Here are 66 books that The Rose and the Yew Tree fans have personally recommended if you like
The Rose and the Yew Tree.
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I grew up on farms, and have experienced the undercurrents that exist in small villages, which is why I like crime novels with rural settings. I worked as a couple counsellor for a while, which taught me that no fictional character can quite equal the real quirks and inconsistencies of real people—but I love those books which get close. Charles Dickens probably does it best! In my own novels I try to achieve something approaching this, in characters who break away from stereotypes and behave unpredictably. I like to think I manage to be witty sometimes, too—I really love humour, especially when it’s wordplay or subtly ironic.
This book caught my attention because it involves a house-sitter, just as my series does. But Morag’s story could not be more different. It depicts a terrible sequence of events arising from an innocent house-sitting assignment and a growing love for the place, which I as a reader very much shared. The house itself becomes both the setting and the main threat to the well-being of the ‘half-broken’ characters. The story is hauntingly compelling, the characters deeply likeable, and the writing a real delight. This has been one of my great favourites ever since I first read it.
A gripping tale of psychological suspense perfect for the readership of Minette Walters and Ruth Rendell, Half Broken Things is a novel that peers into the lives of three dangerously lost people…and the ominous haven they find when they find each other.
Jean is a house sitter at the end of a dreary career. Steph is nine months pregnant and on the run. And Michael is a thief. Through a mixture of deceit, good luck, and misfortune, these three damaged loners have come together at a secluded country home called Walden Manor. Now all three have found what they needed…
"I'm Nicky. Your little sister." With these words from a stranger, Hilda's quiet existence in a marshland cottage with her rescue cats is turned upside down. She resolves to find out the truth about her parents' marriage, her father's secret life and her mother's untimely death.
I'm Carmen F. Vlasceanu, PhD, FIH, hospitality executive, mentor, and author who believes in leading with a good heart and living with purpose. Through my book Dare to C.A.R.E. and the life coaching I offer, I help people reconnect with their inner power, serve others authentically, and grow in every area of life. As a single mom, global citizen, and lifelong learner, I’ve walked through burnout, reinvention, and bold dreaming. These books have helped me rediscover my voice, redefine my mission, and remember what really matters. They helped ground me in faith, encouraged my evolution, and reminded me why meaningful connection always comes first.
This book helped me shift my mindset, and I first picked it up during a stressful phase of my life. I gave myself some time to simply breathe and take it in. It reminded me that the “now” is not just a passing second, but a sacred space where peace and clarity live.
I love how it helped me stop living in the echo of yesterday or the fear of tomorrow. I remember closing my eyes and whispering, “This moment is enough,” and feeling my shoulders relax for the first time in weeks. It helped me feel more connected with myself, my son, my clients, and in doing so, intentionally live every moment with more compassion, stillness, and supremacy.
**CHOSEN BY OPRAH AS ONE OF HER 'BOOKS THAT HELP ME THROUGH'**
The international bestselling spiritual book, now with a new look for its 20th anniversary. Eckhart Tolle demonstrates how to live a healthier, happier, mindful life by living in the present moment.
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'I keep Eckhart's book at my bedside. I think it's essential spiritual teaching. It's one of the most valuable books I've ever read.' Oprah Winfrey
To make the journey into The Power of Now we will need to leave our analytical mind and its false created self, the ego, behind. Although the journey is challenging, Eckhart…
I’ve been on a quest of healing my childhood trauma for decades. Now I’m living with gratitude and a zest for life. Let my research help you on your own unique journey. Since you’re reading this, it may be the exact time for you to move forward on your self-actualization trip! Here’s a tip: You don’t need “improvement.” You’re already good – you just need help to find it inside and believe it. Here are 5 books that helped me accept myself, made me think differently about others, and opened new possibilities for happiness and peace.
This book, and a couple of seminars with Byron Katie, really did change my life! I was stuck in negative thinking and couldn’t seem to get out of it. She offers a straightforward method to challenge your thoughts and turn them around to other possibilities. It‘s almost magical how your hurtful beliefs can be changed into accepting “the way it is” without the hurt.
Get this book and get some relief from whatever is bothering you. Truly.
Discover the truth hiding behind troubling thoughts with Byron Katie’s self-help classic.
In 2003, Byron Katie first introduced the world to The Work with the publication of Loving What Is. Nearly twenty years later, Loving What Is continues to inspire people all over the world to do The Work; to listen to the answers they find inside themselves;and to open their minds to profound, spacious, and life-transforming insights. The Work is simply four questions that, when applied to a specific problem, enable you to see what is troubling you in an entirely different light.
