Here are 100 books that The Stages of Memory fans have personally recommended if you like
The Stages of Memory.
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COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
A friend recommended this book to me when I was blogging about my Dad’s death. I took his advice and I’m glad I did.
In the wake of my dad dying, I felt disjointed from the world, and it felt as if nothing was real, as if I was living in an altered reality.
In reading The Year of Magical Thinking, I was able to take comfort from Joan Didion. Even though her circumstances were different, I was able to relate to her experience.
From one of America's iconic writers, a portrait of a marriage and a life - in good times and bad - that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.
Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later - the night before New Year's Eve -the Dunnes were just…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve always been fascinated by the influence technology and science on culture and our lives, especially women’s lives. The history of women’s rights, in many ways, is a story of science and technology’s influence on women’s evolution towards having more freedom (and now less) to control our bodies. As a science writer, these themes influence many of the stories that I choose to read and tell, including both my books, In Her Own Sweet Time: Unexpected Adventures in Finding Love, Commitment and Motherhood and Reconceptions: Modern Relationships, Reproductive Science and the Unfolding Future of Family. I also love to read both fictional and non-fiction stories about the nuances of personal identity.
Dani Shapiro’s Inheritance tells the story of learning late in life that she was conceived by a sperm donor and that her father was not her biological father. It’s a gripping lyrical memoir about loss of identity the author experiences from learning the truth about her conception.
As a single mom by choice who conceived my son through sperm donation, it illustrated the importance of telling my son the truth about his origins from the beginning, and the need for all modern families who conceive children with donor eggs or sperm to be honest with their children about their conception.
NEW YORK TIMES BESTSELLER • From the acclaimed author of Inheritance and host of the hit podcast Family Secrets: a memoir about the staggering family secret uncovered by a genealogy test, an exploration of the urgent ethical questions surrounding fertility treatments and DNA testing, and a profound inquiry of paternity, identity, and love.
“Memoir gold: a profound and exquisitely rendered exploration of identity and the true meaning of family.” —People
In the spring of 2016, through a genealogy website to which she had casually submitted her DNA for analysis, Dani Shapiro received the stunning news that her beloved deceased father…
As a longtime host of The Moth, I know the power of personal storytelling. During the early days of the pandemic, I decided to write down all my favorite family stories so my kids would always have them. But how? I knew I didn’t want to write it chronologically or as a series of separate stories. After months of experimenting, I stumbled upon a format that let me pick and choose which stories I wanted to tell but also weave disparate family members together. I was greatly inspired by the books on this list, and I hope you are too!
This is an incredibly intimate and thought-provoking book that marries the story of the author’s relationship and pregnancy with her partner, along with history, philosophy, and even critical theory. What makes the book so fascinating is how quickly she’s able to shift between these different modes of writing.
So, one minute, she’s talking about being a parent, and in the next paragraph, she’s revisiting how the philosophical approach to child-rearing evolved over the 20th century. It really shook me out of thinking a memoir had to be approached one way or be just one thing.
An intrepid voyage out to the frontiers of the latest thinking about love, language, and family
Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender, and "family." An insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As the daughter of Holocaust survivors, I have always been interested in trauma and memory, racial and ethnic oppression, and gender violence. I want to make visible what has been marginalized, forgotten, or repressed. I am also moved by the way that personal stories connect us to larger collectivities and histories. When I visited the lynching memorial in Montgomery, my parents’ hometown in Poland, or the memorial to Walter Benjamin in Portbou, Spain, I felt compelled to write about the embodied experience of place and the importance of activist memory. I have also written about the imagery of lynching, war and ruins, and artworks by the offspring of Holocaust survivors.
I really appreciate Alison Landsberg’s focus on the fact that all of us, regardless, of race, gender, or ethnicity, are able to experience empathy for people whose experience is historically different than our own. I find this argument especially important in an era of alarming race essentialism, such as the protest against a painting of Emmett Till because the artist was White.
