Books like The Secret Life — picked by fans

I turn to Mrs. Ramsay, the wife, mother, and hostess of this book, whenever I question my value in the world. By Victorian standards, she “has it all”: a doting (if difficult) husband, eight loving children (with whom, amazingly, she seems to have no problems), and a comfortable way of life. She alone, not her renowned philosopher spouse, not the young poet nor the dedicated artist who comes for a visit, brings meaning and harmony to a group of guests over one holiday weekend.

Mrs. Ramsay reminds me that nurturing and feeding (in all the meanings of that word) other people is a sacred task, even if our society doesn’t recognize it as such. Even a simple dinner party can partake of spiritual eternity: “Of such moments, she thought, the thing is made that endures.”

When I spend too much of my own day on seemingly mindless chores or… show more.

I’m drawn to books that buck expectations, whether that’s through the format, content, or approach. So I adore how this book absolutely tears them all down and creates something more original instead. Chunks of this book are written like social media posts, which create quick, digestible sections that let the absurdity, humor, and social musings really hit.

I also admire how Lockwood is able to switch so smoothly between hilarity, heartbreak, anxiety, and sadness; I was cackling one minute and then ugly crying just a few pages later. I’ve never read a book quite like this before. Lockwood’s writing style inspires me to take more risks in my own stories.

In contrast to John Berger’s Marxist aesthetic, Barthes’s approach to visual experience and photographic images draws upon the tradition of semiotics and, to a degree, postmodern theories of text and intertextuality. Barthes leads his reader into the codes and conventions of the image. How images signify is thus made a central topic that provokes self-reflection and reflexive challenges to conventional image analysis. Where Berger’s work is expository and analytic, Barthes's book is exploratory and novelistic (Barthes would have his reader approach the work as a kind of intertextual fiction). As the title of the work suggests, this is Barthes at his most personal and reflective. His fascination remains with the photographic image which is presented as one of the defining aesthetic objects of modernity. But the act of photography is now itself complex, mediated, and open to a range of concrete experiential impulses.

Here the viewer of the photograph is… show more.

I go to Ben Lerner’s writing for the shimmering atmospheres of his fictional universes. 10:04 is set in contemporary New York City and follows the narrator-writer through his urban routines. But between his health scares, relationship worries, and professional commitments, the novel thrums with a strange, uneasy beat as the narrator questions the fabric of modern life in a large city. He feels the sublime abundance of the commodities that surround him, whose very abundance is precarious. The book meditates on the fragility of the global supply chains that bring cans of ground coffee onto supermarket shelves and into our baskets. There is also a superstorm approaching, which threatens the city’s power. Lerner is wonderful on twenty-first-century, first-world malaise.

Emma Djan is a policewoman turned private investigator in Ghana. Her assignment is to track down the missing American who came out to Ghana to meet a woman who is almost certainly the fictional creation of internet scammers—the sakawa boys. We love Emma Djan’s combination of commitment and naiveté as she takes on the scammers, and the way Quartey weaves the local culture—complete with fetish priests and celebrities—into an intriguing plot. If you like to travel, visit Ghana. Great lead character, great plot, great sense of place. What’s not to like? A worthy Shamus Award winner.

I took a while to warm to Mabel Beaumont. She’s grumpy and wasn’t a loving partner to her late husband, Arthur, a caring attentive man.

When he dies, she’s bereft and feels bound to carry out his last wish, written cryptically in his last list, "Find D." Mabel thinks she knows what it means. She must track down her former best friend Dot, who she hasn’t seen since she suddenly left more than sixty years ago. But how?

Fortunately, savvy helpers turn up, thoughtfully arranged by Arthur before he died, and they all become unlikely friends. Did Arthur know her better than she knew herself? Did he love her more than she loved herself or him? Well-drawn characters make this an intriguing, uplifting story. It’s never too late!   

Set on a treacherous sea voyage in 1634, this impossible crime is cloaked by an atmospheric setting. Is a demon hiding on the ship—or is there a very real killer stalking victims in the claustrophobic setting? This was unlike any locked-room mystery I’d ever read, and it was impossible not to get swept up in the adventure on the high seas. With detective Samuel Pipps accused of a crime and imprisoned in cramped quarters on the ship, it’s up to his bodyguard to act on his behalf and prove a human hand—not a demon—is responsible for the murder and mayhem aboard.

I thought I had this book figured out from the start, but by the time I got to the end, I was pleasantly surprised that my expectations were completely subverted.

The twist at the end is surprising, sad, and perfectly fitting for this book. I’m also a sucker for a great summer romance story, and this one fits the bill perfectly. 

The opening of the book hooked me as it was written from the perspective of a psychotherapist and was very true to life. However, there were other sections written from the therapist’s perspective which seemed a bit ‘off’. This puzzled me as the author clearly understood the therapeutic relationship. But eventually, it became clear why these excerpts bore little relationship to my own training and the behavior of the psychotherapists I know! You will have to read the book to find out.

This novel has creepy elements as the couple begin to feel watched in their new home, a frightening situation that is easy to imagine. The tension ratchets up when the protagonist discovers that the previous owner – a therapist called Nina – had been murdered there. And her husband had known all along but not told her.

I found this book to be a good holiday read. 

Secrets and lies always keep me turning the pages and this book has those in spades.

I love that Fisher writes about the kind of women we all know. Her characters are truly relatable and the dilemma of whether Maggie should expose her husband’s lies or protect the people she loves is an agonising one.

There’s so much humour in Fisher’s writing. I love a book that brings out laughter and tears.