Here are 100 books that The Stepsister and the Slipper fans have personally recommended if you like
The Stepsister and the Slipper.
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C.S. Lewis famously said, “No book is really worth reading at the age of ten which is not equally—and often far more—worth reading at the age of fifty and beyond.” I love this sentiment, and it has had a profound influence on my writing.
Yes, I write books for children, and I hope they’ll love them, but I think adults should enjoy them, too. Some of the best books in the world are children’s books, and there’s no age limit for reading them. In fact, I believe the world would be a better place if more adults read children’s books regularly. Here are five of my favorites.
This is the BEST retelling of Cinderella and one of my all-time favorite books.
I’ve read it at least a dozen times…as an adult. It never gets old.
Despite her curse of obedience, Ella isn’t a passive damsel in distress (the most aggravating trope in all fairytales). She’s witty, bold, and determined. I love how light and fast-paced it is, yet still rich with fantastic world-building and fully developed characters.
If you’ve only seen the movie, you’re missing a treat. Like they say, the book is always better—in this case, it’s way better.
ELLA ENCHANTED is a witty, refreshing take on the popular fairytale, Cinderella which preserves the spirit of the original but adds plenty of humorous twists and a spunky, intelligent female protagonist. "If you've read HARRY POTTER, try ELLA ENCHANTED" Publishers Weekly
Ella is given a blessing at birth by a very stupid fairy: She gets the gift of obedience! but the blessing turns into a horror for Ella who literally has to do what anyone and everyone tells her, from sweeping the floor to giving up a prrecious necklace! She has to battle with ogres and wicked stepsisters, make friends…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
This fairytale retelling is set in a land recovering from war. Cinderella is a landowner, but due to her late father’s poor management of funds, her estate owes significant debts. When she meets Friedrich, an intriguing noble who belongs to the enemy who won the war, everything becomes much more complicated. This fairytale retelling is clever and interesting, with a very different feel than most Cinderella retellings. It is engaging and definitely worth a read.
Cinderella may be a duchess, but her life is in tatters.
Orphaned, destitute, and living in a country recovering from a hostile takeover, Cinderella is desperate to save her lands and servants. She is so determined that when terrible taxes are placed upon her, she dons servants’ clothes and works like a commoner. Unfortunately, her sacrifices aren’t enough, and she is given one season to pay off her debt.
All seems lost, until Cinderella is befriended by the debonair Colonel Friedrich—a member of the Erlauf military and a citizen of the oppressing country that rules her homeland.
I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
This story kicks off a series of fairytale retellings filled with intrigue and adventure by sweeping the main character into a world of complex political machinations. She’s offered an opportunity for freedom from her conniving and overbearing family—all she has to do is deliver a message in exchange. But it turns out, the message was more dangerous than she could have imagined. This Cinderella retelling is unique in that there isn’t much magic in it, but it is filled with mystery, conspiracy, and swirling political machinations.
She has one job—attend a masqued ball and dance with a handsome prince. What could possibly go wrong?
Everything, that’s what.
After years of submitting to her stepmother’s unreasonable demands, Trystan finally has a chance to be free. The promise of a new life, in exchange for her help. Simple, right? After all, the old woman has only asked for one night. One night, one beautiful gown, one dance… and one message to be delivered to a mysterious recipient.
It should be easy. Maybe even fun. Especially when she can slip away into the night after the dance, leaving no…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.
It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.
I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.
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This book is for kids age
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What is this book about?
The haunting, romantic lesbian retelling of Cinderella and modern queer classic by award-winning author Malinda Lo -- now with an introduction by Holly Black, a letter from the author, a Q&A, and more!
In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be…
Identity, agency, belonging, and transformation…these are the themes which drive me to write. I love historical fiction and historical fantasy because for female characters, the past was rife with oppression, which creates an even greater barrier to self-actualization and personal alchemy. There are still barriers for females in our present world, but setting a story in the past can more clearly call out those barriers and the ways females bust through them. We finally live in a world where historians and storytellers are unearthing the untold tales of the past. No longer are the narratives in the sole control of the victors and oppressors.
