100 Books Like The Good Thieves

An avid reader since the age of 7, I have long loved history and fantasy. As a writer, I have a passion to share those things with young readers. I try to create stories that engage imaginations and share some historical facts along the way. As a member of a book reviewing team for new kids’ publications for an online kid lit blog, I also get to read and enjoy what other authors are putting out there as well.

I was born in a stable close to the Himalayas in India. The family farm was buzzing with animals and one of the most wonderful was a wild monkey called Oma who adopted our family and insisted on living with us. This is where the magic in my life began. My Grandmother was the storyteller in my family, so even after we emigrated to England when I was only 18 months old, our house was filled with magical stories, many with roots in India. So when I became a children’s author it was this magic that I wanted to bring to my stories and it was this magic that drew me to reading.

I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!

I was born in a stable close to the Himalayas in India. The family farm was buzzing with animals and one of the most wonderful was a wild monkey called Oma who adopted our family and insisted on living with us. This is where the magic in my life began. My Grandmother was the storyteller in my family, so even after we emigrated to England when I was only 18 months old, our house was filled with magical stories, many with roots in India. So when I became a children’s author it was this magic that I wanted to bring to my stories and it was this magic that drew me to reading.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.

As a novelist, I focus on the characters in my books, and the plot is woven around them. I'm a people-watcher, and I remember bits and pieces of the folks I observe—many of which find their way into my novels. As a reader, plot pulls me in, but it is the characters that I remember. As a novelist, I always begin with a cast of characters: I start with a physical quirk, a personality flaw, an offbeat way of seeing things. Then I add a plot. For me, plot is the hardest. There are hundreds of characters swimming around in my imagination (see my first book, Characters in Search of a Novel).