Books like Gone Baby Gone — picked by fans

Cormoran Strike and his business partner, Robin Ellacott, are searching for a missing writer who has penned a scathing novel, revealing his friend's most tightly held secrets. Any one of them would be happy to take him out. Ellacott and Strike are hired by his wife to find him. They do, brutally murdered. Besides facing a plethora of possible murderers, Strike and Ellacott face that there’s more than a working relationship evolving between them. But with Stike’s recent break-up and Ellacott’s live-in boyfriend, feelings are buried. After they solve their twisted case, I’m on to the next book in the series to see how Cormoran and Robin will move forward together. I love a good mystery and I love a relationship plagued with obstacles. The Silkworm delivers on both.

Coffin is a retired detective sergeant out of Portland, Maine. I love books by authors who write what they know and, obviously, write it well.

This book is the first in a series involving Portland PD Detective Sergeant John Byron. Coffin draws on his life experience to create an exhilarating, believable suspense novel and a likable character I want to continue to read. 

I love an intriguing premise and an unexpected twist. This book promised both, and it really delivered!

I think we are all curious about what goes on behind the closed doors of our neighbors, though the truth is usually incredibly mundane…especially when compared to this story! From the first page to the last, I couldn’t put down this psychological thriller.

Because I love a tale of great suspense, I find myself growing impatient whenever a story starts to peter out without any satisfying resolution. That was not the case with this book. It delivered great, well-developed characters and an unexpected ending. Bravo!

Not A Happy Family is a Domestic Suspense novel. The Mertons have everything, money, a beautiful home, and plenty of vacations. So why, after Easter dinner with their three children are they found dead? The kids are distraught. Or are they? What childhood secrets do each of them carry and is one of them murderously vindictive? I come from a big family and always enjoy reading about dysfunctional families. Luckily, my own family was only semi-dysfunctional for the most part. Nothing I needed to kill my parents over.

As great as it was, Eddie Coyle didn’t leave much of a cultural footprint, at least not until the movie adaptation starring Robert Mitchum was rediscovered decades after its initial release. Robert B. Parker’s Spenser is another matter entirely, having spawned nearly 40 novels by Parker, another 10 by Ace Atkins, a popular ‘80s TV series, and a Netflix movie starring Mark Walhberg. Picking just one of the durable shamus’s adventures is a daunting task, but I’ll give the nod to Ceremony for its evocation of the seedy seventies Combat Zone (Boston’s long-gone red light district) and the murky morality of Spenser’s dealings with a teen runaway turned sex worker.

Street names, the Charles River, bridges, the Back Bay, the Public Gardens, actual hotels and restaurants—Robert B. Parker’s forty Spenser novels make Boston so much a character that Parker wrote Spenser’s Boston. The sixth novel in the series, published in 1980, has Spenser searching for a missing lesbian activist who’s been kidnapped by an anti-gay group. Like Buffalo, Boston sometimes gets a lot of snow. Unlike Buffalo, which is not the snowiest city in New York but is depicted as such, Boston is not known as a snow capital. That Spenser must search during a blizzard is a welcome dose of realism.

Robert B. Parker’s Cold Service is one of my favorite Spenser novels because it provides more insight into the character Hawk. Hawk is in the hospital, three bullets in his back from trying to protect a bookie from the Ukrainian mob. The Ukrainians are spreading their turf from NYC to the Boston area (a town called Marshport). Spenser comes to the rescue, and the two men take on the impossible task of defeating the Ukrainian mob and their Afghani heroine-dealing overlords while avenging Hawks shooting. Alone, Hawk can’t deal with the thought of showing weakness and Spencer ponders his mortality. Together Spenser and Hawk appear to be invincible. Their code allows them to engage in brutality and come out as likable characters. The way in which Parker spins a tale using simple dialogue is ingenious. His main characters Spenser, Hawk, and Susan Silverman are a joy to get to know… show more.

Spenser is a hard-nosed private detective living and working in Boston. When his girlfriend Susan runs off to California with another man, Spenser feels betrayed but understands. She has her freedom. Then his best friend, Hawk, is falsely arrested and jailed in the new man’s town. This sets off a firestorm of murder and violence as Spenser first frees Hawk and then they both attempt to free Susan from an abusive, if consensual, relationship. And then the CIA gets involved. A Catskill Eagle is the twelfth of forty Spenser novels written by Parker.

Like Paretsky’s V. I. and Grafton’s Kinsey Milhone, six-foot, former police officer and intrepid Boston P.I. Carlotta Carlyle is dogged, street smart, and tough while navigating the vagaries of big city corruption and big money influence.

She is bored by her desk job undercover assignment investigating fraud in Boston’s Big Dig construction project. She craves the action that I, as a reader, want to see her undertake. I hope this is also the type of character I have created in my book.

Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his first Kenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and very believable.