Here are 100 books that The Rock Eaters fans have personally recommended if you like
The Rock Eaters.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.
Before I began to write my own cycle of flash fiction and microfiction, I decided to study virtuosos of the form. Bender’s book was my first encounter with fast fiction. Her surreal, emotionally raw flashes and short-shorts walk a tightrope between the absurd and the profound. Her characters often exist in dreamlike states—wearing prosthetic arms, dating monsters, or grieving through magical realism. These compact stories don’t just surprise; they haunt.
As a novelist who leans towards conventional storytelling, I found this book foundational for taking risks to be weird and brief.
In The Girl in the Flammable Skirt Aimee Bender has created a world where nothing is quite as it seems. From a man suffering from reverse evolution to a lonely wife who waits for her husband to return from war; to a small town where one girl has a hand made of fire and another has one made of ice. These stories of men and women whose lives are shaped and sometimes twisted by the power of extraordinary desires take us to a place far beyond the imagination.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
It is my sincerest belief that science fiction loses its purpose when it focuses too much on the science and too little on the humans (or aliens, or sentient spores) at the center of the story.
No one can accuse Swyler’s Light from Other Stars of that. Straddling the line between literary and science fiction, this novel is about space travel, yes, but it’s also about parent-child bonds, friendship, and the people of a small town in Florida in all their idiosyncrasies, virtues, and flaws.
This novel will make you think (mostly about physics), but it will also make you deeply feel.
A Long Island Reads 2020 Selection * A Real Simple Best Book of 2019
From the bestselling author of The Book of Speculation, a “tender and ambitious” (Vulture) novel about time, loss, and the wonders of the universe.
Eleven-year-old Nedda Papas is obsessed with becoming an astronaut. In 1986 in Easter, a small Florida Space Coast town, her dreams seem almost within reach--if she can just grow up fast enough. Theo, the scientist father she idolizes, is consumed by his own obsessions. Laid off from his job at NASA and still reeling from the loss of Nedda's newborn brother several…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Machado is a master storyteller, a writer who plays with form and structure and our narrative expectations to create entirely new ways of telling tales. This collection was her groundbreaking debut.
I’ve always loved fairy tales and folklore for the ways they play with character archetypes, repetition, and deceptively simple story shapes. Machado does the same thing here, upending our ideas about wives, lovers, and monsters with these tales that might trick you into thinking you know what’s coming next—until she flips you over and turns you around. She’s a new Brother Grimm, a fairy-tale writer for the modern age.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.
Any time I see a new story by Russell, I drop everything to step into the funny, quirky, and insightful worlds she creates. When I first read the title story of Orange World, about a woman who has made a bargain with a devil to protect her own baby, I wanted to press this book into the hands of any mother struggling with breastfeeding.
I could think of no better way to explain my experience than Russell’s description of trying to nurse a clawed, fanged, insatiable monster—along with the mix of posturing and solidarity I found within new mom’s groups and the way that loving my children connected me with my own parents.
'I loved Orange World... a collection of short stories in which demons live in drains, bog women come back from the dead and trees can grow inside the human body' Daisy Johnson, New Statesman BOOK OF THE YEAR
'A rare combination of literary brilliance and unbridled entertainment' Mark Haddon
These exuberant, unforgettable stories showcase Karen Russell's comedic and imaginative talent for creating outlandish predicaments that uncannily mirror our inner lives. In 'The Bad Graft', a couple on a road trip stop in Joshua Tree National Park, where the spirit of a giant tree accidentally infects the young woman, their fates…
I’m a writer who loves all kinds of fiction, but I’m most passionate about magical realism and related genres (like fabulism and speculative fiction). I love when writers skirt several genres, especially when their use of the “strange” holds a funhouse mirror up to our world and allows us to see a deeper truth. My favorite writers craft prose that rivals poetry and delve into their characters’ interior worlds; for me, one of fiction’s greatest magic tricks is the ability to enter another’s world and create empathy. The five authors on this list do all of these things and more, and they serve as some of my greatest inspirations.
Full disclosure: Anne is a dear friend and was an MFA workshop-mate of mine.
But even if she wasn’t, I’m confident this would still be one of my favorite collections. There is so much magic in Valente’s writing, in the gorgeous prose but also in the content of the stories: ghosts, pink dolphins, tiny librarians, Northern Lights.
Much of the magic is not supernatural, but just the magic of the natural world, and Valente is a master of place; I’ve always admired her use of setting. Many of the stories deal with loss, grief, and pain, but the magic acts as a way to transcend these things, which is what I aim to do in my stories as well.
