100 Books Like The Secret Life

I turn to Mrs. Ramsay, the wife, mother, and hostess of this book, whenever I question my value in the world. By Victorian standards, she “has it all”: a doting (if difficult) husband, eight loving children (with whom, amazingly, she seems to have no problems), and a comfortable way of life. She alone, not her renowned philosopher spouse, not the young poet nor the dedicated artist who comes for a visit, brings meaning and harmony to a group of guests over one holiday weekend.

Mrs. Ramsay reminds me that nurturing and feeding (in all the meanings of that word) other people is a sacred task, even if our society doesn’t recognize it as such. Even a simple dinner party can partake of spiritual eternity: “Of such moments, she thought, the thing is made that endures.”

When I spend too much of my own day on seemingly mindless chores or… show more.

I’m drawn to books that buck expectations, whether that’s through the format, content, or approach. So I adore how this book absolutely tears them all down and creates something more original instead. Chunks of this book are written like social media posts, which create quick, digestible sections that let the absurdity, humor, and social musings really hit.

I also admire how Lockwood is able to switch so smoothly between hilarity, heartbreak, anxiety, and sadness; I was cackling one minute and then ugly crying just a few pages later. I’ve never read a book quite like this before. Lockwood’s writing style inspires me to take more risks in my own stories.

In contrast to John Berger’s Marxist aesthetic, Barthes’s approach to visual experience and photographic images draws upon the tradition of semiotics and, to a degree, postmodern theories of text and intertextuality. Barthes leads his reader into the codes and conventions of the image. How images signify is thus made a central topic that provokes self-reflection and reflexive challenges to conventional image analysis. Where Berger’s work is expository and analytic, Barthes's book is exploratory and novelistic (Barthes would have his reader approach the work as a kind of intertextual fiction). As the title of the work suggests, this is Barthes at his most personal and reflective. His fascination remains with the photographic image which is presented as one of the defining aesthetic objects of modernity. But the act of photography is now itself complex, mediated, and open to a range of concrete experiential impulses.

Here the viewer of the photograph is… show more.

I go to Ben Lerner’s writing for the shimmering atmospheres of his fictional universes. 10:04 is set in contemporary New York City and follows the narrator-writer through his urban routines. But between his health scares, relationship worries, and professional commitments, the novel thrums with a strange, uneasy beat as the narrator questions the fabric of modern life in a large city. He feels the sublime abundance of the commodities that surround him, whose very abundance is precarious. The book meditates on the fragility of the global supply chains that bring cans of ground coffee onto supermarket shelves and into our baskets. There is also a superstorm approaching, which threatens the city’s power. Lerner is wonderful on twenty-first-century, first-world malaise.

Haitian-born Edwidge Danticat’s linked short-story collections brilliantly balance a focus on detail, gesture, and situation with a cumulative vision of place and fateful circumstance.

In Claire of the Sea Light, the disappearance of a young girl frames a sequence of tales about several members of the small seaside community where the girl lives with her father.

After Claire’s sudden disappearance in the opening narrative, we follow the adults’ betrayals, sacrifices, and missteps to the final story, when the missing girl’s own perceptions provide a moral and imaginative frame for the family and community she must now choose to rejoin or escape permanently.

I loved this book, which was a horror novel rich in folklore. I was drawn to the unique characters and the combination of horror, occult, and Irish folklore. I really enjoyed the transportation of these folklore traditions across continents, moving from Ireland to Northern Carolina.

I always feel that good horror is the sense of unease that develops throughout the story and lingers long after. It has been several years since reading this book, and the unease still lingers, and the repetitive line throughout ‘And I twist myself around like the twisted ones” casts a spell all of its own. 

This book starts with a prank gone wrong, when Rafa and his friend steal the school slushy machine and get busted. As punishment, Rafa is sent to Ranch Espanto in New Mexico for the summer.

Rafa makes a friend in Jennie, but his work at the ranch keeps being sabotaged… He has to solve the (supernatural) mystery of the ranch, and in the end the book has a cool plot twist to satisfy mystery readers like myself. Aside from the strong plot, this book also covers tougher topics affecting these kids, giving it depth and heart.

I loved the New Mexico feel of the book, and appreciated how there was a mystery as well as supernatural (and magical realism) elements. The Ghosts of Rancho Espanto is the perfect book for kids who like a blend of genres, not simply another ghost story.

If you haven’t discovered Joshilyn Jackson, you’re in for a treat. Her Domestic Suspense novels are so sharp, cleverly plotted, and darkly funny.

It’s not old friends but new ones that wreak havoc in Never Have I Ever, as a glamorous “bad girl” newcomer joins the local book club—with ulterior motives.

This is a tale of the secrets people hope will stay hidden, manipulation, and below-the-surface danger, told with wry insights about human nature and crackling humor.

This book perfectly captures the atmosphere of a summer trip that both feels like it lasts forever and is also over way too fast. I loved the Oregon beach setting and the slow-building connection between Jeremy and Evan, first as friendship and then maybe something more.

This is such a tender, beautiful, and vivid story—when I finished it, I really felt like I had just come back from a wistful seaside vacation myself! And as a runner, I enjoyed the way Jeremy and Evan connected while jogging together. Evan was a very kind and empathetic “coach.”

I loved every minute of this book.

This is the type of book you read with tabbies and attach them to all the amazing lines that strike a chord with you.

Set in charming Charleston, this story is about community, friendship, and self-discovery. It’s heartwarming, endearing, and packs an emotional punch.