Here are 100 books that Ella Enchanted fans have personally recommended if you like
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I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
I know it’s a bit cliché, but I can never stop myself from talking about my favorite novel of all time—Jane Eyre.
Not only does Jane’s voice sweep me off my feet every time I reopen the novel, but the novel itself always gets me thinking. It’s one of those rare books that somehow contains every genre, and does it well.
I get sucked into the mystery of the noises in Rochester’s house. My heart breaks when Jane’s only friend, Helen, dies. But most of all, I feel the romance, the chemistry between Mr. Rochester and Jane. All of it keeps me coming back for more.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
As an undergraduate, I wanted to study the now defunct PPP (Philosophy, Psychology, and Physiology) degree at Oxford, but applicants needed a maths background for the statistics element, and I was a literature major, so I studied Philosophy & Theology instead. Soon after, I fell in love with the philosophy of action, which I discovered via Alan R. White’s marvelous introduction to criminal law, The Grounds of Liability. As a philosophy professor who has since written several books about action and its explanation, I find it hugely important to read as widely as possible so as to avoid the tunnel visions of specialized philosophical theories.
I respect this book because it challenges the common-sense distinction between action and inaction. Part of the epic Hindu poem Mahabharata is a cunning text. On its spiritual surface, it preaches overcoming suffering, casting away ego, practicing detachment, and unifying oneself with the divine. Yet these tenets simultaneously boost Krishna’s rhetoric to convince Arjuna to slaughter his own family.
This is a thinly veiled attack on the Buddhist ideal of doing nothing on the grounds that every inaction involves action and vice versa. Its real insight, for me, is that we should sometimes actively do nothing. My favorite instance of the Gītā’s widespread influence is a contemporary Bengali no-loitering sign that reads: ‘If you have nothing to do, please do not do it here.'
The Bhagavad Gita, "The Song of the Lord," is probably the best known of all the Indian scriptures, and Easwaran's clear, accessible translation is the best-selling edition. The Gita opens dramatically, with prince Arjuna collapsing in anguish on the brink of a war that he doesn't want to fight. Arjuna has lost his way on the battlefield of life, and turns to his spiritual guide, Sri Krishna, the Lord himself. Krishna replies in 700 verses of sublime instruction on living and dying, loving and working, and the nature of the soul. This book includes an extensive and very readable introduction,…
I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).
But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!
A stunning anniversary gift edition of the second in the bestselling Old Kingdom fantasy series.
Sabriel has spent most of her young life far away from the magical realm of the Old Kingdom, and the Dead that roam it. But then a creature from across the Wall arrives at her all-girls boarding school with a message from her father, the Abhorsen - the magical protector of the realm whose task it is to bind and send back to Death those that won't stay Dead. Sabriel's father has been trapped in Death by a dangerous Free Magic creature.
All Elizabeth Bennet wants for her father to bring back from Lambton is a cutting of Pemberley’s famous roses. Little did she know that her humble request would lead to her father’s imprisonment, putting both her father’s life and her childhood home of Longbourn at risk.
I write because I want to tell stories–and I also want to share great stories with others. An avid reader and writer of fantasy and speculative fiction, I have a love of the fantastic, the remarkable and the supernatural, which I have managed to sustain and develop alongside a successful working life in government and social administration. If you want to know about power–and what you need to wield it and control it, just give me a call. Great fantasy should tell universal truths, and sometimes, more difficult messages can be told more effectively using a supernatural metaphor. Telling those stories is what I do.
My favorite fantasy novels are those that take place in real and recognizable worlds because they allow me to imagine more clearly what it could be like if the marvelous, the magical, and the mythical were just as real as the kitchen sink and the laundry basket.
Susanna Clark’s iconic first novel, set against the turmoil of the Napoleonic Wars, is built upon a recognizable and very credibly created backdrop of social and economic unrest, bloody conflict, and international politics—at the heart of which is the quest of the eponymous Strange and Norrell to bring real magic back to the world.