From ghosts to pink dolphins to a fight club of young women who practice beneath the Alaskan aurora borealis, By Light We Knew Our Names examines the beauty and heartbreak of the world we live in. Across 13 stories, this collection explores the thin border between magic and grief.
When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • “A shattering and darkly comic send-up of racial stereotyping in Hollywood” (Vanity Fair) and adeeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play.
Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant,…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Is Fried’s short story collection The Great Frustration literary, science fiction, fantasy, absurdist, or something else? I have no idea, and I suspect neither does he, but that’s one of the reasons I love this book so much.
Whether Fried is writing about the animals in the Garden of Eden or a town that refuses to change its ways despite its pesky recurrent problem of massacres, these stories will make you laugh.
After you’re done laughing, when you’ve had some time to think, you’ll realize that you were only laughing because Fried is adept at pointing out those aspects of society and human nature that we find uncomfortable—which, of course, the best comedians have always done.
Equal parts fable and wry satire, The Great Frustration is a sparkling debut. Seth Fried balances the dark--a town besieged, a yearly massacre, the harem of a pathological king--with moments of sweet optimism--researchers unexpectedly inspired by discovery, the triumph of a doomed monkey, the big implications found in a series of tiny creatures.
In "Loeka Discovered," a buzz flows throughout a lab when scientists unearth a perfectly preserved prehistoric man who suggests to them the hopefulness of life, but the more they learn, the more the realities of ancient survival invade their buoyant projections. "Frost Mountain Picnic Massacre" meditates on…
My engagement in the topic has two distinct vectors, academic, and personal, or, if you wish, existential. My academic engagement began when Buber's son Raphael (1900-91), who served as the Executor of the Martin Buber Literary Estate, invited me to assemble and edit his father's writings on the "Arab Question." He explained that of all of his father's publications, his ramified writings promoting the political and human dignity of the Palestinian Arabs spoke most dearly and, as a citizen of the State of Israel, most immediately to him. I accepted Rafael's invitation with alacrity, for like Raphael I'm an Israeli by choice, having emigrated to the country in 1970.
Partition—the idea of separating Jews and Arabs along ethnic
or national lines—is a legacy at least as old as the Zionist-Palestinian
conflict. Challenging the widespread "separatist imagination" behind
partition, Gil Hochberg demonstrates the ways in which works of contemporary
Jewish and Arab literature reject simple notions of separatism and instead
display complex configurations of identity that emphasize the presence of
alterity within the self—the Jew within the Arab, and the Arab within the Jew. In
Spite of Partition examines Hebrew, Arabic, and French works that are
largely unknown to English readers to reveal how, far from being independent,
the signifiers "Jew" and "Arab" are inseparable.
Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread "separatist imagination" behind partition, Gil Hochberg demonstrates the ways in which works of contemporary Jewish and Arab literature reject simple notions of separatism and instead display complex configurations of identity that emphasize the presence of alterity within the self--the Jew within the Arab, and the Arab within the Jew. In Spite of Partition examines Hebrew, Arabic, and French works that are largely unknown to English readers to reveal how, far from being independent, the signifiers…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I write strange, emotional novels from my book-filled apartment in Vancouver, a short walk from the ocean. This may be why I’m obsessed with islands. Or perhaps it’s because they evoke the feeling of being apart from the world, adrift, of protecting something rare. Whatever the reason, my novel takes place on an uncanny island off the coast of Mexico, where the locals drink tea in the afternoon and pray to skeletons hidden in caves. The story that unfolds on this island could not have taken place on the mainland, and I believe the same goes for the books on my list.
This novel brings together the past and present experiences of Asian Canadians in a story that’s bursting with light and energy. Much of the book depicts the discrimination faced by Chinese immigrants in Newfoundland in the early 20th century, and I loved how humour was interspersed between moments that stirred feelings of intense anger and sadness.
Throw in a cheeky, time-travelling spirit named Mo and the privileged millennial who learns about the hardship that’s granted him the life he leads, and we’ve got a fresh take on a tragic history from an exciting new literary voice.
NAMED A BEST BOOK OF THE YEAR BY THE TELEGRAM AND WINNIPEG FREE PRESS
The hilarious and heartbreaking story of two William Pings in Newfoundland—the lost millennial and the grandfather he knows nothing about
William Ping’s millennial life revolves around eating at restaurants, posting online about eating at restaurants, then overanalyzing it. This changes unexpectedly when a dinner with his Chinese girlfriend’s family goes sideways and his insecurity about his biracial identity and his ignorance of his own Chinese heritage overflow. During a much-needed break from the…