This is my favorite book of Donnelly’s, perhaps because I had the distinct pleasure of meeting her upon its release. This book was an inspiration to me as a writer. Not only is Isabelle considered “ugly,” but her spirit is so downtrodden at the beginning of the story because others don’t believe in her abilities. She must find her own agency and her own belief in her abilities to do great things and realize that real beauty shines from within.
'In an ancient city by the sea, three sisters - a maiden, a mother, and a crone - are drawing maps by candlelight. Sombre, with piercing grey eyes, they are the three Fates, and every map is a human life . . .'
Stepsister takes up where Cinderella's tale ends. We meet Isabelle, the younger of Cinderella's two stepsisters. Ella is considered beautiful; stepsister Isabelle is not. Isabelle is fearless, brave, and strong-willed. She fences better than any boy, and takes her stallion over jumps that grown men fear to attempt. It doesn't matter, though; these qualities are not valued…
Fantasy is my favorite genre, and honestly, I’m pretty deep in it. Not only do I read a lot of fantasy, I also write fantasy novels. I’ve been an active TTRPG player for the last few years, even creating and running a few campaigns. In addition, I wrote a one-shot campaign set in the world of my fantasy series, the Gifted Lands, which people can get for free when they sign up for my newsletter on my website. So it’s safe to say, I like fantasy. :) If you check out any of these books, let me know what you think of them!
From the songwriter who penned the hymn “Morning Has Broken” comes one of my most beloved books from childhood.
The Glass Slipper is a charming and fairly faithful retelling of Cinderella (meaning, there’s no “subversive fairy tale” elements here). But it makes sense — this book was published in 1946.
The Glass Slipper is a lovely, simple version of the Cinderella story, and through it all the power of hope and dreams shines through.
It was out of print for a few years, but readers, rejoice! It’s back in print! Definitely worth picking up a copy—and if you can get a used version, you can see the lovely illustrations that accompanied the book as well.
More than anything, Ella wants to go to the ball at the Royal Palace.
But Ella is the slave of the household, waiting on every wish and whim of her horrible stepsisters. They call her Cinderella for the ashes that cling to her face, hands and hair. How can Ella go to the Royal Palace?
Then, on the evening of the ball, something wonderful happens. Ella's Fairy Godmother comes to her rescue.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
Between the high-stakes worldbuilding, Earth on the brink of war with Luna while battling a global pandemic, and Marissa Meyer’s fresh sci-fi take on magic, the story drew me in and wouldn’t let me go.
I’m not ashamed to say I devoured this in one sitting. I was fascinated by the lunar people’s ability to use their “gifts” to manipulate bioelectricity, casting glamours and bewitching their victim’s minds. It added yet another layer of tension to the story.
The seamless fusion of dystopia, sci-fi, and elements from classic fairytales creates a powerhouse narrative that centers around Cinder, a cyborg mechanic whose fate is inexplicably twined with the prince’s in a race to find a cure and prevent the impending war.
A forbidden romance. A deadly plague. Earth's fate hinges on one girl . . .
CINDER, a gifted mechanic in New Beijing, is also a cyborg. She's reviled by her stepmother and blamed for her stepsister's sudden illness. But when her life becomes entwined with the handsome Prince Kai's, she finds herself at the centre of a violent struggle between the desires of an evil queen - and a dangerous temptation.
Cinder is caught between duty and freedom, loyalty and betrayal. Now she must uncover secrets about her mysterious past in order to protect Earth's future.
I’m Deb Miller, a former Fortune 500 executive, marketing professor, and a woman who once believed in fairy tales—until life handed me a sword instead of a slipper. My memoir is all about rewriting the princess narrative and proving that modern-day warrior princesses don’t wait to be saved—they save themselves. I’ve spent my life balancing boardrooms and bedtime stories, raising three extraordinary children while fighting for my own happiness. I have a passion for stories that shatter outdated tropes and celebrate strong women who define their own happily ever afters.
