Here are 100 books that The Rise and Fall of D.O.D.O. fans have personally recommended if you like
The Rise and Fall of D.O.D.O..
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Fantasy has always intrigued me since I read The Once and Future King in grade school. The number of fantasy books I’ve read number in the hundreds if not topping a thousand. In my twenties, you never saw me without a book in my hand, my nose pressed into the pages. If I wasn’t reading, I was dreaming up fantasy stories in my head, and this was long before I ever thought of writing my first book. I was a dreamer from birth and will die as one if I live to be 100 like my granny.
Stepping out of the theme of fantasy, I have to say I am a huge fan of science fiction, nearly as much as fantasy. One of the first books/series that springs to mind when speaking of this genre is the Vorkosigan Saga by Lois Mcmaster Bujold. I’d read a lot of Sci-Fi prior to this series, but mostly the Battletech books. If Battletech was my favorite fast-food books, then The Vorkosigan Saga was an 8-course meal at a 5-star restaurant. While it did not delve into the intricacies of space travel and technology to the point I felt like I was taking an advanced college course, she does create a living galaxy and intricate characters you can’t help but chase after like a starstruck fan seeing Mark Hamill at a Star Wars convention. While there is an overall theme to the large series, each book is unique to itself, so…
Cordelia Naismith is enjoying a baptism of fire. Her first mission is to captain a throwaway warship of the Betan Expeditionary Force on a mission to destroy an entire enemy armada. Discovering deception within deception, treachery within treachery, she is forced into an uneasy peace with her nemesis: Lord Aral Vorkosigan. Discovering that astrocartography is not the soundest training for a military leader, Cordelia rapidly finds herself the prisoner of the Barrayaran Captain Aral Vorkosigan, also known as 'The Butcher of Komarr'. But the notorious captain is not quite the beast Cordelia was expecting and a grudging respect develops between…
Growing up in what was becoming Silicon Valley, I escaped to San Francisco on weekends and, through it, fell in love with what other great cities have to offer. However, as an environmental writer and TV producer there in the 1980s, I became aware of how cities exploit the territories on which they rely. A winter sojourn in the most lovely, fragile, and ingenious of all towns—Venice—in 1985 focused my too-diffuse thought on what might otherwise seem a contradiction.The lagoon cityis, as John Ruskin said, the finest book humanity has ever written; I owe it my life and the book it inspired.
Like so much else Mumford wrote, this book is a volcano of provocative ideas that I found revelatory when I first read it and still do. Published in 1970, it summarizes much of Mumford’s thinking about the largely invisible and growing power structure he calls the Megamachine that threatens humanity and life on planet Earth.
His earlier writing, including The City in History (1961) and his essay The Natural History of Urbanization (1956), was formative for my own thinking about urban parasitism and aggression. Although a lover of cities, as am I, Mumford was well aware of the consequences of their depredations.
In this concluding volume of The Myth of the Machine, Mumford brings to a head his radical revisions of the stale popular conceptions of human and technological progress. Far from being an attack on science and technics, The Pentagon of Power seeks to establish a more organic social order based on technological resources. Index; photographs.
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
This book has everything in it across 37 chapters: technology, landscapes, material culture, identity, and empire. It is one of the few volumes in this series of Companions and Handbooks from various publishers that takes an explicitly archaeological focus. It includes developments in the city of Rome over time, but broadens out to include Italy and Rome’s empire. The book benefits from drawing on the research of 37 leading experts, who present in concise sections key findings based on archaeological research – often from archaeological projects that they have led in the field.
A Companion to the Archaeology of the Roman Republic offers a diversity of perspectives to explore how differing approaches and methodologies can contribute to a greater understanding of the formation of the Roman Republic. * Brings together the experiences and ideas of archaeologists from around the world, with multiple backgrounds and areas of interest * Offers a vibrant exploration of the ways in which archaeological methods can be used to explore different elements of the Roman Republican period * Demonstrates that the Republic was not formed in a vacuum, but was influenced by non-Latin-speaking cultures from throughout the Mediterranean region…
Keelan Cavanaugh is fat. That’s why the government put him in prison.
They placed him in a Calorie Reduction Centre (CRC), where trained staff work to help him and many others slim down. Well, that was the intention, anyway. The powers that be had decided chubby citizens must either go…
During my life, I’ve been told that I was not a true engineer, not a true banker, not a true CEO, not a true entrepreneur, not a true teacher… But one day an executive told me: “I want to work with you because you’re not a true consultant.” I then realized it is was a privilege not to be a true something! I like to call myself a corporate philosopher. Fellow of the BCG Henderson Institute, and co-founder of Cartoonbase, I split my time between the worlds of academia and business. I have published several other books on various subjects such as language, mathematics, humor, or fallacies.
Lee covers and connects two of my favorite topics, creativity, and technology. From the facts and truths of technology to the role models play in creativity (looking at how early philosophers suggested modeling thought), he argues that computers are not universal machines and that their power comes from their partnership with humans.
How humans and technology evolve together in a creative partnership.
