Here are 100 books that I Hate the Internet fans have personally recommended if you like
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As a writer, artist, and actor throughout my life, I’ve explored and enjoyed many artistic forms. While I appreciate books across many genres, I elevate to the highest level those works that manage to break conventional boundaries and create something original. In my own work, I have always challenged myself to create something unique with a medium that has never been done before. At the same time, I have sought to discover a process and resulting work that inspires readers’ own creativity and challenges them to expand their imagination.
First published in 1959, Naked Lunch was shocking then, and it still retains its power today. Both in content and structure, Naked Lunch is powerful and wholly original. In effect, it becomes more than a work of fiction, it becomes an experience. Burroughs invented a technique called the “cut-up method,” where he cut up his coherent storyline into paragraphs, scenes, and even sentences, then reordered them both randomly and editorially. The disorder thematically represents the chaos of existence and the universe, and it also disrupts the reader. Like the book or not, it shakes you into realizing that there are possibilities beyond the conventional.
Burrough’s language is honed to a razor’s edge, and I find that many of the sentences in Naked Lunch burn like fire. The meaning of the title as Burroughs explains it is to bare the naked truth of reality on the end of a fork. From…
Since its original publication in Paris in 1959, Naked Lunch has become one of the most important novels of the twentieth century.
Exerting its influence on the relationship of art and obscenity, it is one of the books that redefined not just literature but American culture. For the Burroughs enthusiast and the neophyte, this volume—that contains final-draft typescripts, numerous unpublished contemporaneous writings by Burroughs, his own later introductions to the book, and his essay on psychoactive drugs—is a valuable and fresh experience of a novel that has lost none of its relevance or satirical bite.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a writer, artist, and actor throughout my life, I’ve explored and enjoyed many artistic forms. While I appreciate books across many genres, I elevate to the highest level those works that manage to break conventional boundaries and create something original. In my own work, I have always challenged myself to create something unique with a medium that has never been done before. At the same time, I have sought to discover a process and resulting work that inspires readers’ own creativity and challenges them to expand their imagination.
Grossman achieves something remarkable in The Alphabet Man. The work manages to weave together visual, avant-garde graphic design, literary poetry, and a suspenseful thrilling plot. The book itself is gorgeous to look at it, and the text layout is designed as a work of art. Grossman seamlessly blends these disparate elements into a unified, unique creation that breaks the boundaries of what a novel can be.
"America loves a murder, and I am a murderous American," observes Clyde Wayne Franklin, who is considered by many to be the foremost poet in America. No ordinary killer, he is equal parts writer, obsessive lover, alcoholic, moralist, ex-con, clown, and butcher. The Alphabet Man is the story of his ruthless search for carnal love and spiritual redemption as he moves through the underworld of Washington, D.C., a sadistic landscape peopled by drug dealers, prostitutes, and assassins-for-hire. Part thriller, part psychological and linguistic masterpiece, Grossman's explosive fiction convinces us that if there is a pure poetry in the modern world,…
Humor is based on surprise and the ‘foreign’ is often surprising. As I traveled all over the world for work, I searched out local authors and found myself laughing. It started with At Swim Two Birds and has never stopped.
In the summer of 1968, I was 20 and spent the summer pretty much banally in Israel and Europe. Around me, the world was on fire, but I was inside my own head.
Eventually, I washed up in Dublin, where I walked in a cold rain to Dorset Street, there to recreate Leopold Bloom’s pork kidney purchase from Dlugacz, the butcher. There was no Dlugacz on Dorset, but there was another butcher who stuffed into stiff pink butcher paper something that glistened and oozed. My plan was to fry it up, as Leopold had, on the hotplate in my rented room. It did not go well. I was felled intestinally in dramatic fashion; pity there was no one to observe.
Somehow, in my travels, I had obtained a copy of At Swim Two-Birds, and now, my insides recreating The Troubles, I wanly reached for it and read the first paragraph:…
A wildly comic send-up of Irish literature and culture, At Swim-Two-Birds is the story of a young, lazy, and frequently drunk Irish college student who lives with his curmudgeonly uncle in Dublin. When not in bed (where he seems to spend most of his time) or reading he is composing a mischief-filled novel about Dermot Trellis, a second-rate author whose characters ultimately rebel against him and seek vengeance. From drugging him as he sleeps to dropping the ceiling on his head, these figures of Irish myth make Trellis pay dearly for his bad writing. Hilariously funny and inventive, At Swim-Two-Birds…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
As a writer, artist, and actor throughout my life, I’ve explored and enjoyed many artistic forms. While I appreciate books across many genres, I elevate to the highest level those works that manage to break conventional boundaries and create something original. In my own work, I have always challenged myself to create something unique with a medium that has never been done before. At the same time, I have sought to discover a process and resulting work that inspires readers’ own creativity and challenges them to expand their imagination.