This book unapologetically calls out the toxic myths we’ve been fed about love, relationships, and self-worth.
I found this book to be an empowering read that helps us break free from the ‘prince charming’ illusion and embrace a reality where we are our own rescuers. That’s my kind of book.
It's time to smash that glass slipper and find your own happily ever after!
The fairy-tale narrative is a poisoned apple of unrealistic expectations and impossible relationship goals. If you're sick of kissing frogs in search of Prince Charming, get ready to rescue your own love life from Cinderella Syndrome! Part self-help, part history lesson, Cinderella, You Bitch is the sassy, smart, and soulful guide that shows you how to:
Identify and release your own fairy-tale expectations
Break the spell of old beliefs and patterns that hold you back from being your true self in—and out of—a relationship
Rewrite your…
I come from a large family, both immediate and extended. As a result, my writing often includes a spectrum of family relationships, from the functional to the toxic. Nurturing or gaslighting? Supportive or undermining? Fantasy is my genre of choice for playing with these dynamics because its otherworldliness creates a safe space to consider true-to-life patterns, including the default trust we grant to those closest to us, how quickly that crumbles when expectations fall short, and the echo effect our earliest interactions have upon the rest of our lives.
Everyone should have a favorite “Cinderella” story, and this fantasy romp is mine. Gingell turns the classic fairy tale upside down, maintaining its stepfamily-gone-wrong trope, but from an opposite angle. Ellen got her prince and her crown while her stepsisters Jane and Charlie received a life sentence in a magical prison. Only, she lied and schemed to do it, and now the pair of girls must plot their escape to clear their names.
I admire Jane’s quiet resolve and Charlie’s feral energy. Plus, any story with knockout lipstick earns some extra points from me.
Cinderella is married to The Prince, and the Evil Stepsisters are banished to a pocket dimension for their punishment and rehabilitation. It’s Happily Ever After.
Or is it?
Jane and Charlie have been imprisoned for two years now, serving a sentence especially chosen by their stepsister as justice for her sufferings. It seems that they’re the only two people in the world besides Ellen who know that Ellen’s “sufferings” were a carefully manipulative campaign to win a prince and a crown; the two stepsisters merely collateral damage.
But now, trouble is brewing at the castle: death threats, torn gowns, ruined…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
“Hope in dark places” has been the theme of my life, beginning at age 17 when my parents disowned me for my faith. I’ve walked through the “valley of the shadow of death” twice, battling cancer, and endured many other struggles, which everyone faces at some time in their lives. Reading Dragonsong by Anne McCaffrey as a teen gave me the courage to face the darkness, and so the characters in the stories I write and prefer to read do likewise.
When I first started reading this fantasy book club selection, I thought it would be a simple sort-of-like Cinderella tale and didn’t expect to be sucked into Leah’s story. My heart went out to her for all the ways she was unfairly treated and misunderstood, for I have known that pain. She was trying to save the royal family, and the queen exiled her!
The best part about this story is how brave and loyal Leah is, and how she doesn’t complain, even when she has good reason. I remember how difficult it was not to complain when I was a teen, so I especially appreciate the encouragement Leah gives without realizing it.
Only one person knows of the plot against the royal family and cares enough to try to stop it—the servant girl they banished.
Leah spends her days scrubbing floors, polishing silver, and meekly curtsying to nobility. Nothing distinguishes her from the other commoners serving at the palace, except her red hair.
And her secret friendship with Rafe, the Crown Prince of Imperia.
But Leah’s safe, ordinary world begins to splinter. Rafe’s parents announce his betrothal to a foreign princess, and she unearths a plot to overthrow the royal family. When she reports it without proof, her life shatters completely when…