In this book, Edward Ashford Lee makes a bold claim: that the creators of digital technology have an unsurpassed medium for creativity. Technology has advanced to the point where progress seems limited not by physical constraints but the human imagination. Writing for both literate technologists and numerate humanists, Lee makes a case for engineering—creating technology—as a deeply intellectual and fundamentally creative process. Explaining why digital technology has been so transformative and so liberating, Lee argues that the real power of technology stems from its partnership with humans.
I’m a philosopher, writer, and illustrator from Wales, UK. I grew up on ’70s sci-fi—Star Wars (the original trilogy!), Battlestar Galactica (the original series!), The Black Hole (Remember that?! No? Oh well…). Space travel, flying cars, sassy computers you could banter with, cute robots who would be your best friend—it was a time when the future seemed just around the corner. But now, as these things finally start to arrive, I feel I’ve been mis-sold. Data theft? Mass surveillance? Killer drones? Election manipulation? Social media bot farms? This isn’t the future I signed up for! Or maybe I should have read the terms and conditions…
But canyou fight the future? Isn’t it inevitable? This is often how tech companies try to make us think, and that anyone who opposes “progress” is a Luddite. But, as Patrick Sale makes clear in this excellent and heartbreaking historical study, the original Luddites—a protest movement that swept the industrial heartland of 19th Century England—were not anti-technology; they merely thought technology should serve people, not profit. Faced with the destruction of their livelihoods and their traditional way of life, they destroyed machines and burnt factories because that was the only outlet they had for their rage and desperation. And when the “inevitable march of progress” comes to trample you too, you may see that they had a point.
Kirkpatrick Sale is at the tumultuous centre of a technology backlash, actively challenging Bill Gates on the one hand and the Unabomber on the other. The subject of bets, barbs, and grudging praise in the pages of WIRED, The New York Times, Newsweek, and The New Yorker, Rebels Against the Future takes us back to the first technology backlash, the short-lived and fierce Luddite rebellion of 1811. Sale tells the compelling story of the Luddites'struggle to preserve their jobs and way of life by destroying the machines that threatened to replace them he then invokes a new-Luddite spirit in response…
Software developers love to question the assumptions that underpin their practice. Some of the most exciting phases of my career have come about as a result of such questions. Often they are revolutionary in the literal sense that they ask you to turn your thinking upside down – to design systems from the bottom up rather than the top down, for example, or to write your tests before your components. I may not adopt every practice, but each challenge enriches the conceptual world in which I work. Over the years, I have come to look for similar shifts and inversions across other subject areas. Here are some recommendations from my reading.
In between other projects, I have been conducting research for a non-fiction book about the particular kinds of parallel universe that every story world creates. And that's how I came across Reality+.
The question as to whether we are living in a simulation is beloved of moviegoers, stoners, and undergraduates (quite a large intersection in that Venn diagram). It's also worthy of serious philosophical and scientific inquiry. David J Chalmers is a philosopher, and his book treats the question with entertaining rigour.
The book goes beyond the simulation hypothesis, though, to examine the philosophical implications of our inevitable colonisation of the virtual realm. At the heart of Chalmers' argument is a rejection of the opposition between the real and the simulated.
Lived experience, Chalmers claims, is real experience, as freighted with value and possibility in the virtual world as it is out here in the probably real, possibly simulated universe.
Virtual reality is genuine reality; that's the central thesis of Reality+. In a highly original work of "technophilosophy," David J. Chalmers gives a compelling analysis of our technological future. He argues that virtual worlds are not second-class worlds, and that we can live a meaningful life in virtual reality. We may even be in a virtual world already.
Along the way, Chalmers conducts a grand tour of big ideas in philosophy and science. He uses virtual reality technology to offer a new perspective on long-established philosophical questions. How do we know that there's an external world? Is there a…
The Rocket Scientist is a science-driven thriller about what might happen if microbes from Mars reached Earth.
When her Mars rover detects living microbes capable of absorbing carbon dioxide, Dr. Julie McCray believes she’s found the key to reversing Earth’s climate crisis.
But within hours, the mission is mysteriously shut…
I've been teaching and writing in the field of the history of technology for over six decades, and it's not too much to say that the field and my professional career grew up together. The Society for the History of Technology began in 1958, and its journal, Technology and Culture, first appeared the following year. I've watched, and helped encourage, a broadening of the subject from a rather internal concentration on machines and engineering to a widening interest in technology as a social activity with cultural and political, as well as economic, outcomes. In my classes I always assigned not only original documents and scholarly monographs but also memoirs, literature, and films.