Instead of compartmentalizing American experience, the technologies of mass culture make it possible for anyone, regardless of race, ethnicity, or gender to share collective memories-to assimilate as personal experience historical events through which they themselves did not live. That's the provocative argument of this book, which examines the formation and potential of privately felt public memories. Alison Landsberg argues that mass cultural forms such as cinema and television in fact contain the still-unrealized potential for a progressive politics based on empathy for the historical experiences of others. The result is a new form of public cultural memory-"prosthetic" memory-that awakens the…
I am the author of over fifty books for young readers including the Zapato Power series, the Sofia Martinez series, My Name is Hamburger, Never Say a Mean Word Again, and Tag Your Dreams: Poems of Play and Persistence. On September 11, 2001, I was living in Arlington, Virginia and working as a librarian. Like anyone else who lived through that tragic day, September 11th evokes strong memories for me. Yet I know that subsequent generations have little knowledge of that day, even those who live in Arlington, where the Pentagon is located. By recognizing the wounds of the past, we can help young readers understand the present.
The September 11th terrorist attack is a difficult history to introduce.
Picture books can be a good way to start the conversation, especially with 8 and 9-year-olds. In This Very Tree, Sean Rubin broaches the topic through a remarkable Callery pear tree in the Twin Towers plaza which survived the 9-11 terrorist attacks.
Rubin’s poignant artwork conveys both the destruction of that terrible day in New York City and the rebuilding efforts afterwards. Informative and lengthy back matter provides more information to complement the brief illustrated text. This picture book leaves the reader with an ultimately hopeful outlook of resilience and renewal.
A deeply moving story about community and resilience, from the point-of-view of the Callery pear tree that survived the attacks on September 11, from Eisner Award-nominated author-illustrator Sean Rubin.
* "A resonant, beautifully rendered testament to life and renewal." ―Kirkus, starred review
In the 1970s, nestled between the newly completed Twin Towers in New York City, a Callery pear tree was planted. Over the years, the tree provided shade for people looking for a place to rest and a home for birds, along with the first blooms of spring.
On September 11, 2001, everything changed. The tree’s home was destroyed,…
I have lived in the US, and particularly lived and worked in New York, for many years. How the events of 9/11 changed the city, its people, and the perceptions of the people all around the country and the world has always intrigued me. 9/11 has put up a prism through which experiences have emanated out in a kaleidoscopic range of stories. A banker by day and a cynical blogger by night, I have traveled the world and have met many interesting people with compelling backgrounds and have experienced many peculiar and beautiful things. I love to explore the confluence of fascinating narrative arcs and life-altering events.
An American Muslim is chosen blindly by a jury to design a memorial to the 9/11 victims, opening it up to vociferous debates and dissensions, much like the Ground Zero Mosque controversy.
The author uses her vast experience as a New York Times journalist to eloquently describe the warps and wefts of the fabric of New York society, and starts tugging at several threads as it all unravels. The players’ tug-of-war is well portrayed in rich texture, while the politicians’ intent on not letting a good crisis go to waste adds satirical color to the expansive tapestry.
As a creator, one feels that art has no religion and has no boundaries. The axiom is severely tested in the face of rabid nationalism, parochial intolerance, and a media free-for-all.
A jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winner's name - and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam.
The memorial's designer is Mohammad Khan, an enigmatic, ambitious architect. His fiercest defender on the jury is its sole widow, the mediagenic Claire Burwell. But when the news of his selection leaks to the press, Claire finds herself under pressure…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
The Unfinished Bombingwas eerily prescient when first published in 2001 and remains uncannily relevant today.
Linenthal set the standard in his analysis of public tragedy, its impact on an American community and the larger nation, and its memorialization.
In April 1995, a white homegrown right-wing terrorist bombed the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 men, women, and children. Linenthal’s story of the massive crime, outpourings of grief, and the efforts to memorialize the dead and prevent future cataclysms is gripping and personal yet academically astute.
