Here are 64 books that The Seesaw Log fans have personally recommended if you like
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Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
While the prose style of Act One is a little fussy, florid, and overly eager to impress, this is still a moving, funny, and emotional biography of a talented, ambitious young man who is determined to make his mark as a Broadway playwright. And, at the end, when he single-handedly turns his out-of-town failure (co-written with George S. Kaufman) into a hit, you want to stand up and cheer.
Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story.
If the future can be edited—who decides what gets erased? Broken Code is a high-stakes biotech conspiracy thriller where power isn’t seized—it’s engineered.
Harper “Brass” Brasfield, a Memphis attorney barely holding her life together, stumbles onto a case that exposes a disturbing experiment: behavior-altering gene edits designed to control who…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
The cover of this biography is J-O-S-H spelled out in huge theatrical lights—and Logan really was a Broadway legend as a director/producer/writer. The book chronicles his successes and failures, and he analyzes each show he worked on with an unsentimental and critical eye. He astutely argues for what audiences want to see, and what they reject. Particularly compelling are his personal portraits of Lorenz Hart, Richard Rodgers, and Oscar Hammerstein II.
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
The Good Companions by J.B. Priestley is a long novel from 1929—and it’s one of the few long novels I have eagerly returned to more than once. Three Britons (a young man, young woman, and older man) are dissatisfied with their lives, and they take to the open road. Along the way they create a travelling musical-comedy troupe, The Good Companions, and we travel along with them for the tryouts, the opening nights, the standing ovations, the missed opportunities, the lucky breaks: and the glories of friendship. The novel offers readers the delicious chance to live entirely in a world now completely vanished.
Three unhappy characters, flee from their old lives to seek adventure on the open road. Fate brings them together and into the presence of a broken-down theatrical touring company. Throwing caution to the winds they save the group and set off on an unforgettable tour of the pavillions and provincial theatres of England. First published in 1929.
If the future can be edited—who decides what gets erased? Broken Code is a high-stakes biotech conspiracy thriller where power isn’t seized—it’s engineered.
Harper “Brass” Brasfield, a Memphis attorney barely holding her life together, stumbles onto a case that exposes a disturbing experiment: behavior-altering gene edits designed to control who…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
I read this biography in 1972 when it was first published; I was in high school. Twenty-two years later I would write my novel that was clearly inspired by Houseman’s detailed and absorbing account of his theatrical career—particularly his collaboration with the 21-year-old Orson Welles whom Houseman immediately recognized as a dangerous firestorm of talent. Their years together and the eventual destructive splintering of their partnership make for a story that will stay with you. It made this young person feel that with sufficient nerve, talent, and vision, I might accomplish anything—which is exactly what you should feel when you’re young.
John Houseman describes with extraordinary self-knowledge and grace a life full of fantastic episodes that took him from a bizarre childhood to a seemingly hopeless and conventional business career to his brilliant debut in the world of the theater.
Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood.
Max Evans knows cowboy life and he writes about it authentically. In The Rounders, we laugh along with Dusty and Wrangler as they do battle with one of literature’s best horses, “Old Fooler.” The boys break horses, hunt for cows in rough country, rodeo, drink, and chase the girls—and it’s all in good fun.
The bawdy and moving story of two contemporary bronco busters, The Rounders, originally published in 1960, was Max Evans's first novel and is still his best known work, thanks largely to the success of the 1965 movie version starring Henry Fonda and Glenn Ford. Acclaimed for its realistic depiction of modern cowboying and for its humor, it is also a very serious work, described by the author as a tragicomedy.
I'm a woman of four and seventy years who thankfully doesn’t yet resemble that person to those who haven’t met me. I'm a mother of two who both have their own businesses in the fields of their natural talents, I've been Deputy Treasurer to the State of Kansas, written 22 books but think younger than I did at 20, and am enjoying the best sex life to date! Life is precious and should not be limited to us based on our age, but on our interests, knowledge, and what we have to offer. Writing about that which I've experienced and the recorded history of family are my passions and hopefully for my readers as well.
I love and recommend this accounting of Jimmy Stewart as what seems to be an honest and first person from his wife. She does not gloss over the tawdry but smiles at the sexual appetite of a man bigger than life to many. Whether best known for Rear Window, Vertigo, How the West Was Won, or Anatomy of a Murder, he was an actor I always admired for being able to act without seeming pompous even when getting the accolades from fans and press.
