Books like The Quickening — picked by fans

This story is a twist on a familiar Lewis Carroll tale.

It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive. 

This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.

The moment I started reading this book, its tone gripped me instantly.

It fearlessly presents challenging and daunting situations with a mix of wit and courage. Darkly observant, the story unfolds with a blend of humour, fondness, and a hint of irony, making "The Leisure Seeker" a bittersweet fable of the golden years.

The book fearlessly confronts the realities and indignities of aging and disease, yet it doesn't fail to celebrate life, embracing every precious moment left in the lives of the characters, even if they are old geezers.

While the subject matter could lead to a somber narrative, the book takes an unexpected turn, becoming a genuinely life-affirming and highly entertaining tale, defying the omnipresent shadow of mortality.

As a kid, I loved this funny and frightening book about the terrible things that happen to bratty children (the same could be inferred for bratty octogenarians).

I’m sure my parents hoped these tales would encourage more reasonable behavior. Instead, these tales set me on a path to writing dark stories. In this case, the contrast of humor and the horrifying is addictive, and characters in any kind of book that combine these traits are always compelling.

The illustrations in the version published by John C. Winston Company are particularly quirky, increasing the impact of each story. This book probably had more influence on my book than I realized during the writing.

In 1948, my life focused on horses, and this was my favorite book.

Pictures were always a plus since dyslexia (though undiagnosed at that point) made reading difficult.

I have no memory of how well the book might have been written. Most likely I didn’t care, never suspecting I’d become a writer. I lived and worked on a farm, eventually running a boarding stable.

The book didn’t have the horror or the humor, but Lightning’s gratifying story of achievement gave me hope for the future, unlike Black Beauty which filled me with horror. I couldn’t read it to my children.

His hideous treatment overwhelmed me, yet the first two books I wrote were even darker.

Obviously, Hannah is a brilliant writer.

She checks all the boxes that I hunt for in thirties fiction. The Great Depression, family, and the persistent drive of a protagonist (Elsa) to survive in the midst of harsh adversity. I love when an author paints vivid word pictures of this era, and Hannah does a superb job (as usual).

I want to feel the thirties, to actually mentally become a participant in experiencing what the characters experience. Hannah does just that.

I mean, not sure how much I need to say about the delight this book has brought to children since 1952. After being asked to read it to a group of first graders recently, I dissolved into tears having to read the scene where Charlotte dies, alone. The students that day thought I was silly. Yeah, as a kid, that didn’t bother me much. As an adult, well.

There’s something in this tale of love, friendship, and courage for all ages. Excellent for read-aloud if you are willing to commit to using different voices and really hamming it up.

We are blessed right now with an abundance of farmers who have good stories to tell. Three hill farmers stand out: John Lewis-Stempel, James Rebanks, and Patrick Laurie, whose Native is so lyrical that it reads at times like a prose poem by Seamus Heaney. Laurie’s book is an account, season by season, of his relationship with a roughish bit of land in southwest Scotland. It is part love affair with his small farm, and the curlews and native Galloway cattle in which he has an obsessional interest, and part critique of modern farming and the industrial timber production that threatens much of the open moorland. Native is worth reading just for the quality of the prose, even if you’re not remotely interested in countryside matters.

This touching tale, set on a farm, captures the timeless desire we all have to give the perfect gift to those we love. Rob learns the true meaning of love as he gives of himself, and finds a way to surprise his father. Buck has a beautiful way of showing rather than telling, and pulls us in with hope and vulnerability. A gift of love is the best gift of all, and Christmas is the perfect time to share this tender family story.

This is another quite different type of book which has taught me a lot about rhythm, how impelling it can be, and how a refrain can be used to advantage. Proceeding at a jaunty tempo here the boy frames his questions to his mother throughout the book with 3 possible answers, ‘Yes, or no or maybe.’

"Momma will you feed the hen?
Yes or no or maybe?
Scatter corn a round the pen.
You and me and baby?
To which the mum replies, in this case in the affirmative
Yes, we’ll feed the speckled hen
Scratching in the dew
Then she’ll lay two speckled eggs.
One for each of you."

This book has a memorable rhythm, good rhyme and it takes you into the world of the child and the mother. It finishes at the end of the day with the boy going to sleep which gives it the bonus… show more.

This is by far my favorite novel by John Grisham. I loved that he delivered a sensational narrative of Luke Chandler, the son of a poor cotton farmer. The boy must learn to deal with life faster than a seven-year-old should ever have to, as life on the farm comes with many obstacles and plenty of secrets he must manage to juggle.

It is masterfully told, and the life as Luke sees it is well depicted. I recommend this highly.