Here are 100 books that Saltwater Vampires fans have personally recommended if you like
Saltwater Vampires.
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I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction and I’m excited when my favourite genres and setting come together. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (urban fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). With The Rephaim series, I wanted to put angels, half-angels, and demons in a sunny coastal Australia setting, rather than the gloomy European forests we’re mostly used to for those types of stories. It was a lot of fun.
This is one of my all-time favourite novels. It’s a deeply moving coming-of-age story, set in a future Australia ruled by vampires known as The Masters.
It’s the story of Mark, and the monster who teaches him to be a man. Mark’s voice is perfect and the world building is totally original. The plot, with its dark undertones, moves at a measured pace towards a series of life-changing, violent moments.
I love how Australian this book is, and the fact Trent never once uses the 'v' word.
Day Boy is gentle and wild. It offers a rare and surprisingly moving study of manhood and masculinity, and the relationships between boys and father figures. The writing is sublime. This is a novel to be savoured.
Winner of the Aurealis Awards for Best Fantasy and Best Horror Novel
With brilliantly evocative, hypnotic prose, Trent Jamieson crafts a coming-of-age, elevated horror story about a headstrong boy-and the monstrous vampire who taught him to be a man.
The Masters, dreadful and severe, rule the Red City and the lands far beyond it. By night, they politic and feast, drinking from townsfolk resigned to their fates. By day, the Masters must rely on their human servants, their Day Boys, to fulfill their every need and carry out their will.
Mark is a Day Boy, practically raised by his Master,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction and I’m excited when my favourite genres and setting come together. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (urban fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). With The Rephaim series, I wanted to put angels, half-angels, and demons in a sunny coastal Australia setting, rather than the gloomy European forests we’re mostly used to for those types of stories. It was a lot of fun.
This witty young adult novel cleverly up-ends the traditional vampire mythology.
These Australian urban vamps are sickly, socially isolated, and barely able to defend themselves. Fifteen-year-old Nina has been a vampire since 1973. She’s part of a group of vamps who meet once a week for therapy sessions to help them refrain from attacking humans.
When one of their members is murdered, they decide to track their enemy, assuming that once the slayer sees how pathetic and harmless they are they’ll be left alone. Ill-equipped for danger, Nina and her fellow vamps stumble into a world of guns, thugs, werewolves, and vicious humans.
This is a fun read, packed with plenty of suspense, a clever plot, and a nice sprinkle of understated romance.
The trouble with being a vampire is . . . You can't get a decent haircut. You live on guinea-pig blood. And even worse, most of the world's population wants to kill you. For no good reason. Nina Harrison became a vampire in 1973, when she was fifteen. Since then, life's been one big drag - mostly because she spends all her time with a bunch of vampires, in a vampire therapy group. Then one of them gets staked by an anonymous vampire slayer, and things become even worse: while tracking down the culprit, Nina and her fellow vampires end…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction and I’m excited when my favourite genres and setting come together. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (urban fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). With The Rephaim series, I wanted to put angels, half-angels, and demons in a sunny coastal Australia setting, rather than the gloomy European forests we’re mostly used to for those types of stories. It was a lot of fun.
This is a great read. It’s fast-paced, has interesting characters, and plenty of action and intrigue.
It features an Australian teen (Sadie) who finds herself caught in the middle of an ancient conflict nearing its final battle. I enjoyed the Perth setting, the dynamic between Sadie and the people she cares about, and the brilliant way Myke brings a fresh twist to some creepy ancient mariner myths.
There's a great sense of menace and mystery as this story unfolds, and the last third book is hard to put down as Sadie races to save her city—and the world.
Sadie is sixteen and bored with life. It's summer, and lazing on the beach in the stifling heat with her cousins and Tom is a drag. Then something comes out of the sea.
Sadie soon finds herself caught in the middle of an ancient conflict that is nearing its final battle, a showdown that threatens to engulf her city and all those she loves in a furious tsunami.
A rollicking, fast-paced adventure with a feisty heroine, Fire in the Sea will appeal to fans of Garth Nix and Doctor Who. Great reading for ages fourteen and up.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction and I’m excited when my favourite genres and setting come together. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (urban fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). With The Rephaim series, I wanted to put angels, half-angels, and demons in a sunny coastal Australia setting, rather than the gloomy European forests we’re mostly used to for those types of stories. It was a lot of fun.
I enjoyed The Opposite of Life (which preceded this book) for its wit, originality, unexpected poignancy, and Australian urban setting. I think Walking Shadows is even better.
Librarian Lissa and her very uncool, but lovable, vampire buddy Gary return, and Lissa is drawn further into Melbourne's vampire underworld to protect Gary (the first of many wonderful ironies).
Someone is hunting vampires and Gary's on the hitlist, despite the fact he doesn't bite people or drink blood. (In Harris’s mythology, vampires don't need human blood to survive, it simply enables them to feel alive.)
There are still themes of death, grief, and consequences of choices, but these are balanced by moments where simple joys in life are celebrated and relished. I loved the deepening friendship between Lissa and Gary—theirs is a unique relationship in the world of vamp-based stories.
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
I knew from the blurb this was going to be my kind of book. I really loved the post-apocalyptic Australian setting and the way the desert wasteland society is structured. The concept of dirt farmers is particularly genius.
As well as the excellent world building, there’s page-turning action, an epic zombie battle, and a clever setup for the next installment. This is the first in The Territory trilogy, which follows the increasingly important role of Squid and Lyn, two teenagers caught up in a battle against ghouls and who learn secrets about themselves and their society as they trek across the Outback.
Stranded in the desert, the last of mankind is kept safe by a large border fence ... Until the fence falls.
