
And while the supernatural is always present, it is the isolation and actions of the living that create true horror.
WINNER of the McIlvanney Prize 2020 Shortlisted for Bloody Scotland's Scottish Crime Debut of the Year 2020 Longlisted for the Highland Book Prize 2020
'Hugely atmospheric, exquisitely written and utterly gripping' LUCY FOLEY, author of The Hunting Party 'It's both eerie and thrilling at once, and had me under its spell until the end' SOPHIE MACKINTOSH, author of Blue Ticket and The Water Cure ______________
They are driving home from the search party when they see her. The trees are coarse and tall in the winter light, standing like men.
Lauren and her father Niall live alone in the Highlands,…
She sells books, eats well, and has a very large brain. Criminals fear her.
Meet Beatrice Valentine, a larger-than-life bookshop owner with a penchant for three things in abundance—delicious Italian food, vino, and murder. For decades, she has sold used and rare books from her stylish-but-cluttered domain on New York…
There’s nothing I love more than a good thriller, especially one with a locked room setting. I’m fascinated by how people react to psychological pressure, and what it would take for any of us to behave in extreme ways. With The Elevator, I wanted to push that locked room scenario to its limits: two characters, trapped together in a tiny space. This might also be the book that’s been gestating inside me for longest – my mum was trapped in a lift when she was pregnant with me! I hope some of the books on this list appeal to you, and that you enjoy them as much as I did.
This is another chiller thriller, set in a remote hotel in the Scottish Highlands. (Note to self: only holiday in Scotland in the summer!)
The hotel is closed to guests, and Rennie Yorke is working what should be her final shift when a storm blows in and seals off her exit. But she’s not alone for long – an injured man arrives at the door, claiming to be a police officer who was transporting a dangerous prisoner when his car crashed, and the prisoner escaped. Rennie lets him in – but shortly afterward another man arrives, making the same claim.
It’s a brilliant hook, and I was completely immersed in trying to work out who was telling the truth and who was lying.
Remie Yorke has one shift left at the Mackinnon Hotel in the remote Scottish Highlands before she leaves for good. Then Storm Ezra hits.
As temperatures plummet and phone lines go down, an injured man stumbles inside. PC Don Gaines was in a terrible accident on the mountain road. The only other survivor: the prisoner his team was transporting.
When a second stranger arrives, Remie reluctantly lets him in from the blizzard. He, too, is hurt. He claims to be a police officer. His name is also Don Gaines.
I’m a Professor of Creative Writing at York St John’s University in York, UK. I’ve been published as a poet, novelist, and nonfiction writer. My list reflects perhaps some eclectic tastes, but what unites these books is a fascination with engaging with the world in a way that de-centers the human, and I have done this throughout my writing career. I love the natural world, growing plants, and watching the seasons change. I am also curious about time and memory and how we perceive these. I am drawn towards science fiction, but more the speculative end of that spectrum, where writers explore otherness and possible worlds.
Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.
It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.
It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same…
When I first visited Scotland, I drove north from Edinburgh, driving through much of the country to catch a ferry to Orkney. This northern archipelago is certainly one of the most magical places I’ve ever been to; the steep sea cliffs and standing stones, windblown grasses, and violent waves put me in a gothic state of mind. I moved to Scotland a few years later to live by the sea. Since that first visit to Orkney, I’ve written my own Scottish gothic novels, as well as presented research on the gothic at various academic conferences. It’s a topic that I’m certain will compel me for a long time to come.
Fray is such an unexpected novel. It’s presented as a sort of ‘missing person mystery,’ but it’s actually quite an experimental and literary novel.
The whole story, written in often surreal fragments, takes place in the Scottish wilderness and is rife with unforgettable imagery. Ultimately, it’s a story about grief, and the fragmented narrative style perfectly suits this theme.
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Although this is, strictly speaking, a Young Adult level book, it belongs here in my cadre of stories that have woven a measure of magic through my being. I first read this as a young girl, and loved it so much I saved my pennies to buy my own copy (I still have it). Sally Watson showed me how to create a real, believable, and magical heroine. One with flaws, and fears, and a call to be other than those who surround her. Other than those who surround her. The story also takes place in the Scottish Highlands, a place very dear to my heart, and presents a wealth of actual historical characters who come to life between the pages. This one will forever have a place in my heart.
The time was 1644 in Inverness, Scotland. As the "wicked wee lass" raced along the steep streets, just ahead of the stones and cries of briosag! hurled at her, she wished with all her heart that she were a witch. What a spell she would put on them all! For all her seventeen years, Kelpie could remember nothing but belonging to Mina and Bogle, gypsies who lived by their evil wits. The only law any of them knew was that of self-preservation. Bogle said she had been kidnaped because of her blue ringed eyes of the "Second Sight," and she…
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
Who can resist a three-book series set in the Scottish Highlands? Travers does not disappoint we lovers of all things Scottish.