The two magicians are the only people able to make the magic work—and as they become more successful in their endeavors, they become the most famous men of their day—helping the Duke of Wellington to defeat Napoleon and setting the country on its heels with their…
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
I’ve loved animals for as long as I can remember. When I was young, girls my age were seeking out babies to admire. I was around the corner looking for puppies, frogs, or any other animal I could get my hands on. I’ve spent decades seeking out animals, and the more I learn about them, the more I realize how much they can teach us, point out what we otherwise might have missed, or offer a startlingly different (and often more helpful) perspective on things. The following books are some of my favorites that bring to light the unique and profound truths animals reveal to us.
Who hasn’t dreamt of being able to converse with a wolf? We get our chance in this intriguing story of Fitz Farseer, my all-time favorite character.
There’s much to enjoy in this series—royal assassins, secret mentors, and family betrayal—but what I love most is the outlawed magic that creates a deep bond between Fitz and a fearless wolf named Nighteyes, allowing them to communicate.
Nighteyes, another favorite character, reminds me of my childhood golden retriever, only with sharper fangs and claws. He reveals exactly how much we’re missing out on when we can’t converse with animals like him—sharing their sharper perceptions, grasping the wolfishly obvious, or having our human foolishness pointed out in their bluntly canine way.
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of Assassin's Apprentice, the first book in the critically acclaimed Farseer Trilogy.
In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma.
Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if…
I’ve always felt myself to be different, odd, and a bit of a loner. As a child, people said I was "too clever by half," and I both hated and loved being able to understand things that other kids did not. Being good at maths and science in a girls’ boarding school does not make you friends! Escaping all that, I became a psychologist and, after a dramatic out-of-body experience, began studying lucid dreams, sleep paralysis, psychic claims, and all sorts of weird and wonderful experiences. This is why I love all these books about exceptional children.
I was a clever child too, ridiculed at my horrible boarding school and constantly afraid of showing off and being laughed at.
But I did not have it half as bad as Roald Dahl’s desperately abused Matilda. Perhaps this is why I loved this book, for taking a child I could so closely identify with and getting her to suffer and overcome it all in the magical ways Matilda does.
A fabulous read, to be read many times and enjoyed again and again.
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Puffin Audiobooks presents Roald Dahl's Matilda, read by Kate Winslet. This audiobook features original music and sound design by Pinewood film studios.
Matilda Wormwood is an extraordinary genius with really stupid parents.
Miss Trunchbull is her terrifying headmistress who thinks all her pupils are rotten little stinkers.
But Matilda will show these horrible grown-ups that even though she's only small, she's got some very powerful tricks up her sleeve . . .
Kate Winslet's award-winning and varied career has included standout roles in Titanic, Eternal Sunshine of the Spotless Mind, Finding Neverland, Revolutionary Road and The Reader, for which she…
A corrupt kingdom. A rising darkness. Can a broken warrior save a world?
Mithranar is a country divided by ignorance and magic. Oppressed by their winged folk rulers, humans struggle to eke out an existence. Their only help comes from the mysterious Shadowhawk, a criminal who has evaded all attempts…
I was once a little girl who loved reading, and now I'm a mother who shares that passion with my kid. Over the past few years, I've been revisiting my own childhood favorites with him (it's been a serendipitous mix of work and pleasure as I was also researching a book on one of the all-time great children's book authors, Judy Blume). The novels I've recommended here are ones that seemed to spark pleasure in the most discerning—and honest—of audiences: an 8-year-old. And unlike some old books that will go unnamed, they didn't make me cringe as a 21st-century parent.
Pippi is the queen of the quirky kids, and I was one of her tribe. But it turns out you don’t have to be a bookish little girl in glasses to appreciate her antics.
My son thought Pippi, with her zany outfits and absurd tall tales, was fantastic. Sure, I had to take a moment to make sure he knew that parents don’t generally leave little kids alone to fend for themselves in big Victorian houses. Once we got that point out of the way, Pippi was an absolute pleasure to read together.
This flagship gift edition illustrated by Lauren Child is a glorious celebratory tribute to the strongest girl in the world.