The Oklahoma City National Memorial & Museum that rose from the rubble is among the most culturally and aesthetically successful monuments in the history of American public memory. Though seemingly eclipsed by the catastrophic events of September 11, 2001, this story of rupture and recovery, so well told by the author, continues to be critical and instructive.
On April 19, 1995 the bombing of the Alfred P. Murrah Federal Building in Oklahoma City shook the nation, destroying our complacent sense of safety and sending a community into a tailspin of shock, grief, and bewilderment. Almost as difficult as the bombing itself has been the aftermath, its legacy for Oklahoma City and for the nation, and the struggle to recover from this unprecedented attack. In The Unfinished Bombing, Edward T. Linenthal explores the many ways Oklahomans and other Americans have tried to grapple with this catastrophe. Working with exclusive access to materials gathered by the Oklahoma City National…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Controversial Monuments and Memorialswas published the year after the “Unite the Right” rally in Charlottesville, which saw whites rally around the monument to Thomas Jefferson on the University of Virginia campus. This event, and the murders of nine African Americans at Emanuel AME Church in Charleston, SC in 2015, hastened public discord with symbols of the Confederacy and white supremacy. Allison’s book was the first to step into the space where scholars, museum staff, and community activists came together to examine how monuments were used as tools for systemic racism as well as progressive social change. The book is a great resource for those looking to enter the conversation about controversies surrounding monuments and memorials in the United States.
Out of the chaos and pain of Charlottesville, museum professionals, public historians, and community leaders must move quickly to face the challenges of competing historical memory, claims of heritage desecration and the ongoing scourge of racism. This book takes on the tough issues that communities across America---and analogous locales overseas---must face as white supremacy, political quagmires and visions of reconciliation with the past collide.
The events of summer of 2017 that culminated in Charlottesville are outgrowths of ongoing dialogues and disputes about controversial history that encompass numerous historical situations and touch every part of US history. Strategies for working effectively…
Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
Monument Wars, like no other book I’ve read, explains the essence of the “monument”—what it is, what it’s supposed to do, and how it does it (or fails to do it)—in the context of American history.
Monuments freeze time and aspire to “closure,” setting heroes or momentous events and their meaning, literally, in stone. But our national lives and history do not stand still, and public memory thus changes with time, often with fraught consequences.
Savage brilliantly examines and illuminates this dissonance, focusing on the most important monumental space in the United States—Washington, D.C., and the National Mall.
Smart, surprising, and accessible, this account of the national capital’s contested terrain offers a vivid case study of how Americans remember, sometimes forget, and increasingly contest their past through sculpture, ceremonial landscape, and the theatrics of the built landscape.
The National Mall in Washington, D.C., is 'a great public space, as essential a part of the American landscape as the Grand Canyon', according to architecture critic Paul Goldberger, but few realize how recent, fragile, and contested this achievement is. In "Monument Wars", Kirk Savage tells the Mall's engrossing story - its historic plan, the structures that populate its corridors, and the sea change it reveals regarding national representation. Central to this narrative is a dramatic shift from the nineteenth-century concept of a decentralized landscape, or 'ground'-heroic statues spread out in traffic circles and picturesque parks-to the twentieth-century ideal of…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Monument Lab is one book to get your hands on, if you are curious to know how a historic city can remake its traditional monumental history to become more inclusive and reflective of a holistic past and present. The book is about the organization called Monument Lab, which works with communities, artists, and more to reshape the monument culture of Philadelphia. Filled with short essays and colorful photographs, Monument Lab and Monument Lab the book model the democratic turn towards inclusive monument making in an American city.
What is an appropriate monument for the current city of Philadelphia? That was the question posed by the curators, artists, scholars, and students who comprise the Philadelphia-based public art and history studio Monument Lab. And in 2017, along with Mural Arts Philadelphia, they produced and organized a groundbreaking, city-wide exhibition of temporary, site-specific works that engaged directly with the community. The installations, by a cohort of diverse artists considering issues of identity, appeared in iconic public squares and neighborhood parks with research and learning labs and prototype monuments.
Monument Lab is a fabulous compendium of the exhibition and a critical…
