Here are 100 books that The Stolen Heir fans have personally recommended if you like
The Stolen Heir.
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I was talking to some scientifically minded people online when I came across quantum physics. When I read that there’s something scientists call the Quantum Realm, I knew I had to write a book. I took the information a German scientist who specialized in quantum theory gave me and created a science fantasy world. I have a masters in English and a bachelor's in communication. Two of the most important questions a fiction author can ask are What if? and Why not? Instead of having a regular guy fall into a magic world, I had the magician’s apprentice fall into a world of science just to see what he’d do.
The elves in this small English town have to blend in with their human neighbors. And a good job of it they do, too. I like the tenacity of Rosie Foxx. Her brother insists that she marry a human, and going along to get along seems the best course of action. But her elven heritage will not be denied. In a way, she is like the positrons in queen of the Quantum Realm—outcasts as they are, they think it better to be transformed into something they are not. this is very human.
Winner of the 2009 Romantic Times Award for BEST FANTASY NOVEL
“Even the most jaded fantasy reader will quickly fall under the spell of her characters and the warm, intimate voice Warrington uses to tell their stories. Highly recommended.” —Charles de Lint, The Magazine of Fantasy and Science Fiction
Rosie Fox is a daughter of Aetherials, an ancient race from the Spiral—the innermost realm of the Otherworld—who live secretly among us. Yet she and her kind are bereft of their origins, because on Earth, in a beautiful village named Cloudcroft, the Great Gates between worlds stand sealed.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
I once made the mistake of reading several of James’ ghost stories, one after another, while alone in the house.
I was making a cup of coffee when something started scratching stealthily at the inside of a cupboard door. I had to lower myself from the ceiling before I discovered that some scrunched carrier bags hung inside the cupboard had unscrunched, causing the ghostly scratching. But that’s why I love James’ ghost stories.
The second in a series of republished classic literature, The Ghost Stories of M. R. James collects the tales that best illustrate his quiet mastery of the ghost story form. Running through each of these stories is a slowly escalating sense of unease and dread, which ultimately shifts into the wildly uncanny. James' characters exist in a world of ancient objects whose atrocious histories begin to repeat when they are disturbed, and the blinkered repression common to James' narratives only amplifies the shock of the spectral appearance.
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Like Golding, Garner is best known for his children’s books – tales that spring from the ancient mythology of his local Cheshire and wander into realms of high fantasy. But it is this slim novella, a collection of four stories binding as many generations of Garners (they have inhabited the region for centuries and they were, all of them - up until Alan, craftsmen, builders, laborers) that moves me to raptures. Beginning with a wide-eyed child’s discovery of cave drawings, the stories haul stone up above ground to lay out the longwalls of Garner’s mason progenitors and erect the spire of the local church, worn by Garner’s grandfather "like a dunce-cap.” The imagery and wordplay are stunning, binding dialect and landscape like a spell.
A classic work of rural magic realism from one of Britain's greatest children's novelists
Four interconnected fables of a way of living in rural England that is now disappeared.
Craftsmen pass on, or withhold, secrets of their relationship with the natural world, which gives them the material from which they create useful and beautiful things. Smiths and chandlers, steeplejacks and quarrymen, all live and work hand in hand with the seasons, the elements and the land. There is a mutual respect and a knowledge of the magical here that somehow, somewhere was lost to us. These fables beautifully recapture and…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Ever since I was a child the world has fascinated me. I’ve grown up with a deep love of reading and passion for the natural world, so much so that this often inspires both my writing and my artwork. As an artist and writer I seek to showcase the wonder and magic in the world. I have been able to draw upon ancient legends for inspiration into how people’s minds worked in the deep past and use it to enrich my writing further to cement the stories into our world and become more tangible. As a part-time adventurer, it’s only natural that my novels should be that.
