Here are 100 books that The Plot Whisperer fans have personally recommended if you like
The Plot Whisperer.
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I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
I connected with the author on LinkedIn and fell in love with the grammar tips she would post. Then I discovered her book on proofreading tips and had to grab my copy. Every single page had me grinning and bobbing my head. I love how she can turn a grammar rule into something fun and memorable. Whether you’re a writer, editor, proofreader, or even publisher, I would recommend adding this fantastic read to your collection.
English can be beastly. With all its soundalike and lookalike words, its peculiar punctuation rules, its ridiculous spelling inconsistencies, and those teeny-tiny apostrophes that love landing in all the wrong places, writing can get downright intimidating.
HAVE NO FEAR! Unflubbify Your Writing is here! Packed with fun examples, this book shows you how to:
Keep spellings straight: capital and capitol, stationary and stationery, forego and forgo, etc. Avoid comma splices and grocer’s apostrophes. Pluralize last names. Understand when to use fewer instead of less. Use i.e. and e.g. correctly. Know when—and when not—to…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
This was one of the first books I bought when I started my proofreading career. It has come in handy so many times and still does as a refresher. It not only shares the grammar or punctuation rules for one style, but has actual comparison lists for each style out there. Want a good reminder about the rules that guide the best writing? This is one of the best books to have on your library shelf, period.
This all-in-one reference is a quick and easy way for book, magazine, online, academic, and business writers to look up sticky punctuation questions for all styles including AP (Associated Press), MLA (Modern Language Association), APA (American Psychological Association), and Chicago Manual of Style.
Punctuate with Confidence—No Matter the Style
Confused about punctuation? There’s a reason. Everywhere you turn, publications seem to follow different rules on everything from possessive apostrophes to hyphens to serial commas. Then there are all the gray areas of punctuation—situations the rule books gloss over or never mention at all. At last, help has arrived.
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
If you’re struggling to find the right plot progression, this book helps with tips on how to map out the storyline. It’s helped me tremendously in several of my own novels. Any writer who cares about making an exceptional plot should have this book in their personal library.
Map out your idea and finish your story in 7 stages!
This book will show writers how to develop their ideas into a finished novel by working through it in 7 stages, while learning how to mapping out their story's progress and structure so they can evaluate and improve their work. It teaches writers to visualize their story's progress with a story map that helps them see all the different components of their story, where these components are going, and, perhaps most importantly, what's missing.
The book simplifies Aristotle's elements of good writing (a.k.a. that each story should have a…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
This book played a part in my main source of income. Starting my own proofreading business wasn’t easy. I did have help from others, but I wanted to mention this book as a good starter to give insight and ideas on how to start your own freelance proofreading business. You can start it as a side-hustle, or you can go full-time, it’s up to you!
Proofreading is a highly marketable skill that makes for a great side-hustle or second income, especially for teachers. As more people write a variety of content across numerous industries, opportunities abound for professionals with above average language skills to bankroll their knack for words into a profitable home-based business. Now more than ever before, the stage is set for good writers, editors, proofreaders and teachers to sharpen their skills and promote their services. The field of freelance proofreading is wide open with potential clients everywhere. For the curious and the determined, Start Your Proofreading Side-Hustle: Maximize Your Writing Skillsanswers the…
My first experience with historical fiction was reading The Witch from the Sea by that iconic author, Victoria Holt. This sparked a 40-year-long love affair with that genre that’s still burning intensely. I’ve been immersed in such fiction for a lifetime and have read the works of virtually every great author in this genre. I started my own series in 2020 because I feared this type of no-fluff fiction was becoming obsolete. There were 17th Century English characters making noise in my head so I used my creative writing background to bring them to life on the pages of my books, under the pen name Jessica Russell.
I started reading this story and thought at first that it was average. I was going along, wondering what would happen next, and then slam! I had to sit there and say, “What!” Really?” You couldn’t tear me away from it until the final word! It seems that so many authors these days try to replace poignant, dramatic characters and stellar plots with profanity and graphic sex. This writer does the opposite and this book is the absolute best showcase of that type of talent. There was a twist, and then another twist, and then another twist, yet they were all completely believable. That book stayed with me forever and I’ve read it many times since.
For generations, Victoria Holt has dazzled and entertained millions of readers with her spine-tingling novels of romantic suspense. On the Night of the Seventh Moon is one of her most evocative, magical, and chilling. Come take a journey into a dark and shadowy forest where nothing is as it seems.…
On the night of the seventh moon, according to ancient Black Forest legend, Loke, the god of mischief, is abroad in the world. It is a night for singing and dancing. And it is a night for love.
Helena Trant was enchanted by everything she found in the Black Forest—its…
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
One of my favorite plays. Set in an English country house across two centuries, it tells the story of Thomasina Coverly, a precocious schoolgirl in 1809 who falls in love with her eccentric tutor, Septimus Hodge.
Along the way she discovers a version of the 2nd law of thermodynamics – the fact that everything over time becomes messier. Because of sex, she jokes, apart from anything else. Byron makes a brief appearance and Stoppard manages to make him almost as witty on the stage as he was in life.