She sets this book in Edinburgh, 1911. The main character does something uncommon for women to do at that time—she takes a family inheritance and opens a detective agency. She also brings along Daisy, her lady’s maid.
When their first case leads them into the Highland society, the Duchess of Duddington employs them to ferret out a jewel thief. They go undercover to hunt for the thief, but soon realize they are hunting for a killer. This book blended the political and cultural reality of the day, but did it seamlessly.
I learned a few things while following Maud and Daisy around that fancy house in the Highlands.
‘Had me hooked… Loved!’ ⭐⭐⭐⭐⭐ ‘Delightful… Kept me on the edge of my seat’ ⭐⭐⭐⭐⭐ ‘Wonderful… Had me giggling’ ⭐⭐⭐⭐⭐ ‘I really loved this… Fantastic’ ⭐⭐⭐⭐⭐ ‘I absolutely adored this… Brilliant’ ⭐⭐⭐⭐⭐
Move over Holmes and Watson, there’s a new detective duo in town!
Edinburgh, 1911: When headstrong Maud McIntyre decides to pour her inheritance into starting her very own detective agency, she asks her lady’s maid, Daisy, to form The Scottish Ladies’ Detective Agency. After all, she knows they have a better brain for these things than most men!
Maud and Daisy never dreamed that their first case would…
As both a reader and mystery & thriller author, I’ve always been drawn to stories with a strong sense of place and “atmosphere." I love landscapes that can seduce and threaten in the same breath, and a setting so immersive that it feels like you once lived there. It’s what I always seek in the books I read and what I try to create in the stories I write. There’s no greater compliment than a fan saying they re-read your books just to revisit the world you created, because it’s my own reaction to the books I cherish. Here are some of my favourite reads where the beautiful setting is inseparable from the simmering suspense.
I picked up this book for the setting alone as the Scottish Highlands is one of my favourite destinations and the idea of a suspenseful mystery set there was just too good to resist.
The story takes place over a snowy New Year’s Eve in a hunting lodge surrounded by the mist and mountains of Scotland. While I didn’t find any of the characters particularly sympathetic (which was possibly the point!), the atmospheric setting more than made up for that, and I enjoyed imagining what I might have done had I been one of the members of this party, trapped in this isolated place.
EVERYONE'S INVITED.
EVERYONE'S A SUSPECT.
AND EVERYONE'S TALKING ABOUT IT.
'Ripping, riveting' A. J. Finn 'Clever, twisty and sleek' Daily Mail 'Unputdownable' John Boyne 'Foley is superb' The Times 'Chilling' Adele Parks 'Terrific, riveting' Dinah Jefferies
In a remote hunting lodge, deep in the Scottish wilderness, old friends gather for New Year.
The beautiful one The golden couple The volatile one The new parents The quiet one The city boy The outsider
Maybe it’s something about my training as a newspaper journalist, but I have a real affinity for the untold story and the wrongly accused. I wrote many stories as a cops and courts reporter, and profiled both saints and sinners. I learned that it’s easy for the outsider to be made into the villain. (Cue: “When You’re Strange” by The Doors.) I’m particularly interested in historical fiction where we can reconsider people who’ve been turned into monsters. When I learned that the Macbeth play that I loved was far from the truth, I was launched into a decades-long writing project.
I’ve been deeply engaged in questions of women’s spirituality, including the accusations of witchcraft leveled at healers, psychics, and just plain unpopular women.
The witch in question is Janet Horne, whose execution in 1727 marked the last witchcraft trial and judicial killing in Britain. The harrowing story of this woman and her daughter, set in Dornoch in far northeastern Scotland, provides the basis for Paris’s heartfelt novel.
I was taken by his use of a traveling group of entertainers as a major element in the story of prejudice and malice. Just this year, an official tartan was released, commemorating the hundreds who lost their lives. The pattern is predominantly black, with red for the tape on legal documents and gray denoting ash.
'Compelling, evocative, heart-wrenching and beautifully written. Highly recommended.' - Fiona Valpy, author of The Storyteller of Casablanca
Being a woman was her only crime.
Scottish Highlands, 1727.
In the aftermath of a tragic fire that kills her father, Aila and her mother, Janet, move to the remote parish of Loth, north-west of Inverness. Blending in does not come easily to the women: Aila was badly burned in the fire and left with visible injuries, while her mother struggles to maintain her grip on reality. When a temporary minister is appointed in the area, rather than welcome the two women, he…