I recommend this book not only for its gripping storyline but for its fascinating take on Irish mythology and seamless blend into our world too! I loved the characters, especially Cedar, the main protagonist in the book as she's thrown into the deep end and has to adapt pretty quickly to survive and save her daughter! And if you're like me and like to work out how it ends, there's enough here to keep you guessing. I certainly didn't see that coming!
It's been seven years since the love of Cedar McLeod's life left with no forwarding address. All she has left of him are heart-wrenching memories of happier times and a beautiful six-year-old daughter, Eden. Then, one day, Eden opens her bedroom door and unwittingly creates a portal that leads to anywhere she imagines.
But they're not the only ones who know of Eden's gift, and soon the child mysteriously vanishes.
Desperate for answers, Cedar digs into the past and finds herself thrust into a magical world of Celtic myths, fantastical creatures, and bloody rivalries. Teaming up with the unlikeliest of…
I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.
In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.
Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy…
I’ve always been drawn to locked-room mysteries, the baffling mysteries where the crime looks truly impossible. The mystery becomes not only who did it, but also how. It’s the ultimate puzzle. The best locked-room mysteries include gothic elements that make you wonder if something supernatural is responsible, but then are resolved with a satisfying rational explanation—like Scooby-Doo for adults. I’ve written more than a dozen mystery novels, but until now, I’ve only focused on locked-room mysteries in my short fiction. In my new Secret Staircase mystery series, I’m focusing on these puzzles in my novels. Here, I’m sharing some of my favorite locked-room mysteries that feature truly ingenious puzzles.
No author is more famous for writing locked-room mysteries than John Dickson Carr. Hag’s Nook is the first of Carr’s novels featuring Dr. Gideon Fell, who went on to become Carr’s most well-known detective. It features a family curse and an isolated English countryside home with a view of prison ruins on “Hag’s Nook,” a site where witches were once hung—and where the family curse is about to play out once more when the eldest son is required to spend an hour inside the prison to inherit the family fortune. Spooky and brilliant, this is a great introduction to Carr. I hope you’ll fall in love with it and go on to read many more of his books.
'The Starberths die of broken necks' goes the legend in the village of Chatterham . . .
The Starberth family governed the now-abandoned Chatterham prison for many years, and each male heir must spend the night of his twenty-fifth birthday there, alone, overlooking the hanging site of Hag's Nook.
Meanwhile, after a chance encounter on a railway platform, Dorothy Starberth and young American graduate Tad Rampole fall in love. Rampole is here in rural Lincolnshire to see Gideon Fell. The following day, Dorothy's brother is found dead of a broken neck, just as his father and grandfather before him.
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.
We recognize the names: Achilles, Odysseus, Zeus, and Apollo. We're taught that The Iliad is a foundational text of civilization. But who has really read the text? Until now, The Iliad was hijacked by academics and used to bludgeon schoolchildren as a boring-yet- mandatory reading.
Poet, novelist, essayist, and former teacher John Dolan revisits this ancient tale and restores it to its ancient glory. The Greeks and Trojans are still fighting. The gods are still interfering. But in Dolan's version, you'll be amazed at how funny, raw, and terrifying this doomed world of war really is. He strips away clunky,…
I’ve always been attracted to picking apart “taken-for-granted” things and wondered how ubiquitous and mundane technologies have become that way. What were they before they were ordinary? When I started researching and writing about push buttons, I discovered that the interfaces right under our fingers have a long and complex history. I loved reading about a time when pushing a button was both a novelty and a danger, and these recommended books similarly reframe familiar technologies as anything but familiar. I hope that these books will add a little bit of strangeness to the every day, just like they did for me!
I opened up this book as a skeptic–how interesting could a history of this ubiquitous writing tool be? However, I quickly ate my words (a fitting metaphor for such a book) after diving into Henry Petroski’s meticulously researched and easy to read tale of how a common thing becomes common in the first place.
