Books like Act One — picked by fans

I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.

“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir, I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugula and Sunny Days are not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined by Sesame Street and Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.

“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir, I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugula and Sunny Days are not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined by Sesame Street and Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.

“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir, I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugula and Sunny Days are not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined by Sesame Street and Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.

Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition  as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America? that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.

Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition  as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America? that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.

Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition  as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America? that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.

Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition  as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America? that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.

Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusual pet.

I love being entertained while I read, but I equally love to learn something. That has led me to fall in love with the historical fiction genre, and is what also led me to write We Came Here to Shine and The Subway Girls. Part of being able to write good historical fiction is to learn from the masters in the genre. I am drawn to historical fiction that features ambitious women who were notable in their time for going against the strictures and conventions forced upon them, and I have chosen all of these books for you because they feature women like that. I hope you enjoy!