100 Books Like Britons

What really attracted to me about this book was Jenny Uglow’s ability to bring the eighteenth century alive in her biographies of five men – Josiah Wedgwood, Mathew Boulton, James Watt, Eramus Darwin, and Joseph Priestley – who met every month near Birmingham when the moon was full (so that they could see their way home).

These men genuinely transformed the world with their discoveries that created and powered the first factories and revolutionized our understanding of the natural and chemical worlds. For some reason I always remember Uglow’s description of Wedgwood, who invented the process for mass producing china, being so scientifically curious that he insisted on sitting up to watch his own leg being amputated.

This book is a wonderful, personal introduction to the English Enlightenment.

I was on the Guggenheim committee that awarded The Reaper’s Garden the prize for the best book on the eighteenth century in 2010.

The eighteenth century marked the climax of the slave trade and the plantation system in European colonies in the Americas and elsewhere. Brown’s book brings the plantation world of eighteenth-century Jamaica alive like no other that I have read.

This was a world filled with death, not only the mortality of the African slaves but just as commonly of the white plantation owners and their families who seldom lasted two years before dying of tropical diseases. Funerals became competing sites for display between blacks and whites.

The funerals of black people became such powerful vehicles of protest and cultural identity that the plantation owners tried to repress them. Brown’s book stands out in my mind as a powerful study of the evils of slavery and morbid culture… show more.

Though Foucault’s book appeared at almost the same moment as Ignatieff’s, Foucault painted a far darker image of early penitentiaries. He cast them not as places of reform but as instruments of disciplinary control, rendering inmates docile and amenable to the monastic repression and routine of schools and factories.

Foucault’s book taught me decades ago that history is crafted, not discovered, and that skilled chroniclers can weave very different plotlines from similar facts.

I have long considered Jean-Jacques Rousseau the most influential of all major figures in the Enlightenment.

As I tell my students, if they are wearing jeans, then they are showing the abiding impact of Rousseau’s celebration of “nature” over civilization. I could recommend any of Rousseau’s books on the origins of society, the “social contract,” or his Confessions, the first modern autobiography. Instead, I will recommend my favorite study of Rousseau.

The great French historian Jean Starobinski illuminates the paradoxes of Rousseau’s personality and writings, his habits of self-deception and obfuscation in conflict with his celebration of total honesty or transparency. This book, though written in the late 1950s, greatly influenced later French authors on Rousseau such as Jacques Derrida, the founder of deconstruction.

This is a remarkable collection of essays by a scholar who, along with the likes of Rees Davies, Robert Bartlett, Ian Short, and Hugh Thomas, has brought about a revolution in the way we think about the English people and their identities during what we should call the long twelfth century. The consequences for the way in which we think about British history and the place of the British Isles within continental Europe have been profound. The debates continue!

When I got wind of this book, I had just finished writing a book about gold and money in Britain from the 1750s to the 1850s. Although I knew about the long history of British money prior to the 1750s and also about its complicated history down to the present, I jumped at the chance to read the whole story laid out between two covers. Blaazer deftly accomplishes this task, with a special focus on the strikingly different paths that money took in Britain’s three corners of Ireland, Scotland, and England (not so much on Wales, as is so often the case in such histories!).

How a country manages its money, it turns out, says much about how it governs its people—ranging from willful indifference in Ireland to consistent policies in England and Scotland that favored the wealthy (and especially the bankers) over the middling classes. A final advantage of… show more.

This beautifully illustrated book explores Austen’s life and her interactions with the world as a novelist.

Jane’s teenage writings, her music books, and the story of her surviving pelisse (a type of coat) are all discussed, along with the magic of her remaining correspondence. (Sadly, after Jane died, her sister Cassandra burnt many of her letters to protect her emotional life from strangers’ prying eyes).

Austen’s fiction manuscripts, several of which survive, offer clues to how she worked. Jane’s status as a novelist at the time of her death in 1817 is also discussed, and compared with her competitors. 

At first glance you’d be forgiven for thinking this is rather similar to Dan Cruickshank’s Georgian London considering its title. However, this book takes a modern comparative view of the era, considering how people of the time mimic the attitudes of people today. History oft-times repeats itself, and Corfield’s book is an incredibly nuanced take on this viewpoint yet still succeeds in being a thoroughly pleasurable read. Fiction nowadays not only seeks to tell a story but aims as well to tell us something about the world we live in, and this is no less true than historical fiction—it is why books like this are so crucial to a writer’s research.

Wood is known for his stellar television documentaries, but he’s also a prolific and talented author. This gem of a book delves into some of the most famous legends of English/British folklore, ones that still capture the popular imagination. He then examines some key historical events and people from the earlier Middle Ages, and their importance even now. Written in an engaging style, it’s an excellent introduction to the roots and origins of so much British culture.     

Bill Bryson is an international treasure, a keen observer of the modern quirks and foibles of his fellow humans all over the world. His wit and ability to good-naturedly skewer just about anything and anyone are a marvel to read. This book is perhaps a sequel to his earlier work, Notes from a Small Island, but both provide valuable insights into British culture and its many charms and annoyances. Hilarious!