Squid is a young orphan living under the oppressive rule of his uncle in the outskirts of the Territory. Lynn is a headstrong girl with an influential father who has spent her entire life within the walled city of Alice.
When the border fence is breached, the Territory is invaded by the largest horde of undead ghouls seen in two hundred years. Squid is soon conscripted into the Diggers-the armed forces of the Territory. And after Lynn finds herself…
I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
I read this story in my teens and as a result, spent years wanting to join the navy. (That did wear off!) Having read it again recently, it seems a much darker story than I had remembered. But the mystery at its heart won’t let you go. Nevil Shute was a great storyteller and like many writers of his generation had many experiences to draw on. The story is quite slow-moving, but poignant—heartbreaking in fact. Gradually, he unfolds the mystery of Jessie Proctor, an Englishwoman working for a family in Australia. It begins with Jessie’s suicide and we uncover the events that have haunted this young, ex-servicewoman’s life. As Shute says, "a war can go on killing people for a long time after it’s all over."
The mysterious death of a young woman on an Australian farm reveals a bittersweet story of doomed wartime romance amidst a family crisis.
Alan Duncan returns to his family home in Australia after the war and several years of study in England. But his homecoming is marred by the mysterious suicide of his parents' quiet and reliable parlour-maid. A search through her belongings in search of clues leads to heartbreaking revelations about the woman's identity, the death of Alan's brother Bill and, above all, the disappearance of his brother's fiancee, Janet.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’m an Australian zoologist, botanist, and best-selling prize-winning writer. An earlier book of mine, Feral Future, inspired the formation of the Invasive Species Council, an Australian conservation lobby group. My Where Song Began, was a best-seller that became the first nature book to win the Australian Book Industry Award for best General Non Fiction. It was republished in the US. I have co-edited Wildlife Australia magazine and written for many magazines and newspapers, including nature columns as well as features. As a teenager I discovered new lizard species, one of which was named after me.
English naturalist John Gould is recognised as the father of bird study in Australia.
During 19 months in 1838-1840 he travelled in NSW, South Australia, and Tasmania, seeing the birds and landscapes before they had been affected much by Europeans, and leaving insightful descriptions that provide a unique window into a past when, for example, regent honeyeaters, endangered today, flitted about in the middle of Adelaide city.
Gould introduced the budgerigar to Europe, was the first to describe the bowers of bowerbirds, and the first in so many ways. His book appeared in 1865 but remains relevant today. I quoted him many times in my bird book for his unique insights and observations. But the common names he used can be difficult to swallow. He praised the regent honeyeater as ‘one of the most beautiful birds inhabiting Australia’ but called it the ‘warty-faced honeyeater’.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Margo Lanagan’s mini-collection Stray Bats is an exceptional showcase of refined writing—less is always more. Powerful bite-size vignettes in this dark illustrated miscellany of micro fiction and prose poetry encompass rhyme, beauty, and something most sinister. Offering up constellations, maidens in flight, familiars, hag hunters, vixen wives, and spirit girls, this kind of dark, fantastical writing and the ghosts of its graphics haunt you for a super long time…
Dachshund droids, mad crones, shapeshifting children, a plethora of witches, dragonstalkers, familiars, slithering eels and, of course, bats, flit and fly through these pages, aided and abetted by Kathleen Jennings’s deft and inspired pencil drawings. Stray Bats is a glorious miscellany of vignettes based on poems by Australian women. While some of the pieces hie close to the originals in form and theme, some stray far, far from them even as Lanagan delights in playing with language, rhyme, and rhythm.
This could be the perfect gift for that slightly otherworldly person in your life—or for yourself, when you need a…
I’m Victoria Twead, the New York Times bestselling author of Chickens, Mules and Two Old Fools and the Old Fools series. However, after living in a remote mountain village in Spain for eleven years, and owning probably the most dangerous cockerel in Europe, we migrated to Australia to watch our new granddaughters thrive amongst kangaroos and koalas. We love Australia, it is our home now. Another joyous life-chapter has begun.
When I was a little girl, I remember being given this book, and I loved it. I read it from cover to cover, again and again, which fired my fascination for Australia. Seriously, who wouldn’t be enthralled by a bad-tempered pudding with impossibly skinny arms and legs, called Albert?
Perhaps The Magic Pudding had a large part in my choice to leave Europe and put down roots in the fabulous country of Australia. The book was first published in 1918 but that just proves how well it has stood the test of time.
The Magic Pudding - Being the Adventures of Bunyip Bluegum and his friends Bill Barnacle and Sam Sawnoff by Norman Lindsay.
The Magic Pudding: Being The Adventures of Bunyip Bluegum and his friends Bill Barnacle and Sam Sawnoff is an Australian children's book written and illustrated by Norman Lindsay. It is a comic fantasy, and a classic of Australian children's literature. The story is set in Australia with humans mixing with anthropomorphic animals. It tells of a magic pudding which, no matter how often it is eaten, always reforms in order to be eaten again. It is owned by three…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I worked for the last 25 years teaching literature classes and creative writing workshops—most of that time at the University of California at Davis. The students in my classes were mainly English majors and/or young writers. They tended to be serious about the potential of a text. To be serious, today, in America, about the potential of a text is to dwell in an inherently counter-cultural position. It is to conceive of the value of a text as something surpassing entertainment, i.e., use. Such a surpassing is a blasphemous notion… still tolerated in the context of the University. Its proliferation beyond those boundaries seems unworkable.
What is it in the life of a person that deserves the light of language? This question is far and away the most important question a writer faces. Very few writers seem to be acutely aware of this fact. Very few writers are rigorous enough to remain with the challenge of the question; once a writer begins to write, that is, there is so much that asks for it to be forgotten.
I marvel at Murnane’s capacity to resist such forgetfulness.