While the book is a study in engineering, it’s also a story of people who doodle, think, design, and imagine. Petroski taught me that much as we live in a digital age, we’re indebted to the simple and impressively designed artifacts that stick around century after century.
Henry Petroski traces the origins of the pencil back to ancient Greece and Rome, writes factually and charmingly about its development over the centuries and around the world, and shows what the pencil can teach us about engineering and technology today.
I love reading novels that take me to another time, place, or adventure (an antithesis to my 30-year career as a professor teaching physiology & pathophysiology to medical and nursing students). I read for entertainment and variety. As an author, I write books I'd like to read! Drawn to history, I've written five historical romances—a woman of courage, intellect, and compassion at the heart of each. I've authored two contemporary espionage thrillers with a woman as the protagonist. I enjoy stepping out of the bounds of empiricism in my novels, blending genres, and stretching the imagination.
I read this years ago; it's one of the reasons I began writing historical romance novels. It's the story of Aspasia, a woman in ancient Greece. She's educated in a selective school for courtesans, beautiful, groomed for pleasure, and bought by a Persian man who comes seeking a courtesan from this famous establishment. He takes Aspasia back to Persia. Eventually, she is freed and returns to Athens, where she meets Pericles. Inspired in part by his love of Aspasia, Pericles initiated the building of the famous Acropolis in ancient Greece.
I was fortunate to visit Athens after reading Glory and the Lightning, and standing on the Acropolis, I found myself thinking of Pericles and Aspasia, real people who lived and loved over 2,000 years ago. (And yes, I may have gotten a lump in my throat and one or two tears threatened.)
New York Times Bestseller: A breathtaking saga of ancient Greece and one of history's most influential political couples, Aspasia and Pericles.
Born in the Greek city of Miletus, Aspasia was destined for a life of tragedy. Her wealthy father vowed to abandon any female child, so Aspasia was secreted away, educated independently of her family, and raised as a courtesan. She discovered at an early age how to use her powers of intellect as ingeniously as those of the flesh.
Ensconced in the Persian harems of Al Taliph, she meets the man who will change her fate: Pericles, the formidable…
My Democracybook was the summation of my views to that date (2018) on the strengths and weaknesses of democracy as a political system, in both its ancient and its modern forms. I’d been an activist and advocate of democracy since my undergraduate days (at Oxford, in the late 1960s – interesting times!). As I was writing the book the world of democracy suddenly took unexpected, and to me undesirable turns, not least in the United States and my own U.K. An entire issue of an English-language Italian political-philosophy journal was devoted to the book in 2019, and in 2021 a Companionto the reception of Athenian democracy in subsequent epochs was dedicated to me.
Coincidentally this scholarly collection of essays appeared in the same year as my 2nd Book Pick. The original versions of the papers were delivered at ‘Penn’ (the University of Pennsylvania, Professor Rosen’s home) at the second ‘Penn-Leiden Colloquium on Ancient Values’ (Leiden being Prof. Sluiter’s base). Free speech had two distinct terms and expressions in ancient Greece, one more expansive than the other. Parrhesia could be understood as frankness of expression, not necessarily political. Isegoria, on the other hand, was narrowly political and applied only to adult male free citizens: it’s best translated exactly as equal freedom of public political speech. One reviewer of the collection picked up on the existence of a rivalry between an official/state version of historical facts and the—more truthful—version given by an individual writer, explicitly referencing Salman Rushdie.
This book contains a collection of essays on the notion of "Free Speech" in classical antiquity. The essays examine such concepts as "freedom of speech," "self-expression," and "censorship," in ancient Greek and Roman culture from historical, philosophical, and literary perspectives. Among the many questions addressed are: what was the precise lexicographical valence of the ancient terms we routinely translate as "Freedom of Speech," e.g., Parrhesia in Greece, Licentia in Rome? What relationship do such terms have with concepts such as isegoria, demokratia and eleutheria; or libertas, res publica and imperium? What does ancient theorizing about free speech tell us about…