Locos is charming and cruel, tragic and hilarious, ambiguous yet direct, and written with clear, poetic prose. The experimental style on display never overwhelms the narrative. Despite the fact that Alfau directly declares the fictive nature of his characters, he made me care about them. The book contains a series of interconnected short stories with characters reappearing throughout and even when they are not featured, a brief mention may act as a dramatic revelation that changes significantly what you read before. And further, some of the characters seem to metamorphosize and serve different roles in subsequent stories.
The entirety manages to hold together as more of a novel than a collection partly thanks to the overlapping characters, partly through the consistent tone and style, and partly because Alfau is always in the background or making appearances as "the author." Some of the stories are quite hilarious, while some are devastating.…
The interconnected stones that form Felipe Alfau's novel LOCOS take place in a Madrid as exotic as the Baghdad of the 1001 ARABIAN NIGHTS and feature unforgettable characters in revolt against their young 'author' "For them", he complains, "reality is what fiction is to real people; they simply love it and make for it against ray almost heroic opposition" Alfau's "comedy of gestures" -- a mercurial dreamscape of the eccentric, sometimes criminal, habitues of Toledo's Cafe of the Crazy -- was written in English and first published in 1936, favorably reviewed for The Nation by Mary McCarthy, as she recounts…
I grew up in a family that was focused on people, poetry, and politics. My parents both worked with children with disabilities in Massachusetts and my mother ran a daycare center in our house. As a reader, student, poet, and then editor, I’ve drawn on those experiences and expectations, and have searched through books looking for their echoes. Since 2007, I've edited books at Yale University Press where I'm currently Senior Executive Editor. I have a BA from Cornell University and an MFA in Creative Writing from the Iowa Writers’ Workshop. I've also worked in various publishing roles at ICM, Continuum, and Harvard University Press.
First published in 1958, this is one of Hannah Arendt’s most influential books and in it she attempts to define the human condition in the aftermath of World War II, developing her concept “natality.”
It’s a challenging book that I’ve wrestled with and argued with and never forgotten. It includes some of her most powerful and frequently cited passages about birth. Lately, I’ve been returning to its opening pages, in which she discusses the launch of Sputnik into space.
She saw this launch not as an exciting technological breakthrough, but as a fateful repudiation of our earthly existence, an existence that was defined by birth with possibilities and limitations.
The past year has seen a resurgence of interest in the political thinker Hannah Arendt, "the theorist of beginnings," whose work probes the logics underlying unexpected transformations-from totalitarianism to revolution.
A work of striking originality, The Human Condition is in many respects more relevant now than when it first appeared in 1958. In her study of the state of modern humanity, Hannah Arendt considers humankind from the perspective of the actions of which it is capable. The problems Arendt identified then-diminishing human agency and political freedom, the paradox that as human powers increase through technological and humanistic inquiry, we are…
I've been teaching and writing in the field of the history of technology for over six decades, and it's not too much to say that the field and my professional career grew up together. The Society for the History of Technology began in 1958, and its journal, Technology and Culture, first appeared the following year. I've watched, and helped encourage, a broadening of the subject from a rather internal concentration on machines and engineering to a widening interest in technology as a social activity with cultural and political, as well as economic, outcomes. In my classes I always assigned not only original documents and scholarly monographs but also memoirs, literature, and films.
My admiration for this book is demonstrated by the way in which I quite shamelessly ripped off its title for my own. It has been said that America is the only nation that began perfect and hoped to improve. The engine of that improvement, from the earliest days of the Republic, had been new technologies but by the middle of the pre-Civil War period some Americans began to realize that the “improvement” they had unleashed was beginning to erode the very “perfection” that they had hoped to enshrine in the nation’s foundation. Writers, artists, and creative intellectuals in general are society’s canaries in the mine shaft, and the great names of the American Renaissance—Ralph Waldo Emerson, Henry David Thoreau, Washington Irving, Herman Melville, George Innes, Charles Sheeler, and their colleagues—attempted to describe, understand, and perhaps heal the destructive effects of the machine. As Marx concludes, “what was a grim possibility…
For over four decades, Leo Marx's work has focused on the relationship between technology and culture in 19th- and 20th-century America. His research helped to define-and continues to give depth to-the area of American studies concerned with the links between scientific and technological advances, and the way society and culture both determine these links. The Machine in the Garden fully examines the difference between the "pastoral" and "progressive" ideals which characterized early 19th-century American culture, and which ultimately evolved into the basis for much of the environmental and nuclear debates of contemporary society.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I have always asked why too many times I am told. From my early days studying psychology to working for Myspace out in LA and now with clients in London, my fondness for understanding what drives change, inertia, and pain has always been a focus. I knew from an early age that understanding people and how they are affected by, use and fear change and technology would be a useful skill to focus on. Doing so has enabled me to work with big brands, and smart cookies and interview some of the best minds of our generation. I recently brought everything under one roof, TBD Group, to help people see around corners.
Tracey’s first book was a smash hit with tech and business folks alike for its take on where identity is going after she had a run-in with Facebook. From the initial fascinating (and frankly scary) story, Tracey explores how identity is changing and that’s important for any business out there. You’ll explore all facets of what identity means – and could mean – in the future. As we rethink ourselves and create digital twins, understanding the psychology behind this area will be business-critical in the coming years.