Welcome to Marble Hill, Iowa, a small town where every quiet street and familiar face conceals hidden depths of mystery and intrigue. These thrilling stories follow Police Chief Tom Petrosky and State Police Forensics Specialist Patricia Johnson as they interweave crime investigation and a personal relationship.
I’ve always been attracted to the overlooked, the obscure, the forbidden. Maybe it’s as simple as the fact I grew up in a time when it seemed natural to rebel against norms. Or maybe it’s that I inherited an oddball gene from some ancient ancestor. Anyway, it led me to interesting adventures—hanging out with a crew of gun runners in eastern Turkey—and interesting career choices—strike organizer, private detective, etc. It also shaped my reading and my writing. I read everything, but I’m particularly drawn to the quirky—Grendel, the fiction of Christine Rivera Garza for instance. And in my writing too: Lynerkim, the protagonist of my novella, is undoubtedly an odd duck.
Everybody knows Ahab, but do you know Bartleby? It’s a strange story about a strange man, which, of course, attracts me. Bartleby is a lawyer’s copyist who decides he doesn’t want to do this sort of writing anymore and meets every instruction with the words: I would prefer not to. You can read Bartleby as simply a humorous tale. Or you can read it as a story of the existential crisis most writers, myself included, face at one time or the other. Melville was feeling dissatisfied with his choice of a writing career—the critics were unfriendly—and, in my opinion, the title character reflects this. It’s also, in my view, an implicit critique of economic control in America—my SDS youth would approve! It’s not for nothing that the story’s final words are: “Ah Bartleby! Ah humanity!”
At the period just preceding the advent of Bartleby, I had two persons as copyists in my employment, and a promising lad as an office-boy. First, Turkey; second, Nippers; third, Ginger Nut. These may seem names, the like of which are not usually found in the Directory. In truth they were nicknames, mutually conferred upon each other by my three clerks, and were deemed expressive of their respective persons or characters.
The stars aligned to ignite my passion for magic-realism romance after a few things had happened. 1) I got heavily into the idea of the multiverse and alternate realities in high school, having been inspired by my physics teacher. 2) I read and fell in love with The Time Traveler’s Wife (see list!). 3) I binge-watched the incredible sci-fi show Fringe, which deals with parallel universes and time jumps. 4) I decided to write my first multiverse romance, inspired by all the above factors and more besides. Since then, I’ve focused most of my reading on romantic novels, with those that share a magic realism twist being auto-reads—of course!
Cesca Major's book is my pick in the spate of recent time-loop novels that feature romance. The Groundhog Day concept, where the protagonist repeats the same day over and over to (hopefully) get it right, is fertile ground for a great romance. Who hasn’t wished they could get a do-over with a loved one or potential partner?
Our protagonist, Emma, keeps reliving the day her husband, Dan, died after being hit by a car after a marital fight. I love Emma’s agony in trying all the possibilities to avoid Dan’s death, to the extent of virtually driving her insane. The lack of consequences, given she always wakes up on the Monday morning, is another thing that pushes her to increasing extremes.
This is not a typical romance, but the focus on saving her marriage no matter what makes this book a perfect magic-realism romantic novel. I also adore the London…
A heartwarming and emotionally poignant time-loop novel about a stressed woman who must relive the same day over and over, keeping her family and work life from imploding as she attempts to spare her husband from an unfortunate fate.
It is an ordinary Monday and harried London literary agent Emma is flying out of the door as usual. Preoccupied with work and her ever growing to-do list, she fails to notice her lovely husband Dan seems bereft, her son can barely meet her eye, and her daughter won’t go near her. Even the dog seems…
The Second World War featured prominently in comics and conversations with adults when I was a boy. Knowing about the war and its origins was a way to make sense of the world. As an undergraduate, my history professor insisted I also study economics. That has helped my study of strategy, which is also concerned with choices between alternative uses of scarce resources. However, dry analysis is not enough for a historian. It mattered that Churchill and Chamberlain had different personalities. I try to recapture the political passions of the past and the uncertainty people felt then about the future.
I attended Alistair Parker’s lectures as a postgraduate in Oxford, and I could hear his voice engaging with his audience when I read this book. Alistair rejected Churchill’s portrait of Chamberlain as narrow-minded and lacking experience in European affairs and accepted that the prime minister’s options were limited by economic and strategic circumstances. However, he argued with characteristic verve that Chamberlain’s obstinacy in pursuing appeasement, caution in rearmament, and opposition to a Soviet alliance dispelled any chance of deterring Hitler.
