100 Books Like The Reaper's Garden

What really attracted to me about this book was Jenny Uglow’s ability to bring the eighteenth century alive in her biographies of five men – Josiah Wedgwood, Mathew Boulton, James Watt, Eramus Darwin, and Joseph Priestley – who met every month near Birmingham when the moon was full (so that they could see their way home).

These men genuinely transformed the world with their discoveries that created and powered the first factories and revolutionized our understanding of the natural and chemical worlds. For some reason I always remember Uglow’s description of Wedgwood, who invented the process for mass producing china, being so scientifically curious that he insisted on sitting up to watch his own leg being amputated.

This book is a wonderful, personal introduction to the English Enlightenment.

This book really helped me to look beyond slave trading merchants’ papers to think about the lived realities of the slave trade for those merchants’ victims.

Smallwood follows enslaved people from their initial sale on the African coast, aboard the slave ships, and then through their sale and seasoning in the English Americas—a model that brilliantly exposes the multi-staged way that captive Africans were commodified within the slave trade.

Saltwater Slavery also details the experiences of enslaved people within the trade, especially the mental and physical trauma that they suffered aboard the slave ships. 

A fascinating exploration of how British imperial ambitions influenced popular representations of Black slavery and white mastery during the peak years of Britain’s involvement in the transatlantic slave trade (c. 1680s to 1807). Using a wide variety of sources—including shop signs, tea trays, product advertisements, portraiture, graphic satires, plays, and more—Molineux argues that British artists, writers, and shop keepers obscured the horrific realities of Atlantic slavery in favor of idealized power relations that supported Britain’s imperial fantasies and developing racial ideologies.

This book helps to answer the question: what role did Africans and people of African descent play in the British popular imagination during the height of the transatlantic slave trade?

Equiano’s autobiography fascinated me when I stumbled upon a paperback edition of it in a local bookstore nearly thirty years ago.

A bestseller during Equiano’s lifetime, his Interesting Narrative is appreciated as a work of enduring historical and literary value. The odyssey he recounts takes him from enslavement as a child in Africa to becoming a leading figure in the struggle to abolish the transatlantic slave trade.

Along the way, he serves in the British Royal Navy, gains his freedom, participates in a scientific expedition to the Arctic, has a religious conversion, observes various kinds of slavery in North and Central America, England, Europe, and the Middle East before agreeing to help administer settling in Africa formerly enslaved poor Blacks who had joined the British forces during the American Revolution.

Based on painstaking analysis of the surviving records of the Commissioners of Slave Compensation, this book provides a comprehensive look at British slave-ownership in 1833, when the British government abolished colonial slavery and paid £20 million to slave-owners as compensation for their loss of human property. After emancipation the enslaved received nothing. Moreover, they were forced to remain on their plantations and continue to labor for their former masters under the apprenticeship system, which was not abolished until 1838. Draper concludes that slave-owning was widespread in metropolitan Britain and that many individuals, businesses, and institutions derived wealth from African slavery.

This book demonstrates that there is indeed a strong case for reparations and it is best read as a companion piece to University College London’s Legacies of British Slavery project, an extensive database tracing the impact of slave-ownership on the development of modern Britain.

Though Foucault’s book appeared at almost the same moment as Ignatieff’s, Foucault painted a far darker image of early penitentiaries. He cast them not as places of reform but as instruments of disciplinary control, rendering inmates docile and amenable to the monastic repression and routine of schools and factories.

Foucault’s book taught me decades ago that history is crafted, not discovered, and that skilled chroniclers can weave very different plotlines from similar facts.

Few historians have brought eighteenth-century British culture and politics alive like Linda Colley in this study of how British identity was created between the 1707 union of England and Scotland and the early nineteenth century.

This book is filled with a sense of continuing relevance as Britain continues to struggle with its identity and place in the world. In the eighteenth century this identity was built around Protestantism, commerce, empire, and the nation’s lonely struggle against Napoleon on the European continent.

But can the peripheries of in Scotland, Wales, and Ireland really be persuaded to adhere to this vision of a unified Britain? In pondering this question, Collier’s book strikes me as essential reading.

I have long considered Jean-Jacques Rousseau the most influential of all major figures in the Enlightenment.

As I tell my students, if they are wearing jeans, then they are showing the abiding impact of Rousseau’s celebration of “nature” over civilization. I could recommend any of Rousseau’s books on the origins of society, the “social contract,” or his Confessions, the first modern autobiography. Instead, I will recommend my favorite study of Rousseau.

The great French historian Jean Starobinski illuminates the paradoxes of Rousseau’s personality and writings, his habits of self-deception and obfuscation in conflict with his celebration of total honesty or transparency. This book, though written in the late 1950s, greatly influenced later French authors on Rousseau such as Jacques Derrida, the founder of deconstruction.

Who decides how history is written? Andrea Levy raises this question in her epic novel about Jamaican slavery and its aftermath. An older woman named July writes the narrative of her life so that her son and his children will know her story.

She was born enslaved, and she recounts everyday indignities and violence, rivalries among enslaved household workers, and attempts to find love and connection in a society that denies humanity to the enslaved. Writing with humor and generosity, Levy imagines a world that is obscured by official histories written by enslavers.

July’s story and her struggles to narrate her story help readers understand that history is made in small moments and momentous ones and that some stories will always be beyond our grasp.

We all know King is the master of horror. Most of his books are novels of one story but I love his short stories. They are fast-paced and leave you wondering what lurks around the corner. King talks about struggling as a writer and barely making it in the beginning. He sold his stories to men’s magazines to make ends meet when he was first starting out. It gives hope to us who feel like we will never make it.