It’s a very funny, very clever play, but also incredibly moving, as a brilliant young woman briefly sees the world opening up to her remarkable understanding, before life gets in the way.
In a large country house in Derbyshire in April 1809 sits Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the '500 acres inclusive of lake' where Capability Brown's idealized landscape is about to give way to the 'picturesque' Gothic style: 'everything but vampires', as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later.
Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park.
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
Most people have not heard of a female playwright before Aphra Behn so I’ve been passionate about restoring the work of Shakespeare’s ‘sisters’, or female contemporaries, to the stage and to public awareness. Early play scripts by women are often dismissed as ‘closet drama’: unperformed, not written for performance, and unperformable. To challenge such assumptions, I staged productions of female-authored plays, most recently Wroth’sLove’s Victory. A good deal of writing about women’s drama now exists, including my book Playing Spaces.I have made this selection to encourage you to discover the plays for yourselves. I hope you enjoy reading, and perhaps watching or acting, them.
This book gives an excellent introduction to women’s involvement in theatre in the age of Shakespeare by making 6 of their texts easily available for the first time.
It publishes Queen Elizabeth I’s translation of a section by Seneca; The Tragedy of Antony(1595), a translation of a French play about Antony and Cleopatra by Mary Sidney Herbert, (aunt to Lady Mary Wroth).
It also publishes three original plays by women: Elizabeth Cary’s The Tragedy of Mariam(1613), The Concealed Fancies(1645), by the sisters Elizabeth Brackley and Jane Cavendish, and a valuable edition of Love’s Victory (but in a short section on p. 122 misprints the order of pages in the manuscript).
Cupid’s Banishment(1619) by Robert White is an entertainment, written to be performed by schoolgirls.
Renaissance Drama By Women is a unique volume of plays and documents. For the first time, it demonstrates the wide range of theatrical activity in which women were involved during the Renaissance period. It includes full-length plays, a translated fragment by Queen Elizabeth I, a masque, and a substantial number of historical documents. With full and up-to-date accompanying critical material, this collection of texts is an exciting and invaluable resource for use in both the classroom and research. Special features introduced by the editors include: * introductory material to each play * modernized spellings * extensive notes and annotations *…
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
Shaw believed he was a better writer than Shakespeare, and I think he may be right in this play. His wit and language combine to inform and entertain. Cleverness and iconoclasm abound. You can't help but revel in Shaw's pin-pricking of cherished beliefs. In response, we are forced to reevaluate customs and standards. If you want intellectual fun, this play is for you.
Shaw began writing MAN AND SUPERMAN in 1901 and determined to write a play that would encapsulate the new century's intellectual inheritance. Shaw drew not only on Byron's verse satire, but also on Shakespeare, the Victorian comedy fashionable in his early life, and from authors from Conan Doyle to Kipling. In this powerful drama of ideas, Shaw explores the role of the artist, the function of women in society, and his theory of Creative Evolution. As Stanley Weintraub says in his new introduction, this is "the first great twentieth-century English play" and remains a classic expose of the eternal struggle…
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
I remember reading Wilson’s play for the first time as a grad student, not long after I’d been a street musician in Harlem working with a brilliant, irascible old bluesman from Mississippi, and thinking “I knowthese guys.”
Wilson, the greatest American blues playwright (and one of the greatest American dramatists period), has an uncanny ear for the jibing, jiving, wisdom-declaiming back-and-forth that fills the conversational space between four southern-born musicians who find themselves in a Chicago recording studio one day in 1927, getting ready to back up their boss, Ma Rainey.
Toledo, elder and griot, the keeper of ancestral wisdom, butts heads with Levee, the hotheaded young innovator who bears, and brandishes, deep wounds inflicted by white southern violence. The play’s denouement is hurtful, shattering, unforgettable.
NOW A NETFLIX FILM STARRING VIOLA DAVIS AND CHADWICK BOSEMAN
From the Pulitzer Prize-winning author of Fences and The Piano Lesson comes the extraordinary Ma Rainey's Black Bottom—winner of the New York Drama Critics’ Circle Award for Best Play.
The time is 1927. The place is a run-down recording studio in Chicago. Ma Rainey, the legendary blues singer, is due to arrive with her entourage to cut new sides of old favorites. Waiting for her are her Black musician sidemen, the white owner of the record company, and her white manager. What goes down in the session to come is…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
My passion for story began while I was still in elementary school. I was an avid reader, taking the tram to the library whenever I could. I read biographies, short stories, comic books, and novels of all kinds. In college, I studied comparative literature, focusing on 19th and 20th-century novels in English and Spanish. I met many authors and was inspired to write my own stories. Eventually, this led to screenwriting as a career and then teaching and writing about screenwriting. I never abandoned my love of novels, publishing one of my first novels as a magazine for which I sold advertising to pay for printing.
I found this book to be the best explanation of how to focus a screenplay on a theme, which Egri calls premise. It’s also the best summary of how to develop characters in a screenplay, even though it was written as a guide to creating stage plays.
I use Egri’s method in everything I write, and I have used it as a foundation book in my screenwriting classes.
Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These…
