Books like The Spider

Rumer Godden is a favourite novelist of mine, but this is non-fiction. Godden was born in India and only left after Independence. Towards the end of World War Two, she made a long journey to document the work done by women volunteers in the Bengal region of India during the war, travelling huge distances, crossing many rivers, to remote places. The book, with photographs, includes the work of both European and Indian volunteers in a huge number of organizations, ranging from the Red Cross, hospital trains, and dispatch riders to the ARP and mobile canteens. Best of all are the descriptions Godden gives us in this wonderful book as she turns her novelist's eye on all these people and places of work and brings them all to life.

Tagore’s novel, though set in the same time period as Forster’s, invited me into a very different India—the interior of a great, mysterious mansion and the minds and hearts of the women who live there, especially Bimala, the heroine. It helped me understand the freedom movement that was taking shape against the British, the desire of women to be part of this adventure, and the corruption and greed that crept in among the patriots. It’s a coming-of-age story and a love story, too.  

 The Last Kashmiri Rose: Murder and Mystery in the Final Days of the Raj is the first of Barbara Cleverly’s 13 Joe Sandilands mysteries. In March of 1922, Sandilands’ return to Scotland Yard from Calcutta is delayed by Bengal’s governor, who sends him to a military post where his niece Nancy’s husband is Controller. Nancy’s best friend has committed suicide, according to the local police. But Nancy has learned that since 1911, four other officers’ wives have died in peculiarly violent circumstances. After Sandilands’ investigation uncovers a series of murders, he looks for the murderer amidst tea parties, dances, picnics, and dinners. The portrait of Anglo-Indian society, in which every need is supplied by socially invisible native servants, is excellent.

Ruskin Bond is known more for his simple stories about everyday people in the Himalayan foothills (like a North Indian R.K. Narayan). He does throw in the odd story, which seems like a folktale with a surprising ending like A Face in the Night and The Eyes Have It. This livens up the collection more, as you don’t know when you will get one of the unexpected plot twists.

His books ooze with his love for his adopted country, and he writes with such tenderness about young characters that they are wholesome and fulfilling to read.

What I love most about him is that he is one of the most approachable and friendly authors. He spends hours sitting in his hometown’s main bookshop talking with readers and autographing their purchases. 

A year or so ago, I read a lot of factual books about India, so I was delighted to find this Golden Age cozy mystery set in a land I was falling in love with through books. This book took me back to a pre-partition India still under British rule, with a realistic glimpse of life under colonialism alongside a hefty–hopefully less realistic–dose of murder and mystery.

I adored how Harini Nagendra created a strong, independent female character who still feels genuine and believable in the time and place in which the book is set–a time when most women were stifled, submissive, and governed by their husbands–and how the observations of colonization feel true to life while remaining both sympathetic and observant to the Indian culture and ways of life.

The setting is vividly portrayed, and the sights and sounds of 1920s India are an absolute delight. The main characters… show more.

A deep dive into culture, internal conflict, and the struggle to overcome external challenges. The characters in this book were deep and interesting. Their struggle was heartbreaking, and there was nothing you could do to fix the system they were in. They never gave up, even when all hope was lost. 

An ill-timed robbery and a mysterious ghost train—both from 1914—and the present day CIA and MI6: All are perfectly normal, abnormal elements to this Clive Cussler novel.

I especially like this book for its ties to recent American history. It flirts with elements of espionage and the crackerjack job of merging a confounding prologue with a mystery that needs solving. There is a combination of Cussler's Dirk Pitt novels that have influenced my own story-telling, and this one is among them.

Cussler penned an entire series around his National Underwater and Marine Agency Projects Director, Dirk Pitt. Nearly every one of the novels begins with an event of the distant past that culminates in the present. This novel follows that pattern but involves political concerns regarding the North American Continent. While Cussler’s characters only occasionally rise to the challenge of emotionally involving me, his plots—the twists, turns, and historical antecedents—always… show more.

I read this novel as a teenager who had just moved from the heavier Russian and Hindi classics to the lighter English ones. And was I hooked! It remains a lifelong favourite. 

The men in The Moonstone think they're running the show. They aren't. The women are—through letters, through silences, through one servant girl whose sections broke my heart so thoroughly I had to put the book down and go have a handful of namkeen.

Rosanna Spearman deserved better, and a hundred and fifty years later I'm still cross about it. That's what a good book does to you. It makes you hold grudges on behalf of people who never existed.

I thought this book was such a heartfelt and tragic story. It’s about a family struggling with their past as the city of Delhi gets taken over by the British as it becomes their new capital. The author paints these beautiful scenes of Delhi, like the traditional pigeon flying and the bustling Chandni Chowk market.

I could really feel his love for the city in those descriptions. To me, the story felt like a lament for the old Delhi that was lost to the British, and you can sense how hard it was for the author to accept that. In the introduction, he talks about how he left India and was never allowed to return, so this goodbye isn’t just part of the story; it’s personal.

The modern-day Jaya, grieving after a third miscarriage and trouble in her marriage, goes to India to learn more about her grandmother, Amisha, who lived under the British occupation in the 1930s. Amisha’s servant and confidant, Ravi, tells Jaya about Amisha’s life so that Jaya comes to understand its relevance to her.

I was especially touched to see how learning about her ancestors' lives helps to heal Jaya in the present.