This book provides a fresh and original approach to a controversial episode in British history, Chamberlain's policy of 'appeasement' towards Hitler's Germany. Written directly from primary archival sources, Alastair Parker's account offers the student new perspectives on the man who dominated the making of British policy before and after his 'triumph' at Munich in September 1938 - Neville Chamberlain. This study considers his personality, his aims and his methods and the opposition to him from men both within and outside his party.
Christopher Jope was supposed to be the next great celebrity heartthrob. But then he was demoted to third wheel in the supernatural throuple romance he starred in years ago. Now, he’s a B-list celebrity at best, struggling to find success in his work or love in his personal life.
I’ve always been fascinated by the 1930s. In Britain, the decade was haunted by troubling memories of the Great War and growing fears of a more terrible conflict to come. In other words, it was a decade dominated by geopolitics. After more than 30 years as a journalist for the Reuters news agency, I’ve learned that geopolitics will never leave us alone. My novel is the first in a series of stories examining what geopolitics does to ordinary people caught in its grip. This selection of fiction and nonfiction titles is a fascinating introduction to what the poet WH Auden called ‘a low dishonest decade’.
If the First World War was the brooding background to 1930s Britain, the Spanish Civil War was the tragic conflict at its centre. Thousands of British volunteers went to Spain to fight, overwhelmingly on the Republican side. Meanwhile, the British government’s dogged adherence to a non-intervention agreement was slowly starving the Republicans of military aid.
I rate Preston’s account of the war because he shows how the brutal civil conflict became a proxy battleground for international forces of right and left while Britain clung to non-intervention. London was in a genuine bind over Spain but ended up adopting a position that paved the way for the appeasement of Hitler, a policy many Britons saw as profoundly dishonest.
Paul Preston is the world's foremost historian of Spain. This surging history recounts the struggles of the 1936 war in which more than 3,000 Americans took up arms. Tracking the emergence of Francisco Franco's brutal (and, ultimately, extraordinarily durable) fascist dictatorship, Preston assesses the ways in which the Spanish Civil War presaged the Second World War that ensued so rapidly after it.
The attempted social revolution in Spain awakened progressive hopes during the Depression, but the conflict quickly escalated into a new and horrific form of warfare. As Preston shows, the unprecedented levels of brutality were burned into the American…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
While the prose style of Act One is a little fussy, florid, and overly eager to impress, this is still a moving, funny, and emotional biography of a talented, ambitious young man who is determined to make his mark as a Broadway playwright. And, at the end, when he single-handedly turns his out-of-town failure (co-written with George S. Kaufman) into a hit, you want to stand up and cheer.
Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story.
As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
Set in the seventies, a sexy female celebrity journalist sets out to find the reason for the break-up of a singing/comedy duo alá Lewis and Martin and uncovers a gruesome murder. Full of sex, drugs, and behind-the-scenes entertainment business debauchery, this story is told in a masterful way that is funny, frightful, suspenseful, and disturbing. A truly unique noir tale where no one comes away clean. Just how I like it. And written by my good friend and former employer, Rupert Holmes. The same guy that gave us “Escape, The Pina Colada Song” and the Broadway hit The Mystery of Edwin Drood.
O’Connor, a vivacious, free-spirited young journalist known for her penetrating celebrity interviews, is bent on unearthing secrets long ago buried by the handsome showbiz team of singer Vince Collins and comic Lanny Morris. These two highly desirable men, once inseparable (and insatiable, where women were concerned), were driven apart by a bizarre and unexplained death in which one of them may have played the part of murderer. As the tart-tongued, eye-catching O’Connor ventures deeper into this unsolved mystery, she finds herself compromisingly coiled around both men, knowing more about them than they realize and less…
"New generation Holmes and Watson - if Holmes was adorable and Watson was a beautiful woman."
Set in an alternate and progressive Victorian London, anarchist Charles Shilling and noblewoman Amelia Florin inadvertently cross paths and join forces to catch a notorious serial killer. Romance, murder, and mystery abound as the…
I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
Gone Girl started the domestic suspense trend and showed us that suspense can be driven by family/household dynamics. Louise Candlish takes this to another level in Our House when the main character comes home to find another family moving into her house. She soon discovers that her husband has sold the house from under her feet and disappeared. This is a fantastic, slow-burn literary thriller with a great ending.
On a bright morning in the London suburbs, a family moves into the house they've just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn't sell it. 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible' Clare Mackintosh, author of I See You
'Property-porn looks set to become a staple of crime fiction and Our House is an excellent example of this burgeoning subgenre. Husband and wife pass the narrative baton between them in this masterfully plotted, compulsive page-turner' Laura Wilson, Guardian…
