100 Books Like The Slave Girl

Equiano’s autobiography fascinated me when I stumbled upon a paperback edition of it in a local bookstore nearly thirty years ago.

A bestseller during Equiano’s lifetime, his Interesting Narrative is appreciated as a work of enduring historical and literary value. The odyssey he recounts takes him from enslavement as a child in Africa to becoming a leading figure in the struggle to abolish the transatlantic slave trade.

Along the way, he serves in the British Royal Navy, gains his freedom, participates in a scientific expedition to the Arctic, has a religious conversion, observes various kinds of slavery in North and Central America, England, Europe, and the Middle East before agreeing to help administer settling in Africa formerly enslaved poor Blacks who had joined the British forces during the American Revolution.

I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.

Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.

The storytelling is that concise, yet also that rich and distinct, depicting two separate—but tragically related—trajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Francisco—and back again.

The 1960s and 70s were periods of Black Consciousness, both in Africa and the diaspora. At the heart of this was Pan-Africanism, a political ideology built on historical and cultural links between Black people everywhere. At the heart of these ideas was a psychical and physical “return” to Africa, the “motherland”. This short, but powerful play, explore these politics in the marriage of Ato Yawson and Eulalie Rush, a Ghanaian man and an African-American woman who emigrate from the US to Ghana in search of racial and cultural harmony. What occurs is a dramatization of what happens when political ideologies are applied to private lives. What I love about this text is its confrontation of slavery as traumas that cannot be easily erased by political rhetoric and national endeavors to “move on.”

Ngugi wa Thiong'o is not just a celebrated writer, but a respected critic of African literature, known for his advocacy of African languages. In this book, wa Thiong'o provides an exploration of slavery’s effects on the historical, cultural, and literary lives of Africans. His focus is on the fragmentations that slavery created in African identities and how these play out in literature. The book advocates for a re-membering of fragments created by slavery. I think this book – and frankly any work by wa Thiong'o – is a necessary addition to the collection of any reader interested in African literature, particularly the legacy of slavery and colonialism in African writings.  

I think Adunni might be one of my favorite heroines of all time. She’s so brave, loveable, and vulnerable. This book opened my eyes to what it’s like to live in some of the most difficult conditions imaginable, but it made me so hopeful, too. Adunni’s rebel spirit propelled me through the pages.

In a way, this book made me feel ten years old again–when I was reading, it was as though nothing beyond the book existed. Every time Adunni triumphed, I wanted to stand up and cheer. Most of all, it made me feel I could do my bit to change the world. I know that there are real children facing forced marriage, like Adunni. This book made me want to raise my voice and help.

You know when you first go to someone else’s house and realise that not every family lives the way yours does?

It’s part of the coming-of-age process and can be both illuminating and destabilising. In Adichie’s story, set in post-colonial Nigeria, 15-year-old Kambili gets the chance to escape her wealthy but religiously-oppressive household and stay with her vibrant, liberal aunt.

I love the way Kambili’s narrative expresses the new freedom she feels there: she has a voice at last and the liberty to experience a sexual awakening. She needs these new strengths as her own family disintegrates into tragedy.  

The novel is a portrait of the harsh realities of post-colonial life and a reflection on the complexities of African culture and history. I find that I can relate to the book's exploration of identity and the struggle between tradition and modernity.

Okri's protagonist, Azaro, navigates the physical and spiritual realms in a way that lines up with the Nigerian superstitions which shaped my life from a young age. His journey is believable and familiar in a unique blend of the fantastical with the real.

The lyrical prose and vivid imagery take me home, back to a world where the supernatural is a natural part of life and a cornerstone of the spirituality inherent in Nigerian culture.

I sometimes think of memoir as a modern genre, but the truth is that people have been writing about their own lives for thousands of years.

This 1789 account begins with Olaudah Equiano’s day-to-day life growing up in the kingdom of Benin, Africa, and then describes his crossing the Atlantic Ocean via the Middle Passage and subsequent enslavement.

When I first read this book in college, it was the beginning of my realization that the people in history were people with whom I share all the same range of emotions and motivations that comes with being human. This book instilled in me a desire to understand the people of the past.

I read Nzegwu’s book after completing my PhD and it left a lingering impression on me.

Her work effectively challenged conceptualizations of gender that assumed an inherently hierarchical relationship between female and male. It also drew attention to the role of colonial laws and judicial edicts in promoting gender inequality in Nigeria’s Igbo society.

Nzegwu's discussion of the Onitsa dual-sex system that had historically embraced sexual difference but still granted women and men respective powers and responsibilities in society told a different story about gender relations in African societies prior to Western colonialism.

Nzegwu’s work echoes Oyěwùmí’s, and together they offer a window into alternative gender realities we can learn from. 

Released in 2021, God of Mercy satisfied my need for history and fantasy with an authentic portrayal of Igbo traditions, language, and spirituality. This dark tale follows Ijeoma, a girl blessed with the ability to fly, and delves into the complexities of faith, community, and the clash between traditional religions, ancient customs, colonial encroachment, and modern ideas.

Nwoka's beautiful prose and intricate storytelling immersed me in a world where the supernatural smoothly integrates with everyday life. The novel’s depiction of a small village struggling to preserve its cultural heritage in the face of external pressures struck a chord with me as I grew up at a time when traditional religions were still contending with colonial religions in my country’s native villages.

This novel offered me a profoundly enriching reading experience that honored the past while stimulating the imagination. Trigger warning: child abuse and torture.