Michael Munn, using Jimmy’s widow for referencing much of his assertions of Jimmy’s character, gave me the feeling that at least in this appraisal of an artist, Munn had gone the extra yardage to actualize his impressions of Jimmy. Munn has been cast as a fraud, but I don’t think so in this instance. Jimmy admitted himself that acting was not so…
Many stars of the silver screen in twentieth-century Hollywood became icons. However, the private lives of actors such as John Wayne, Henry Fonda, and Errol Flynn rarely lived up to the idealistic roles they portrayed. James Stewart was known as the underdog fighter in many of his films and in real life. He was highly decorated for his bravery as a bomber pilot during World War II and was adored for his earnest and kindly persona. But there was much more to the man. In this New York Times bestseller, the many sides of Stewart are revealed: his explosive temper,…
I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
By the time I read this book, the Cold War was over, and fears about accidental nuclear war had faded, if not quite totally disappeared. Nevertheless, this one brought me back to my childhood, when movies like War Games and The Day After raised the specter of nuclear holocaust.
It is in the same genre: a technical glitch mistakenly sets in motion America’s nuclear defenses, which could lead to global nuclear war. I was not prepared for the ending (no spoiler!), but it was an effective way to show the dangers of using technology to control America’s nuclear arsenal.
From the New York Times–bestselling authors, this “chilling and engrossing” nuclear-showdown thriller packs “a multi-megaton wallop” (Chicago Tribune).
Originally published during the Cuban Missile Crisis, this suspenseful novel takes off as a group of American bombers—armed with a deadly payload of nuclear weapons—heads towards Moscow, their motives unknown. Suddenly, a nuclear apocalypse looms closer than it ever has, and the lives of millions depend on the high-stakes diplomacy of leaders on both sides of the divide.
The basis for the classic 1964 movie starring Henry Fonda, this two-million-copy bestseller is not only a terrifying thriller, but a fascinating…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
Full disclosure—Fiddler of the Roof is one of my favorite musicals of all time. I love the story, the music, the stage version, the movie, the various soundtracks…all of it. So it was an absolute pleasure to read this deep dive into the history of the show and understand the trials and tribulations that went into the journey to get it made.
Warning: This will incite you to listen to the soundtrack(s) and definitely want to watch the movie version (as of the writing of this piece, it was on Netflix!). You’ll be listening and watching with a new perspective of how Fiddler was an unexpected but well-earned hit.
In 1960, Sheldon Harnick sent a copy of Sholom Aleichem's novel, Wandering Stars, to his long-time collaborator, Jerry Bock, suggesting it might make a good musical and Fiddler on the Roof was born. Barbara Isenberg interviewed the men and women who created the original production, the film and significant revivals - Harold Prince, Sheldon Harnick, Joseph Stein, Austin Pendleton, Joanna Merlin, Norman Jewison, Topol, Jerry Zaks, Harvey Fierstein, etc. - to produce a lively, popular chronicle of the making of Fiddler. Published for the 50th anniversary of Fiddler's opening night on Broadway, Tradition! is the book for everyone who loves…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Everything that can wrong in live theatre happened to Spiderman: Turn Off the Dark—and on the biggest scale possible. How Glen Berger, the only non-rich and famous person on the creative team ofThe Lion Kingdirector Julie Taymor and U2 rockers Bono and The Edge, managed to tell all without being sued is a mystery. Maybe it’s because the fights, failures, and firings are all just another day at work on Broadway—as are the accidents. Every outrageous incident Berger relates I have personally experienced in the musicals I’ve written—from on Broadway to Off-Off-Broadway and around the globe. ReadingSong of Spider-Man prepared me for the worst, from producers applying Mafia-style pressure to witnessing an actor plummet to the stage like a dead weight.
As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can't begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theatre history. Renowned director Julie Taymor picked playwright Glen Berger to co-write the book for a $25 million Spider-Man musical. Together-along with U2's Bono and Edge-they would shape a work that was technically daring and emotionally profound, with a story fuelled by the hero's quest for love...and the villains' quest for revenge. Or at least, that's what they'd hoped…
I have always loved history, from ancient Egyptian times up to recent history (the 1950s and 1960s). Put history in the context of a crime and the history becomes even more fascinating. A book where the history of that time comes vividly alive for the reader is the greatest pleasure a reader can experience.
Agatha Christie is deservedly the world’s best-selling crime writer, and most of her readers are familiar with Miss Marple and Hercules Poirot, but with this book we have the undiscovered gems of the mysterious Harley Quin and his partner Mr. Satterthwaite. The book is evocative of England in the 1930s. It makes for addictive reading and shows Christie at her very best.
A unique offering from the Queen of Crime. This Agatha Christie Signature Edition features the hero the world-famous author was most fond of - Mr Harley Quin, the enigmatic friend and counterpart of the rational Mr Satterthwaite.
So far, it had been a typical New Year's Eve house party. But Mr Satterthwaite - a keen observer of human nature - sensed that the real drama of the evening was yet to unfold.
So it proved when a mysterious stranger arrived after midnight. Who was this Mr Quin? And why did his presence have such a pronounced effect on…