My admiration for this book is demonstrated by the way in which I quite shamelessly ripped off its title for my own. It has been said that America is the only nation that began perfect and hoped to improve. The engine of that improvement, from the earliest days of the Republic, had been new technologies but by the middle of the pre-Civil War period some Americans began to realize that the “improvement” they had unleashed was beginning to erode the very “perfection” that they had hoped to enshrine in the nation’s foundation. Writers, artists, and creative intellectuals in general are society’s canaries in the mine shaft, and the great names of the American Renaissance—Ralph Waldo Emerson, Henry David Thoreau, Washington Irving, Herman Melville, George Innes, Charles Sheeler, and their colleagues—attempted to describe, understand, and perhaps heal the destructive effects of the machine. As Marx concludes, “what was a grim possibility…
For over four decades, Leo Marx's work has focused on the relationship between technology and culture in 19th- and 20th-century America. His research helped to define-and continues to give depth to-the area of American studies concerned with the links between scientific and technological advances, and the way society and culture both determine these links. The Machine in the Garden fully examines the difference between the "pastoral" and "progressive" ideals which characterized early 19th-century American culture, and which ultimately evolved into the basis for much of the environmental and nuclear debates of contemporary society.
As a surgeon and scientist who has had a lifelong interest in science and science fiction, I can’t help being fascinated by “what if” questions, especially as regards the impact of inventions on human society and the world. As an optimist, I tend to enjoy exploring inventions that benefit mankind much more than those that bring on an apocalypse.
This riveting tale asks “what if” a future technology allows the “bobbling” of spherical volumes of invincible space within which time is stopped. In a misguided effort to stop a war, the Peace Authority bobbles military groups and war-making machinery all around the world with unexpected consequences.
But, for me, the stars of the show are the bobbles themselves, especially when they unexpectedly start popping, releasing people, war machines, and exploding bombs that have been in stasis for decades.
First in a quintessential hard-science fiction adventure, Hugo Award-winning author Vernor Vinge's The Peace War follows a scientist determined to put an end to the militarization of his greatest invention--and of the government behind it.
The Peace Authority conquered the world with a weapon that never should have been a weapon--the "bobble," a spherical force-field impenetrable by any force known to mankind. Encasing governmental installations and military bases in bobbles, the Authority becomes virtually omnipotent.
But they've never caught Paul Hoehler, the maverick who invented the technology, and who has been working quietly for decades to develop a way to…
A Seattle-based author, I have written eight books, including When the Red Gates Opened: A Memoir of China’s Reawakening, about the eight years I spent as Business Week’s reporter covering China, 1982-1990. In it, I give readers an inside look at China’s transformation from Maoism to modernity. A fluent speaker of Mandarin, I have traveled widely in China for over forty years and befriended Chinese people at many levels of society, leading me to a strong belief in the importance of direct cross-cultural communication and deepened mutual understanding.
Frankly, it makes me squirm to recommend this book, but it’s a topic we Americans need to understand better. Under Xi Jinping, China has expanded its use of surveillance cameras and begun a “social credit” system to track people who are—and aren’t—following the rules. Kai Strittmatter, who reported from China for a leading German newspaper for more than a decade, relies on strong research and concludes that China is Orwellian. And yet, most Chinese citizens I know do not feel watched and oppressed. I’m eager to get back to China to judge for myself.
Named a Notable Work of Nonfiction of 2020 by the Washington Post
As heard on NPR's Fresh Air, We Have Been Harmonized, by award-winning correspondent Kai Strittmatter, offers a groundbreaking look, based on decades of research, at how China created the most terrifying surveillance state in history.
China’s new drive for repression is being underpinned by unprecedented advances in technology: facial and voice recognition, GPS tracking, supercomputer databases, intercepted cell phone conversations, the monitoring of app use, and millions of high-resolution security cameras make it nearly impossible for a Chinese citizen to hide anything from authorities. Commercial transactions, including food…
A hundred years in the future, in a world where technologically enhanced bodies are valued above organic ones, Complete Life Management (CLM) is selling perfection in the form of the latest and greatest bionic model, the Apogee. As an elite runner and inadvertent spokesperson for the humanism movement, NYPD Detective…
As a writer who grew up on a steady diet of horror—from Dean Koontz to Peter Straub to Stephen King—I never knew what amazing diversity there actually was in the genre, until I became a horror writer myself! In the last few years, I’ve met an incredible range of talented writers whose books are sometimes overshadowed on the horror shelves by a certain King, and I think it’s high time we all knew more about these hardworking, creative, and gifted authors. So if you read horror and are hungry for new books by writers whose work you may not know, here are five incredible voices to whisper tales of terror in your ear.
This Thing Between Usis a strange, mesmerizing, and oddly funny story about one man’s grief and how it leads to an invasive, evil force penetrating our world from the beyond. In part, it’s a haunted house story, but the ghost is in the machine—specifically a smart speaker named “Itza,” which is Moreno’s version of Alexa. I had the idea to a write a haunted house novel in which the house is haunted by a computer, but Gus beat me to it, and did it ten times better than I could have. You won’t read anything like this one, I promise.
"As original as it is affecting . . . left me genuinely creeped out, unsettled, and shaken. An existentially frightening book." -Paul Tremblay, author of Survivor Song
"Hold on, this isn't a ride, it's a slide, and it doesn't care whether you're ready or not." -Stephen Graham Jones, author of The Only Good Indians
A widower battles his grief, rage, and the mysterious evil inhabiting his home smart speaker, in this mesmerizing horror thriller from Gus Moreno.
It was Vera's idea to buy the Itza. The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be…