In the future, how many identities will you have? How many do you want? Digital technology is causing us to think differently about who we are and who we could become, but with the right knowledge we can turn this incredible capacity to our advantage.
'Who am I?' is one of the most fundamental questions of all. But it is becoming increasingly difficult to answer as technology enables us to negotiate and create many different versions of ourselves.
In our digital, data-driven world, Facebook gets a say in verifying who we are, science can alter our biology, and advances in…
I have been writing for several years now, but my undergraduate degree is in geochemistry and I have always had a keen interest in science. For me, writing and science go hand-in-hand because both represent an attempt to describe our world in different ways. Throughout my time studying science and spending time with other scientists, I became fascinated with the culture of academia and the competition that pushes people to compromise in the name of progress. We know far less than we don’t know about the universe, and speculative fiction makes a creative effort to fill in this gaping lack of knowledge while presenting us with important thought experiments.
I found the premise of The Candy House very intriguing – the novel is built around a new technology that allows you to download your consciousness.
The science is a little far-fetched (I certainly hope it is, anyway) and yet the reverberations of this fictional technology are easy to imagine in real life. The unique way in which the book is written, each chapter a window into a different life, shows how technology affects us all in small and large ways, whether we subscribe to it or not.
What I love most about this book, though, is the contrast between the intended altruistic uses for ‘Own Your Unconscious’ and the various uses which devolve from it. It all rings too true.
PULITZER PRIZE-WINNING AUTHOR OF A VISIT FROM THE GOON SQUAD A Time Magazine Must-Read 'A complex, compelling read that showcases Egan's masterful storytelling' TIME 'A dazzling feat of literary construction' VOGUE
From one of the most dazzling and iconic writers of our time comes an electrifying, deeply moving novel about the quest for authenticity, privacy, and meaning in a world where our memories are no longer our own--featuring characters from A Visit from the Goon Squad.
It's 2010. Staggeringly successful and brilliant tech entrepreneur Bix Bouton is desperate for a new idea. He's forty, with four kids, and restless when…
For most of my life, stillness eluded me. I struggled to be present in any moment, to experience joy or comfort, let alone peace. It took me a virtual lifetime to understand that this exterior version of me, with its incessant mental chatter and negative bias, could no longer control me. I reached a breaking point. Divorced after a lifetime partnership, played out of my most recent company, kids all grown up—utterly alone and without meaningful purpose, the hard inner journey began. I spent years focused on my own journey of self and spiritual development. The payoff is I am now not only more present to life but able to help others on their journeys.
Pollan approached the exploration of psychedelics with rigorous journalism, history, and neuroscience, but with deeply human storytelling.
It resonated with me and pushed me in the direction of experiencing psychedelics for my own growth. Pollan approaches a controversial subject with intellectual humility and curiosity while never losing sight of the personal and cultural implications. It helped me reconsider long-held assumptions about the mind, healing, and what it means to be open to change.
"Pollan keeps you turning the pages . . . cleareyed and assured." -New York Times
A #1 New York Times Bestseller, New York Times Book Review 10 Best Books of 2018, and New York Times Notable Book
A brilliant and brave investigation into the medical and scientific revolution taking place around psychedelic drugs--and the spellbinding story of his own life-changing psychedelic experiences
When Michael Pollan set out to research how LSD and psilocybin (the active ingredient in magic mushrooms) are being used to provide relief to people suffering from difficult-to-treat conditions such…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As an economist at the European Commission, Adjunct Professor in Paris, former fellow at the Harvard Kennedy School of Government, and now a first-time author, I thrive at the intersection of academia, think-tanks, and policy-making. My academic soul leads me to seek answers to the big questions: what is economic growth and how does it relate to the success of civilization, to science and technology, to people’s wellbeing, and to nature. My practical focus leads me to draw the policy implications of all this for how we ought to fight climate change. My critics accuse me of being an optimist. I take it as a compliment: the future of humanity is in our hands.
All of McAfee’s work is a testament to the power of human ingenuity and technology in changing the world.
This important book marks no exception, addressing the key problem of managing scarce natural resources in spite of a growing human population and economy. In the process, McAfee challenges some widely-held views, such as the idea that ‘you cannot have an ever-growing economy on a finite planet.’
As a matter of fact, you can and the book shows that since the mid-1990s the US economy has continued to expand while extraction of the 72 raw materials tracked by the US Geological Survey, from aluminum to timber, has diminished (even when considering imports).
To me, More from Lessis a testament to the power of technical progress.
'Everyone knows we're doomed by runaway overpopulation, pollution, or resource depletion, whichever comes first. Not only is this view paralysing and fatalistic, but, as Andrew McAfee shows in this exhilarating book, it's wrong... More from Less is fascinating, enjoyable to read, and tremendously empowering' Steven Pinker Bestselling author and co-director of the MIT Initiative on the Digital Economy Andrew McAfee says there's a new reason for optimism: we're past the point of 'peak stuff' - from here on out, it'll take fewer resources to make things, and cost less to lead a comfortable life.