Pippi Longstocking is nine years old. She has just moved into Villa Villekulla where she lives all by herself with a horse, a monkey, and a big suitcase full of gold coins. The grown-ups in the village try to make Pippi behave in ways that they think a little girl should, but Pippi has other ideas. She would much rather spend her days arranging wild, exciting adventures to enjoy with her neighbours, Tommy and Annika, or entertaining everyone she meets…
I am a lover of romance. I feel love is one feeling that no one can get rid of; it is one of the elements that can patch up hurt, and it is also an element that can be expressed in many different forms. Having a wide imagination also adds to this passion. I grew up watching Disney movies such as Ariel and FairyTopia. Not only do I draw my inspiration from movies but also from books. I love reading romance books, the image we create in our mind can take us beyond some images created in movies. It takes us to a world we normally don't see in real life.
Jane Austin is a classical writer of romance and a perfect combination of well-written English. The love Mr Darcy had for Elizabeth was explained with passion through the English language.
It addressed issues within that time, and the beauty of a girl, as well as the strength of a man, was portrayed well. Jane Austin has other books, but my favorite was this one.
Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.
A tour de force of wit and sparkling dialogue, Pride and…
Fantasy has been at the heart of our friendship for as long as we can remember. We are Adelina Cortese Pons and Valentina Branca, co-authors of our book, listed below, and our journey as writers began when we were eleven, sharing a single copy of Harry Potter and the Chamber of Secrets, reading it aloud, taking turns with each chapter. That love for fantasy only grew stronger over the years—through travels, studies in International Relations, and countless late-night writing sessions. Today, despite living an ocean apart, we still meet every Friday to write together, crafting new worlds and unforgettable stories because, for us, fantasy is more than a genre—it’s home.
While you read this story, you step into a world where magic and science intertwine, where armored bears rule the icy north, witches soar through the skies, and every person has a daemon—a living reflection of their soul. The adventure takes us across breathtaking landscapes, from the bustling streets of Oxford to the frozen wastelands of the Arctic, uncovering secrets that shake the very foundation of reality.
Lyra’s journey is thrilling, full of mystery, danger, and a sense of wonder that never fades. Philip Pullman weaves a story so immersive and thought-provoking that it makes us question everything we think we know. It’s a book that sparks curiosity, adventure, and just the right amount of rebellion.
Philip Pullman invites you into a dazzling world where souls walk beside their humans as animal companions and powerful forces clash over the nature of the universe.
When fearless young Lyra uncovers a sinister plot involving kidnapped children and a mysterious substance called Dust, she sets out on a daring quest from Oxford to the frozen Arctic. With armored bears, witch queens, and a truth-telling compass as her allies, Lyra must face choices that will shape not just her destiny—but that of countless worlds. A thrilling blend of adventure, philosophy, and wonder, perfect for curious minds.
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the world’s power begins to fail, the consequences ripple outward—through prophecy, politics,…
As an undergraduate, I wanted to study the now defunct PPP (Philosophy, Psychology, and Physiology) degree at Oxford, but applicants needed a maths background for the statistics element, and I was a literature major, so I studied Philosophy & Theology instead. Soon after, I fell in love with the philosophy of action, which I discovered via Alan R. White’s marvelous introduction to criminal law, The Grounds of Liability. As a philosophy professor who has since written several books about action and its explanation, I find it hugely important to read as widely as possible so as to avoid the tunnel visions of specialized philosophical theories.
While I had seen the film adaptation with Meryl Streep and Shirley MacClaine in my teens, I only came to read Carrie Fisher’s extremely funny autobiographical book at the recommendation of the writer Lou Sarabadzic, who rightly thought I’d be amused that the rehab clinic inhabitants are not so focused on not doing drugs as they are on doing not drugs.
Carrie and her friends spend thirty days talking and thinking of such things as quitting, stopping, committing to not doing drugs, not playing an instrument, giving it up, and ‘using up all the Not Cry.’ The whole thing made me re-think how human agency, willpower, and control work.
** THE NEW YORK TIMES-BESTSELLING CULT CLASSIC NOVEL ** ** In a new edition introduced by Stephen Fry **
'I don't think you can even call this a drug. This is just a response to the conditions we live in.'
Suzanne Vale, formerly acclaimed actress, is in rehab, feeling like 'something on the bottom of someone's shoe, and not even someone interesting'. Immersed in the sometimes harrowing, often hilarious goings-on of the drug hospital and wondering how she'll cope - and find work - back on the outside, she meets new patient Alex. Ambitious, good-looking in a Heathcliffish way and…
